Adela Jušić (born 1982 Sarajevo) is a Bosnian contemporary visual artist. She was born in Sarajevo. She is known for her socially engaged art on the subject of the war in Bosnia and Herzegovina and the role of partisan women during the Second World War in Yugoslavia. She has exhibited her works in more than 100 international exhibitions including: Frestas – Trienal de Artes (São Paulo), The Women's Room (New York), Balkan Artist Guild (London), Manifesta 8. (Murcia), ISCP (New York), Videonale (Bonn), Image Counter Image (München). Jušić is a cofounder of the Association for Art and Culture Crvena. Adela Jušić is one of the creators of the online archive of the antifascist struggle of women in Bosnia and Herzegovina and Yugoslavia. She lives and works in Sarajevo.
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| - Αντέλα Γιούσιτς (el)
- Adela Jušić (en)
- Adela Jušić (eu)
- Адела Юшич (uk)
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| - Adela Jušić (born 1982 Sarajevo) is a Bosnian contemporary visual artist. She was born in Sarajevo. She is known for her socially engaged art on the subject of the war in Bosnia and Herzegovina and the role of partisan women during the Second World War in Yugoslavia. She has exhibited her works in more than 100 international exhibitions including: Frestas – Trienal de Artes (São Paulo), The Women's Room (New York), Balkan Artist Guild (London), Manifesta 8. (Murcia), ISCP (New York), Videonale (Bonn), Image Counter Image (München). Jušić is a cofounder of the Association for Art and Culture Crvena. Adela Jušić is one of the creators of the online archive of the antifascist struggle of women in Bosnia and Herzegovina and Yugoslavia. She lives and works in Sarajevo. (en)
- Adela Jušić (Sarajevo, 1982ko urriaren 20a) artista bisual garaikidea da. Nazioarteko 100 erakusketa baino gehiagotan erakutsi ditu bere lanak, besteak beste: Frestas - Trienal de Artes (São Paulo), The Women's Room (New York), Balkan Artist Guild (Londres), Manifesta 8. (Murtzia), ISCP (New York), Videonale (Bonn), Image Counter Image (München). Jušić Crvena Arte eta Kulturarako Elkarteko kofundatzailea da. Adela Jušić Bosnia eta Herzegovinako eta Jugoslaviako emakumeen borroka antifaxistaren lineako artxiboaren sortzaileetako bat da. Sarajevon bizi eta lan egiten du. (eu)
- Адела Юшич (босн. Adela Jušić; нар. 20 жовтня 1982) — відома боснійська художниця і активістка з Сараєво (Боснія і Герцеговина). У своїй художній практиці вона грає з різними формами мистецтва, фокусуючись на темі прав людини. (uk)
- Η Αντέλα Γιούσιτς (γεννηθείσα την 20 Οκτωβρίου 1982) είναι μία σύγχρονη εικαστική καλλιτέχνιδα από τη Βοσνία και Ερζεγοβίνη. Γεννήθηκε στο Σαράγεβο. Είναι γνωστή για την κοινωνικού περιεχομένου τέχνη της με θέμα τον πόλεμο στη Βοσνία και Ερζεγοβίνη και τον ρόλο των ανταρτισσών στο Β' Παγκόσμιο Πόλεμο στη Γιουγκοσλαβία. Τα έργα της έχουν εκτεθεί σε περισσότερες από 100 διεθνείς εκθέσεις, όπως τις: Φρέστας – Τριετία Τεχνών (Σάο Πάολο), Το Γυναικείο Δωμάτιο (Νέα Υόρκη), Βαλκανική Συντεχνία Καλλιτεχνών (Λονδίνο), Μανιφέστα 8 (Μούρθια), ISCP (Νέα Υόρκη), Βιντεονάλ (Βόννη), Image Counter Image (Μόναχο). Η Γιούσιτς είναι συνιδρύτρια του Συλλόγου για την Τέχνη και τον Πολιτισμό Crvena. Η Αντέλα Γιούσιτς έχει συνεισφέρει στη δημιουργία του διαδικτυακού αρχείου για τον αντιφασιστικό αγώνα των γυναικ (el)
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| - 1990.0 (second)
- The point is that in reality Bosnian artists have no choice. Not only does everyday conversation in Bosnia continually return to the war, but even attempts to escape this are doomed to failure. Such is the ubiquity of images of the war, in documentaries, magazines, and art, that they are caught in a double bind. Mention the war, and they are accused of playing the victim; make art about something else, and this is a positive decision to ignore the carnage. There is no escape – not talking about the war is, by omission, talking about the war. (en)
- In a whisper, Jusic speaks in her grandmother’s voice, talking about war, poverty, corruption, hatred – but also love for her children, her husband and her neighbors. The all too ordinary difficulties of her life are made intimate and immediate. Jusic’s grandmother serves a stand-in for all the grandmothers of this world who witness war, death and their families growing apart. Their wisdom is quiet and seldom asked for, and we feel that wisdom here, while watching an old woman get her hair dyed. Jusic’s position is that of an oral historian of sorts, sifting through forgotten stories of subjects that are usually ignored in official historical narratives and reproducing them as best as possible. (en)
