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cyfansoddwr a aned yn 1883
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and the
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أنتون فيبرن
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österreichischer Komponist und Dirigent (1883–1945)
österrikisk tonsättare
Johnson, Julian. 2015. Out of Time: Music and the Making of Modernity. Oxford: Oxford University Press. . .
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ავსტრიელი კომპოზიტორი და დირიჟორი
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Excerpt of Fünf geistliche Lieder für Sopran und fünf Instrumente, Op. 15, V. Fahr hin, o Seel, zu deinem Gott; Anton Webern, composer, 1917; Peter Rosegger, poet, 1900; and Halina Lukomska, soprano and Pierre Boulez, conductor, 1969.ogg
Dallapiccola, Luigi. 1972. "Meeting with Anton Webern ", trans. John C. G. Waterhouse. Tempo 99:2–7. .
Webern, Anton. 1963. The Path to the New Music, ed. , trans. Leo Black. Bryn Mawr, Pennsylvania: Theodore Presser Co., in Association with Universal Edition. Reprinted London: Universal Edition, 1975. Trans. of Der Wege zur neuen Musik, Vienna: Universal Edition, 1960.
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Webern - Sehr langsam.ogg
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, Webern's childhood home, in Oberdorf
Shere, David Matthew. 2007. "A Survey of Webern's Life and Compositional Vocabulary". PhD diss. Santa Barbara: University of California, Santa Barbara. .
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Biography
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Austrian composer and conductor
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アントン・ヴェーベルン
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австрийски композитор
Krenek, Ernst. 1998. Im Atem der Zeit: Erinnerungen an die Moderne, trans. Friedrich Saathen and Sabine Schulte. Hamburg: Hoffmann und Campe. .
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Austria
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"Fahr hin, o Seel', zu deinem Gott", double canon in motu contrario – soprano Halina Lukomska and conductor Pierre Boulez
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The Moldenhauers detailed Webern's reaction to Otto Klemperer's 1936 Vienna performance of his Symphony , Op. 21, which Webern played on piano for Klemperer "with ... intensity and fanaticism ... passionately".
true
Rosen, Charles. 2012. Freedom and the Arts: Essays on Music and Literature. Cambridge, MA and London: Harvard University Press.
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conductor
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cumadóir agus stiúrthóir Ostarach
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osztrák zeneszerző és karmester
right
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compositeur et chef d'orchestre autrichien
Anton von Webern
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奥地利作曲家
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Άντον Βέμπερν
An excerpt from the first movement of Webern's String Trio, Op. 20. At 0:07–0:18 in this excerpt , there are repeated figures in fixed (or "frozen") register, comprising the first B section of this movement's seven-part ABACABA rondo. Kathryn Bailey Puffett likened them to bell ringers' technique in ringing changes.
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Diretor e compositor austríaco
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Peperzak, Adriaan. 1994. "Ethics in Our Time". The Question of Hermeneutics: Essays in Honor of Joseph J. Kockelmans, "Section V. –– Hermeneutics, Art, and Ethics", ed. and intro. Timothy J. Stapleton, fwd. Pierre Kerszberg, 451–468. Vol. 17, Contributions to Phenomenology, eds. William R. McKenna et al. Dordrecht: Springer. Reprint from original in 1994 by Kluwers. . . .
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". Julian Johnson noted Webern's use of first short, then long note values and phrases to impart a sense of calm rest before the final high harp harmonic, a tone painting of heaven.
австрийский композитор, дирижёр
Cook, Nicholas. 2017. "Inventing Tradition: Webern's Piano Variations in Early Recordings". Music Analysis 36:163–215. .
austrijski skladatelj
Fünf Sätze for string quartet, Op. 5, I. Heftig bewegt – Emerson String Quartet
Antokoletz, Elliott. 2014. A History of Twentieth-Century Music in a Theoretic–Analytical Context. New York: Routledge. .
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Haimo, Ethan. 2006. Schoenberg's Transformation of Musical Language. Cambridge: Cambridge University Press. .
Spending summer 1909 with Webern and seeing his Op. 5 manuscript reinvigorated Schoenberg's music, inspiring him to write Busoni: "... away with 'motivic working out.' Away with harmony as cement or bricks of a building. Harmony is expression and nothing else. ... Away with Pathos [and] protracted ten-ton scores ... . My music must be brief. Concise! In two notes: not built, but expressed!! ... no stylized and sterile protracted emotion. People are not like that" .
austriacki kompozytor