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owl:sameAs wikidata:Q113620877 , dbr:Yu-Peng_Chen . @prefix dbpedia-global: . dbr:Yu-Peng_Chen owl:sameAs dbpedia-global:GXkCF ; foaf:name "Yu-Peng Chen"@en . @prefix rdfs: . dbr:Yu-Peng_Chen rdfs:label "Yu-Peng Chen"@en ; foaf:givenName "Chen Yupeng"@en . @prefix dct: . @prefix dbc: . dbr:Yu-Peng_Chen dct:subject dbc:Shanghai_Conservatory_of_Music_alumni , , dbc:MiHoYo_people , dbc:Video_game_composers , dbc:Living_people , , dbc:Musicians_from_Shanghai , dbc:Chinese_classical_composers , dbc:Chinese_male_classical_composers , dbc:Deutsche_Grammophon_artists . @prefix prov: . dbr:Yu-Peng_Chen prov:wasDerivedFrom ; foaf:isPrimaryTopicOf wikipedia-en:Yu-Peng_Chen ; dbo:wikiPageWikiLink dbr:God_of_Gamblers , , dbr:Wong_Jing , , dbr:Impressionism_in_music , , , dbr:MMORPG , dbr:Andrew_Lau , dbr:Arpeggio , dbr:Open_world , , , , , dbr:Tencent , dbr:Singing , dbr:List_of_highest-grossing_films_in_China , dbr:IMDb , dbr:Raymond_Yip , dbr:HOYO-MiX , dbr:WeChat , dbr:Ludwig_Van_Beethoven , dbr:Clarinet , dbr:The_Game_Awards_2020 , dbr:Chan_Kwong-wing , dbr:Shanghai , dbr:Expo_2010 , dbr:Guzheng , dbc:Musicians_from_Shanghai , dbr:Music_of_China , dbr:Phantom_of_the_Theatre , dbr:London , , dbr:QQ_Music , dbr:Tin_whistle , dbr:Indie_music , dbr:Genshin_Impact , , dbr:Heroes_of_Sui_and_Tang_Dynasties , dbr:Hans_Zimmer , dbr:Shanghai_Symphony_Orchestra , dbr:The_Founding_of_an_Army , dbr:Bandcamp , , , dbr:Piano , dbr:Shenzhen_Arts_School , dbr:Tanimura_Shinji , dbr:World_Soundtrack_Awards , , dbr:Abbey_Road_Studios , dbc:Living_people , dbr:Changchun_Film_Festival , dbr:Guitar , dbr:Quincy_Jones , dbr:Tencent_Games , dbr:List_of_highest-grossing_mobile_games , , dbr:Erhu , , dbc:Shanghai_Conservatory_of_Music_alumni , dbr:The_Grow_2 , dbr:AIR_Studios , dbr:Douban , dbr:Yangpu_District , dbr:Bilibili , dbr:Zhou_Shen , dbr:Orchestral_music , dbr:CMIC_Music_Awards , dbr:NetEase , dbr:MiHoYo , dbr:Wuxia , dbr:Yangshan_Port , dbr:Second_Sino-Japanese_War , dbr:London_Philharmonic_Orchestra , dbr:Wuershan , dbr:The_House_That_Never_Dies , dbr:Polyphony , dbr:Sina_Weibo , dbr:Shanghai_Conservatory_of_Music , , dbr:Donghai_Bridge , dbr:NetEase_Cloud_Music , dbr:Tencent_Video . @prefix ns15: . dbr:Yu-Peng_Chen dbo:wikiPageWikiLink ns15:_The_Resurrection , dbr:Zhihu , dbr:Sichuan_Airlines_Flight_8633 , , dbr:Ukelele , dbr:The_House_That_Never_Dies_II , dbr:International_Master_Philharmonic_Orchestra , dbr:Simon_Rhodes , dbr:Final_Fantasy , dbc:Chinese_male_classical_composers , dbr:The_Tokyo_Trial , dbr:Digital_Audio_China , dbr:Tales_of_Mystery , , dbr:Zheng_Guowei , dbr:Youth_Never_Returns , dbr:Armor_Hero_Chronicles , dbr:Armor_Hero_Emperor , dbr:Xian_Xuchu , dbr:Armor_Warriors , dbr:Nick_Wollage , dbr:Bump_in_the_Road , dbr:China_Association_of_Recording_Engineers , dbr:Butterfly_Cemetery , dbr:The_Taste_of_Apple , dbr:Ace_Mission , dbr:Qian_Renhao , dbr:Tian_Meng , dbr:Video_Game_Music_Online , , dbr:Wang_Yibo , dbr:Ma_Weihao , dbr:From_Vegas_to_Macau , dbr:Shanghai_Music_and_Art_Development_Collaborative_Innovation_Center , dbr:The_Legend_of_Sword_and_Fairy_7 , dbr:Moonlight_Blade , dbr:Shanghai_Federation_of_Literary_and_Art_Circles , dbr:Expo_2005 , dbr:Spotify , dbr:Apple_Music , dbr:Armor_Hero_Captor_King , dbc:Chinese_classical_composers , dbr:China , dbr:Lute , , dbr:Video_game_music , dbr:From_Vegas_to_Macau_III , dbr:From_Vegas_to_Macau_II , dbr:Hayao_Miyazaki , dbr:Film_score ; dbo:description "Chinese composer and music producer"@en , "\u0637\u0627\u0642\u0645 \u0645\u0648\u0633\u064A\u0642\u064A"@ar , "Tsinong kompositor"@ceb , "Nh\u00E0 bi\u00EAn so\u1EA1n nh\u1EA1c ng\u01B0\u1EDDi Trung Qu\u1ED1c"@vi , "\uC911\uAD6D\uC758 \uC791\uACE1\uAC00, \uC74C\uC545 \uD504\uB85C\uB4C0\uC11C"@ko , "\u4F5C\u66F2\u5BB6"@zh , "Tsinong kompositor"@tl , "Compositor chino"@es . @prefix dbt: . dbr:Yu-Peng_Chen dbp:wikiPageUsesTemplate dbt:Birth_date_and_age , dbt:Infobox_album , dbt:Fan_POV , dbt:BLP_primary_sources , dbt:Infobox_musical_artist , dbt:Independent_sources , dbt:Use_mdy_dates , dbt:Won , dbt:Short_description , dbt:Reflist , dbt:Family_name_hatnote , dbt:Blockquote , dbt:Infobox_person , dbt:Quote_box , dbt:Infobox_Chinese , dbt:Nom , dbt:Genshin_Impact_Wiki , dbt:MiHoYo , dbt:Genshin_Impact , dbt:Main , dbt:Track_listing , dbt:Multiple_issues ; dbo:birthPlace dbr:Changsha ; dbp:birthPlace "Changsha, Hunan, China"@en . @prefix xsd: . dbr:Yu-Peng_Chen dbo:birthDate "1984-01-15"^^xsd:date ; dbp:name "FANTASYLAND"@en , "Yu-Peng Chen"@en , "Being Towards Death"@en ; dbo:activeYearsStartYear "2004"^^xsd:gYear ; dbp:birthDate "1984-01-15"^^xsd:date ; dbp:occupation "Composer"@en , "music producer"@en , ""@en ; dbp:extra "\"Circle Dance of the Evernight Castle\""@en , "\"Reminiscence\""@en , "\"The Moon in a Cup of Wine\""@en , "\"Radio at Midnight\""@en , "\"Flourishing Lights of the Snowmelt Realm\""@en , "\"Love at Distance\""@en , "\"Undercurrent\""@en , "\"Daughter of the Sea and the Moon\""@en , "\"A New Journey\""@en , "\"Towards the Blanks on the Map\""@en , "\"Being Towards Death\""@en , "\"Rashomon\""@en , "\"Farewell, My Friend!\""@en , "\"Golden Hues\""@en , "\"Vernal Awakening\""@en , "\"The Traveler\""@en , "\"Infinite Cloister of Flowers and Sins\""@en , "\"Kallima inachus\""@en , "\"The Lost Soul\""@en , "\"Hymn of Being\""@en , "\"49% Of Me\""@en , "\"Feeding on Dreams\""@en , "\"Ring of the Sky\""@en , "\"Ascending Dive Towards the Pyramidion\""@en , "\"Welcome to Fantasyland!\""@en , "\"Oblivion\""@en , "\"Time Tunnel\""@en ; dbp:align "right"@en ; dbo:recordLabel dbr:Deutsche_Grammophon , dbr:HOYO-MiX ; dbp:text "There is no doubt [that] my anticipation for the future actually manifested when I was a child. I remember that time, during solfeggio classes in art school, the teacher asked everyone what they wanted to become. At that time, I volunteered and stood up, saying that I wanted to become a top composer in China. I remember it was when I was in my teens in art school when I already had such an ambition. This should be my pursuit for the future; I must strive to be the best. I want to become the most famous composer in China."