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About: Edgar Melville Ward     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Wikicat20th-centuryAmericanPainters, within Data Space : dbpedia.org associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryoteHomo sapiensArtistHumanAnimalPainteryago:WikicatAmericanGenrePaintersanimaleukaryotepainterspeciesschema:Personyago:WikicatPaintersFromOhioyago:WikicatPeopleFromChampaignCounty,Ohioyago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:GenrePainter110123517yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Painter110391653yago:Person100007846yago:PhysicalEntity100001930yago:YagoLegalActoryago:YagoLegalActorGeoartistyago:Whole100003553yago:Wikicat19th-centuryAmericanPaintersyago:Wikicat20th-centuryAmericanPainters New Facet based on Instances of this Class

Edgar Melville Ward (1839–1915) was an American genre painter. Ward was born in Urbana, Ohio. His elder brother was the sculptor, John Quincy Adams Ward. He studied at the National Academy of Design in New York City and in Paris under Cabanel. In 1883 he became a member of the Institut de France and was made a professor there. His paintings which are soundly realistic in execution, include Breton Washwomen (Au lavoir. - Souvenir du Finistère, 1876 salon de Paris) and The Sabot Maker (Le sabotier, 1876 salon de Paris); The Collar Shop and The Quilting Party (1892); and The Coppersmith (Metropolitan Museum, New York).