"\u5723\u9A6C\u5C14\u8C37\u796D\u53F0\u753B\uFF08\u6216\u8BD1\u4E3A\u5723\u9A6C\u53EF\u796D\u575B\u753B\uFF0CSan Marco Altarpiece\uFF09\u53C8\u540D\u201C\u5723\u6BCD\u548C\u5723\u5F92\u201D\uFF0C\u662F\u610F\u5927\u5229\u65E9\u671F\u6587\u827A\u590D\u5174\u753B\u5BB6\u5B89\u6770\u5229\u79D1\u4FEE\u58EB\u7684\u4F5C\u54C1\uFF0C\u4F4D\u4E8E\u610F\u5927\u5229\u4F5B\u7F57\u4F26\u8428\u7684\u570B\u7ACB\u8056\u99AC\u53EF\u7F8E\u8853\u9928\u3002\u5B83\u662F\u7531\u79D1\u897F\u83AB\u00B7\u5FB7\u00B7\u7F8E\u7B2C\u5947\u8BA2\u5236\uFF0C\u4E8E1438\u5E74\u81F31443\u5E74\u4E4B\u95F4\u5B8C\u6210\u3002\u4E3B\u753B\u63CF\u7ED8\u52A0\u5195\u7684\u5723\u6BCD\u739B\u5229\u4E9A\u5728\u5929\u4F7F\u548C\u5723\u5F92\u7684\u5305\u56F4\u4E0B\uFF0C\u53E6\u5916\u8FD8\u6709\u4E5D\u5E45\u9644\u9970\u753B\uFF08predella\uFF09\uFF0C\u8BB2\u8FF0\u4E3B\u4FDD\u5723\u4EBA\u5723\u845B\u65AF\u9ED8\u548C\u5723\u8FBE\u5F25\u76CE\u7684\u4F20\u8BF4\u3002\u4ECA\u5929\uFF0C\u53EA\u6709\u4E3B\u753B\u8FD8\u80FD\u5728\u610F\u5927\u5229\u4F5B\u7F57\u4F26\u8428\u5723\u739B\u5C14\u8C37\u5927\u6BBF\u7684\u4FEE\u9053\u9662\u89C1\u5230\uFF0C\u8FD8\u6709\u4E24\u5E45\u9644\u9970\u753B\u5DF2\u57282007\u5E74\u88AB\u4E70\u56DE\u535A\u7269\u9986\u3002\u5723\u9A6C\u5C14\u8C37\u796D\u53F0\u753B\u800C\u88AB\u79F0\u4E3A\u6587\u827A\u590D\u5174\u65E9\u671F\u6700\u597D\u7684\u753B\u4F5C\u4E4B\u4E00\uFF0C\u56E0\u5176\u8FD0\u7528\u4E86\u9690\u55BB\u548C\u900F\u89C6\u3001\u89C6\u89C9\u9677\u9631\uFF0C\u800C\u4E14\u9053\u660E\u4F1A\u5B97\u6559\u9898\u6750\u548C\u7B26\u53F7\uFF0C\u53C8\u4E0E\u5F53\u65F6\u7684\u653F\u6CBB\u4FE1\u606F\u76F8\u4EA4\u7EC7\u3002"@zh . . . . "La Pala di San Marco, dite aussi Compianto della Croce al Tempio, est une peinture \u00E0 tempera sur panneaux de bois, r\u00E9alis\u00E9e par Fra Angelico aux environs de 1440. La partie centrale (220 \u00D7 227 cm) du retable, quelques \u00E9l\u00E9ments de la pr\u00E9delle et deux saints des pilastres sont conserv\u00E9s et expos\u00E9s au mus\u00E9e national San Marco \u00E0 Florence."@fr . . . . . . . "Fra Angelico 060.jpg"@en . "San Marco Altarpiece"@en . . "227"^^ . . . . . . . . . "\u0410\u043B\u0442\u0430\u0440\u044C \u0421\u0430\u043D-\u041C\u0430\u0440\u043A\u043E"@ru . . "\u5723\u9A6C\u5C14\u8C37\u796D\u53F0\u753B"@zh . . . "24742"^^ . . . . . "Pala di San Marco"@it . . . . . . . . . . . . . . "220"^^ . . . . . . . . . . . . "La Pala di San Marco \u00E8 un dipinto a tempera su tavola (scomparto centrale 220\u00D7227 cm) di Beato Angelico, databile al 1440 circa e conservato (per lo scomparto centrale e alcuni pannelli secondari) nel Museo nazionale di San Marco a Firenze."@it . . . . . . . "Pala di San Marco"@fr . . . "Tempera on wood"@en . "Retablo de San Marcos"@es . . . . . . . "El retablo de San Marcos (tambi\u00E9n conocido como Madonna y los santos ) es una pintura del pintor italiano de principios del Renacimiento, Fra Angelico, que se encuentra en el Museo de San Marcos de Florencia, Italia. Fue encargado por Cosme de Medici el Viejo, y se complet\u00F3 en alg\u00FAn momento entre 1438 y 1443. Adem\u00E1s del panel principal que representa a la Virgen y el Ni\u00F1o entronizados rodeados por \u00E1ngeles y santos, hab\u00EDa 9 paneles de predela que lo acompa\u00F1aban, narrando la leyenda de los santos patrones, los santos Cosme y Dami\u00E1n.