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Daniel Andreas Neofetou (born 1 February 1989) is a British writer and theorist. He is the author of the books Good Day Today: David Lynch Destabilises the Spectator (2012) and Rereading Abstract Expressionism, Clement Greenberg and the Cold War (2021). He is a regular contributor to The Wire and Art Monthly, and has written for ArtForum, Mute, Complex, Flash Art and Le Phare, the journal of Le Centre culturel suisse. He has also published academic journal articles in Journal of Contemporary Painting, Quarterly Review of Film and Video, Arts, Getty Research Journal and Philosophy & Social Criticism. He is an associate lecturer at University of Northampton and Birkbeck, and a visiting lecturer at University of Edinburgh.

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  • Daniel Neofetou (en)
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  • Daniel Andreas Neofetou (born 1 February 1989) is a British writer and theorist. He is the author of the books Good Day Today: David Lynch Destabilises the Spectator (2012) and Rereading Abstract Expressionism, Clement Greenberg and the Cold War (2021). He is a regular contributor to The Wire and Art Monthly, and has written for ArtForum, Mute, Complex, Flash Art and Le Phare, the journal of Le Centre culturel suisse. He has also published academic journal articles in Journal of Contemporary Painting, Quarterly Review of Film and Video, Arts, Getty Research Journal and Philosophy & Social Criticism. He is an associate lecturer at University of Northampton and Birkbeck, and a visiting lecturer at University of Edinburgh. (en)
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  • Daniel Neofetou (en)
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  • Daniel Neofetou (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Danielneofetou.jpg
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  • Leamington Spa, England (en)
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  • Daniel Neofetou, May 2016 (en)
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  • Daniel Neofetou, May 2016 (en)
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  • British (en)
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  • Daniel Andreas Neofetou (born 1 February 1989) is a British writer and theorist. He is the author of the books Good Day Today: David Lynch Destabilises the Spectator (2012) and Rereading Abstract Expressionism, Clement Greenberg and the Cold War (2021). He is a regular contributor to The Wire and Art Monthly, and has written for ArtForum, Mute, Complex, Flash Art and Le Phare, the journal of Le Centre culturel suisse. He has also published academic journal articles in Journal of Contemporary Painting, Quarterly Review of Film and Video, Arts, Getty Research Journal and Philosophy & Social Criticism. He is an associate lecturer at University of Northampton and Birkbeck, and a visiting lecturer at University of Edinburgh. (en)
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