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About: Charles D. Hall     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatProductionDesigners, within Data Space : dbpedia.org associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryotePersonHumanAnimalyago:WikicatAmericanArtDirectorsyago:WikicatAmericanProductionDesignersyago:WikicatBritishPeopleanimaleukaryotespeciesschema:Personyago:ArtDirector109811112yago:CausalAgent100007347yago:Director110015215yago:Expert109617867yago:InteriorDesigner110210648yago:Leader109623038yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Person100007846yago:PhysicalEntity100001930yago:YagoLegalActoryago:YagoLegalActorGeoyago:Specialist110631941yago:StageDirector110645223yago:Superior110676018yago:Supervisor110676877yago:Whole100003553yago:WikicatProductionDesigners New Facet based on Instances of this Class

Charles D. Hall (April 20, 1888 – April 8, 1970) was a British-American art director and production designer. He is perhaps best remembered for his tenure at Universal Pictures, where he began his career during the silent era. He was art director for many of Universal's most famous productions of the 1920s and '30's: The Phantom of the Opera (1925), All Quiet on the Western Front (1930), the original Bela Lugosi Dracula (1931), the original Magnificent Obsession (1935), and the 1936 My Man Godfrey among them, as well as eleven films directed by James Whale, including the original Boris Karloff Frankenstein (1931), The Invisible Man (1933), Bride of Frankenstein (1935), and the 1936 film version of Show Boat. Hall also worked on the 1929 part-talkie film version of Show Boat, directed by Ha