\u200B Solo queda el panel principal en el Convento de San Marcos, Florencia, Italia, hoy, junto con dos paneles de predelas que representan a los santos que fueron comprados para el museo en 2007. El Retablo de San Marcos es conocido como uno de los mejores cuadros de"@es . . "San Marco Altarpiece"@en . . . . . . . . . . "in"@en . "300"^^ . . . . . . . . "\u0410\u043B\u0442\u0430\u0440\u044C \u0421\u0430\u043D-\u041C\u0430\u0440\u043A\u043E (\u0438\u0442\u0430\u043B. Pala di San Marco), \u0442\u0430\u043A\u0436\u0435 \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0439 \u043A\u0430\u043A \u041C\u0430\u0434\u043E\u043D\u043D\u0430 \u0438 \u0441\u0432\u044F\u0442\u044B\u0435 \u2014 \u0440\u0430\u0431\u043E\u0442\u0430 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430 \u0424\u0440\u0430 \u0411\u0435\u0430\u0442\u043E \u0410\u043D\u0434\u0436\u0435\u043B\u0438\u043A\u043E, \u043A\u043E\u0442\u043E\u0440\u0430\u044F \u0431\u044B\u043B\u0430 \u0441\u0434\u0435\u043B\u0430\u043D\u0430 \u0432 \u0441\u043E\u0431\u043E\u0440\u0435 \u0421\u0432\u044F\u0442\u043E\u0433\u043E \u041C\u0430\u0440\u043A\u0430, \u0424\u043B\u043E\u0440\u0435\u043D\u0446\u0438\u044F. \u0414\u0430\u043D\u043D\u0443\u044E \u0440\u0430\u0431\u043E\u0442\u0443 \u0437\u0430\u043A\u0430\u0437\u0430\u043B \u0432 1438 \u0433\u043E\u0434\u0443 \u041A\u043E\u0437\u0438\u043C\u043E \u041C\u0435\u0434\u0438\u0447\u0438 \u0421\u0442\u0430\u0440\u0448\u0438\u0439, \u0438 \u0431\u044B\u043B\u0430 \u043E\u043D\u0430 \u0437\u0430\u0432\u0435\u0440\u0448\u0435\u043D\u0430 \u0432 1443 \u0433\u043E\u0434\u0443. \u0412 \u0441\u043E\u043F\u0440\u043E\u0432\u043E\u0436\u0434\u0435\u043D\u0438\u0435 \u043A \u0433\u043B\u0430\u0432\u043D\u043E\u0439 \u043F\u0430\u043D\u0435\u043B\u0438, \u043D\u0430 \u043A\u043E\u0442\u043E\u0440\u043E\u0439 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0430 \u0432\u043E\u0437\u0432\u0435\u0434\u0451\u043D\u043D\u0430\u044F \u043D\u0430 \u043F\u0440\u0435\u0441\u0442\u043E\u043B \u0414\u0435\u0432\u0430 \u041C\u0430\u0440\u0438\u044F, \u0431\u044B\u043B\u043E \u0441\u043E\u0437\u0434\u0430\u043D\u043E 9 \u043F\u0430\u043D\u0435\u043B\u0435\u0439 \u043F\u0440\u0435\u0434\u0435\u043B\u0430, \u043F\u043E\u0432\u0435\u0441\u0442\u0432\u0443\u044E\u0449\u0438\u0445 \u043E \u043B\u0435\u0433\u0435\u043D\u0434\u0435 \u0441\u0432\u044F\u0442\u044B\u0445 \u043F\u043E\u043A\u0440\u043E\u0432\u0438\u0442\u0435\u043B\u0435\u0439, \u041A\u043E\u0441\u043C\u044B \u0438 \u0414\u0430\u043C\u0438\u0430\u043D\u0430. \u041D\u0430 \u0441\u0435\u0433\u043E\u0434\u043D\u044F\u0448\u043D\u0438\u0439 \u0434\u0435\u043D\u044C \u0421\u043E\u0431\u043E\u0440 \u0421\u0432\u044F\u0442\u043E\u0433\u043E \u041C\u0430\u0440\u043A\u0430 \u0432\u043B\u0430\u0434\u0435\u0435\u0442 \u0434\u0432\u0443\u043C\u044F \u043F\u0430\u043D\u0435\u043B\u044F\u043C\u0438, \u0432\u044B\u043A\u0443\u043F\u043B\u0435\u043D\u043D\u044B\u043C\u0438 \u0441\u043E\u0431\u043E\u0440\u043E\u043C \u043E\u0431\u0440\u0430\u0442\u043D\u043E \u0432 2007 \u0433\u043E\u0434\u0443."