@en , "This is a reflection on the past from young Chinese composer Chen Zhiyi, while also serving as a new introduction to the future. Fantasyland showcases Chen's signature musical style, infused with boundless creative inspiration, and highlights the limitless possibilities that emerge from the combination of traditional Chinese instruments and orchestral music. This album embodies Chen Zhiyi's most grand and imaginative musical concepts to date, crafted in collaboration with world-class musicians and the London Philharmonic Orchestra. Its flowing melodies unfold like a kaleidoscope, with beautiful notes weaving a colorful picture of a fantasy playground, presenting listeners with a dreamlike wonderland."@en , "Honoring the past and looking toward the future, Chen embarks on a new journey filled with unknowns but also endless possibilities. Through this album, Chen hopes to allow people to understand and appreciate his ongoing growth, transformation, and rebirth, as well as the musical stories he has personally crafted."@en , ""@en . @prefix dbd: . dbr:Yu-Peng_Chen dbp:totalLength "4227.0"^^dbd:second , "3171.0"^^dbd:second ; dbp:studio "Yupeng Music Studio"@en ; dbp:producer "Chen Zhiyi"@en ; dbp:released "2024-07-18"^^xsd:date , "2019-04-02"^^xsd:date ; dbp:background "person"@en ; dbo:background "person" ; dbp:nativeNameLang "zh"@en ; dbp:type "Studio"@en ; dbp:quote "\"Actually, Chen Zhiyi had been trying to do this a long time ago. The current combination and integration of traditional Chinese music and symphonic music, what the audience and players are more concerned about is whether traditional Chinese music and symphonic music can blend together, rather than just being put together like adding eggs and rice in a stir-fry. I believe that what matters is whether the music is beautiful and whether it embodies the spirit of China. As for the original soundtrack for this time, I think it is of high quality.\""@en , "\"Teacher Chen Zhiyi has composed music for several suspense films such as The House That Never Dies and Phantom of the Theatre. In his music, you can hear a deep understanding of the films themselves, which are tightly intertwined with the storyline while striking a chord with the audience. It can be said that he has a remarkably distinctive personal style in the field of music composition.\""@en , "\"I used to own a bar, on Shanghai's Huangjincheng Road, which is a very quiet lane. One day I was walking on this lane alone at midnight, and an idea of rhythm suddenly came. I told it to my partner Tian Chenming, and it really hit off with the lyrics he came out. This song has a bit of dark humour, which is especially suitable for fast-paced, vaguely melodic rap, and it was my favourite genre at the time. So in one go, this song was born.