- The overall effect is quite chilling, as the visitor processes the multiple gaps between personal memories of that siege and the commercial ficition now offered for sale by a global corporation. The callousness of the computerised female voice, giving the gameplayer instructions of how to kill more effectively, set against the very human surveillance images of a small child, can’t help but provoke feelings of anger in the viewer; the flattening of the worst suffering into a dehumanised, pixellated game environment for the desensitised consumer; with, at best, an indifferent shrug from the game’s producers when called to account for their product. (en)
- Revealing how wartime memories are intertwined with family and childhood memories, Jušić reminds us of the power of autobiographical work in questioning history and conflict. What is called into question in The Sniper is the reality of war itself, in an attempt to go beyond nationalist, ethnic or religious issues, which have been the main point of discussion throughout the post-war period. (en)
- Jušić picks out the hopes of these women for a genuinely transformed society in the wake of the victory of the Communist resistance movement led by Josip Broz Tito, and their bitter disappointment at the re-emergence of a traditional patriarchical organisation of society, in the first decade of Communist rule. This work, in its various manifestations, provides a platform for Jušić's uncompromising feminist analysis of the effects of conflict on individuals, and the consequences conflict has for their place in post-conflict societies. (en)
- ...preserve and make known historical evidence about the work and activities of the Antifascist Front of Women of Bosnia and Herzegovina and Yugoslavia, as well as about women’s participation in the People's Liberation Struggle and in the building of Socialist Yugoslavia. The Archive aims to motivate our new struggles— on fronts that we need to identify, in numerous battles that we need to win. The revolution has taken place. Let’s start another one! (en)
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| - Η Αντέλα Γιούσιτς (γεννηθείσα την 20 Οκτωβρίου 1982) είναι μία σύγχρονη εικαστική καλλιτέχνιδα από τη Βοσνία και Ερζεγοβίνη. Γεννήθηκε στο Σαράγεβο. Είναι γνωστή για την κοινωνικού περιεχομένου τέχνη της με θέμα τον πόλεμο στη Βοσνία και Ερζεγοβίνη και τον ρόλο των ανταρτισσών στο Β' Παγκόσμιο Πόλεμο στη Γιουγκοσλαβία. Τα έργα της έχουν εκτεθεί σε περισσότερες από 100 διεθνείς εκθέσεις, όπως τις: Φρέστας – Τριετία Τεχνών (Σάο Πάολο), Το Γυναικείο Δωμάτιο (Νέα Υόρκη), Βαλκανική Συντεχνία Καλλιτεχνών (Λονδίνο), Μανιφέστα 8 (Μούρθια), ISCP (Νέα Υόρκη), Βιντεονάλ (Βόννη), Image Counter Image (Μόναχο). Η Γιούσιτς είναι συνιδρύτρια του Συλλόγου για την Τέχνη και τον Πολιτισμό Crvena. Η Αντέλα Γιούσιτς έχει συνεισφέρει στη δημιουργία του διαδικτυακού αρχείου για τον αντιφασιστικό αγώνα των γυναικών στη Βοσνία-Ερζεγοβίνη και τη Γιουγκοσλαβία. Ζει και εργάζεται στο Σαράγιεβο. (el)
- Adela Jušić (born 1982 Sarajevo) is a Bosnian contemporary visual artist. She was born in Sarajevo. She is known for her socially engaged art on the subject of the war in Bosnia and Herzegovina and the role of partisan women during the Second World War in Yugoslavia. She has exhibited her works in more than 100 international exhibitions including: Frestas – Trienal de Artes (São Paulo), The Women's Room (New York), Balkan Artist Guild (London), Manifesta 8. (Murcia), ISCP (New York), Videonale (Bonn), Image Counter Image (München). Jušić is a cofounder of the Association for Art and Culture Crvena. Adela Jušić is one of the creators of the online archive of the antifascist struggle of women in Bosnia and Herzegovina and Yugoslavia. She lives and works in Sarajevo. (en)
- Adela Jušić (Sarajevo, 1982ko urriaren 20a) artista bisual garaikidea da. Nazioarteko 100 erakusketa baino gehiagotan erakutsi ditu bere lanak, besteak beste: Frestas - Trienal de Artes (São Paulo), The Women's Room (New York), Balkan Artist Guild (Londres), Manifesta 8. (Murtzia), ISCP (New York), Videonale (Bonn), Image Counter Image (München). Jušić Crvena Arte eta Kulturarako Elkarteko kofundatzailea da. Adela Jušić Bosnia eta Herzegovinako eta Jugoslaviako emakumeen borroka antifaxistaren lineako artxiboaren sortzaileetako bat da. Sarajevon bizi eta lan egiten du. (eu)
- Адела Юшич (босн. Adela Jušić; нар. 20 жовтня 1982) — відома боснійська художниця і активістка з Сараєво (Боснія і Герцеговина). У своїй художній практиці вона грає з різними формами мистецтва, фокусуючись на темі прав людини. (uk)
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