@ru . "La Pala di San Marco \u00E8 un dipinto a tempera su tavola (scomparto centrale 220\u00D7227 cm) di Beato Angelico, databile al 1440 circa e conservato (per lo scomparto centrale e alcuni pannelli secondari) nel Museo nazionale di San Marco a Firenze."@it . . "The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder, and was completed sometime between 1438 and 1443. The San Marco Altarpiece is known as one of the best early Renaissance paintings for its employment of metaphor and perspective, trompe-l'\u0153il, and the intertwining of Dominican religious themes and symbols with contemporary, political messages."@en . . "\u0410\u043B\u0442\u0430\u0440\u044C \u0421\u0430\u043D-\u041C\u0430\u0440\u043A\u043E (\u0438\u0442\u0430\u043B. Pala di San Marco), \u0442\u0430\u043A\u0436\u0435 \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0439 \u043A\u0430\u043A \u041C\u0430\u0434\u043E\u043D\u043D\u0430 \u0438 \u0441\u0432\u044F\u0442\u044B\u0435 \u2014 \u0440\u0430\u0431\u043E\u0442\u0430 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430 \u0424\u0440\u0430 \u0411\u0435\u0430\u0442\u043E \u0410\u043D\u0434\u0436\u0435\u043B\u0438\u043A\u043E, \u043A\u043E\u0442\u043E\u0440\u0430\u044F \u0431\u044B\u043B\u0430 \u0441\u0434\u0435\u043B\u0430\u043D\u0430 \u0432 \u0441\u043E\u0431\u043E\u0440\u0435 \u0421\u0432\u044F\u0442\u043E\u0433\u043E \u041C\u0430\u0440\u043A\u0430, \u0424\u043B\u043E\u0440\u0435\u043D\u0446\u0438\u044F. \u0414\u0430\u043D\u043D\u0443\u044E \u0440\u0430\u0431\u043E\u0442\u0443 \u0437\u0430\u043A\u0430\u0437\u0430\u043B \u0432 1438 \u0433\u043E\u0434\u0443 \u041A\u043E\u0437\u0438\u043C\u043E \u041C\u0435\u0434\u0438\u0447\u0438 \u0421\u0442\u0430\u0440\u0448\u0438\u0439, \u0438 \u0431\u044B\u043B\u0430 \u043E\u043D\u0430 \u0437\u0430\u0432\u0435\u0440\u0448\u0435\u043D\u0430 \u0432 1443 \u0433\u043E\u0434\u0443. \u0412 \u0441\u043E\u043F\u0440\u043E\u0432\u043E\u0436\u0434\u0435\u043D\u0438\u0435 \u043A \u0433\u043B\u0430\u0432\u043D\u043E\u0439 \u043F\u0430\u043D\u0435\u043B\u0438, \u043D\u0430 \u043A\u043E\u0442\u043E\u0440\u043E\u0439 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0430 \u0432\u043E\u0437\u0432\u0435\u0434\u0451\u043D\u043D\u0430\u044F \u043D\u0430 \u043F\u0440\u0435\u0441\u0442\u043E\u043B \u0414\u0435\u0432\u0430 \u041C\u0430\u0440\u0438\u044F, \u0431\u044B\u043B\u043E \u0441\u043E\u0437\u0434\u0430\u043D\u043E 9 \u043F\u0430\u043D\u0435\u043B\u0435\u0439 \u043F\u0440\u0435\u0434\u0435\u043B\u0430, \u043F\u043E\u0432\u0435\u0441\u0442\u0432\u0443\u044E\u0449\u0438\u0445 \u043E \u043B\u0435\u0433\u0435\u043D\u0434\u0435 \u0441\u0432\u044F\u0442\u044B\u0445 \u043F\u043E\u043A\u0440\u043E\u0432\u0438\u0442\u0435\u043B\u0435\u0439, \u041A\u043E\u0441\u043C\u044B \u0438 \u0414\u0430\u043C\u0438\u0430\u043D\u0430. \u041D\u0430 \u0441\u0435\u0433\u043E\u0434\u043D\u044F\u0448\u043D\u0438\u0439 \u0434\u0435\u043D\u044C \u0421\u043E\u0431\u043E\u0440 \u0421\u0432\u044F\u0442\u043E\u0433\u043E \u041C\u0430\u0440\u043A\u0430 \u0432\u043B\u0430\u0434\u0435\u0435\u0442 \u0434\u0432\u0443\u043C\u044F \u043F\u0430\u043D\u0435\u043B\u044F\u043C\u0438, \u0432\u044B\u043A\u0443\u043F\u043B\u0435\u043D\u043D\u044B\u043C\u0438 \u0441\u043E\u0431\u043E\u0440\u043E\u043C \u043E\u0431\u0440\u0430\u0442\u043D\u043E \u0432 2007 \u0433\u043E\u0434\u0443."