\""@en ; dbp:headline "Track listing"@en ; dbp:alias "Chen Zhiyi"@en , ""@en , "Yu Peng"@en ; dbp:nextYear 2019 ; dbp:label dbr:HOYO-MiX , "Knok-Knok Music"@en , "Yupeng Music Studio"@en , "Intree Music"@en , ""@en , "Deutsche Grammophon"@en , "Click Music"@en ; dbp:source "NetEase Entertainment, 2018"@en , "Description of Midnight Radio"@en , "An Dong, \"Songs of Travelers\" \u2014 Behind the Scenes of the Music of Liyue"@en , "TV interview, Chen Zhiyi: Music That Truly Has a Soul, Will Be Ingrained Deep Into Your Bones"@en , "Album description"@en ; dbp:length "188.0"^^dbd:second , "386.0"^^dbd:second , "274.0"^^dbd:second , "387.0"^^dbd:second , "3171.0"^^dbd:second , "264.0"^^dbd:second , "373.0"^^dbd:second , "303.0"^^dbd:second , "168.0"^^dbd:second , "283.0"^^dbd:second , "115.0"^^dbd:second , "300.0"^^dbd:second , "241.0"^^dbd:second , "223.0"^^dbd:second , "257.0"^^dbd:second , "259.0"^^dbd:second , "319.0"^^dbd:second , "280.0"^^dbd:second , "421.0"^^dbd:second , "183.0"^^dbd:second , "332.0"^^dbd:second , "324.0"^^dbd:second , "184.0"^^dbd:second , "350.0"^^dbd:second , "266.0"^^dbd:second , "366.0"^^dbd:second , "196.0"^^dbd:second , "192.0"^^dbd:second , "4227.0"^^dbd:second ; dbp:artist "Chen Zhiyi"@en ; dbp:extraColumn "English title"@en ; dbp:nextTitle "Desert Solitary Smoke"@en ; dbp:prevTitle "The Curse of Blood"@en , "\u4E00\u676F\u6708"@en ; dbp:prevYear 2018 , 2019 ; dbp:italicTitle "no"@en ; dbp:width "33.0"^^dbd:perCent ; dbo:wikiPageExternalLink , , , . @prefix ns19: . dbr:Yu-Peng_Chen dbo:wikiPageExternalLink ns19:cypmusicstudio , , , , . @prefix ns20: . dbr:Yu-Peng_Chen dbo:wikiPageExternalLink ns20:Kz9zdsrEoALcKI4Vb2qv , , , . @prefix ns21: . dbr:Yu-Peng_Chen dbo:wikiPageExternalLink ns21:chen-zhi-yi-33-81 , ns21:chen-zhi-yi-4-95 , ; dbp:title ""@en ; dbp:origin "Shanghai"@en ; dbp:instrument "guitar"@en , dbr:Tin_whistle , "vocals"@en , "clarinet"@en , "Piano"@en , ""@en , ; dbo:genre , dbr:Video_game_music , dbr:Music_of_China , dbr:Film_score , dbr:Independent_music , dbr:Orchestra ; dbp:genre , dbr:Guoyue , dbr:Video_game_music , dbr:Music_of_China , ""@en , dbr:Film_score , dbr:Independent_music , dbr:Orchestra , dbr:Mandopop ; dbp:language "Mandarin, English"@en , dbr:Mandarin_Chinese ; dbp:birthName "Chen Yupeng"@en ; dbo:alias "Chen Zhiyi"@en , "Yu Peng"@en ; dbp:nativeName "\u9648\u5B87\u9E4F"@en ; dbp:yearsActive 2004 ; dbo:instrument dbr:Tin_whistle , . dbr:The_House_That_Never_Dies dbo:wikiPageWikiLink dbr:Yu-Peng_Chen ; dbo:musicComposer dbr:Yu-Peng_Chen ; dbp:music dbr:Yu-Peng_Chen ; dbp:artist dbr:Yu-Peng_Chen . dbr:The_Legend_of_Sword_and_Fairy_7 dbo:composer dbr:Yu-Peng_Chen ; dbp:composer dbr:Yu-Peng_Chen . dbr:MiHoYo dbo:wikiPageWikiLink dbr:Yu-Peng_Chen . dbr:Yu-peng_Chen dbo:wikiPageWikiLink dbr:Yu-Peng_Chen ; dbo:wikiPageRedirects dbr:Yu-Peng_Chen . dbo:wikiPageWikiLink dbr:Yu-Peng_Chen ; dbo:wikiPageRedirects dbr:Yu-Peng_Chen . dbo:wikiPageWikiLink dbr:Yu-Peng_Chen ; dbo:wikiPageRedirects dbr:Yu-Peng_Chen . dbr:Chen_Zhiyi dbo:wikiPageWikiLink dbr:Yu-Peng_Chen ; dbo:wikiPageRedirects dbr:Yu-Peng_Chen .