@ru . . . . "1109613105"^^ . . . . . . . . "cm"@en . "22513695"^^ . . . . . . . . . . . "1438"^^ . . . . . . . . . . . . "The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder, and was completed sometime between 1438 and 1443. In addition to the main panel depicting the enthroned Virgin and Child surrounded by Angels and Saints, there were nine predella panels accompanying it, narrating the legend of the patron saints, Saints Cosmas and Damian. Only the main panel actually remains to be seen in the Convent of San Marco, Florence, Italy, today, along with two predella panels depicting saints which were purchased back for the museum as recently as 2007. The San Marco Altarpiece is known as one of the best early Renaissance paintings for its employment of metaphor and perspective, trompe-l'\u0153il, and the intertwining of Dominican religious themes and symbols with contemporary, political messages."@en . . . "El retablo de San Marcos (tambi\u00E9n conocido como Madonna y los santos ) es una pintura del pintor italiano de principios del Renacimiento, Fra Angelico, que se encuentra en el Museo de San Marcos de Florencia, Italia. Fue encargado por Cosme de Medici el Viejo, y se complet\u00F3 en alg\u00FAn momento entre 1438 y 1443. Adem\u00E1s del panel principal que representa a la Virgen y el Ni\u00F1o entronizados rodeados por \u00E1ngeles y santos, hab\u00EDa 9 paneles de predela que lo acompa\u00F1aban, narrando la leyenda de los santos patrones, los santos Cosme y Dami\u00E1n.\u200B Solo queda el panel principal en el Convento de San Marcos, Florencia, Italia, hoy, junto con dos paneles de predelas que representan a los santos que fueron comprados para el museo en 2007. El Retablo de San Marcos es conocido como uno de los mejores cuadros del Renacimiento temprano por su uso de met\u00E1foras y perspectivas, trampantojo, y el entrelazamiento de temas y s\u00EDmbolos religiosos dominicos con mensajes pol\u00EDticos de su \u00E9poca."@es . "San Marco Altarpiece"@en . . . . . . . "\u5723\u9A6C\u5C14\u8C37\u796D\u53F0\u753B\uFF08\u6216\u8BD1\u4E3A\u5723\u9A6C\u53EF\u796D\u575B\u753B\uFF0CSan Marco Altarpiece\uFF09\u53C8\u540D\u201C\u5723\u6BCD\u548C\u5723\u5F92\u201D\uFF0C\u662F\u610F\u5927\u5229\u65E9\u671F\u6587\u827A\u590D\u5174\u753B\u5BB6\u5B89\u6770\u5229\u79D1\u4FEE\u58EB\u7684\u4F5C\u54C1\uFF0C\u4F4D\u4E8E\u610F\u5927\u5229\u4F5B\u7F57\u4F26\u8428\u7684\u570B\u7ACB\u8056\u99AC\u53EF\u7F8E\u8853\u9928\u3002\u5B83\u662F\u7531\u79D1\u897F\u83AB\u00B7\u5FB7\u00B7\u7F8E\u7B2C\u5947\u8BA2\u5236\uFF0C\u4E8E1438\u5E74\u81F31443\u5E74\u4E4B\u95F4\u5B8C\u6210\u3002\u4E3B\u753B\u63CF\u7ED8\u52A0\u5195\u7684\u5723\u6BCD\u739B\u5229\u4E9A\u5728\u5929\u4F7F\u548C\u5723\u5F92\u7684\u5305\u56F4\u4E0B\uFF0C\u53E6\u5916\u8FD8\u6709\u4E5D\u5E45\u9644\u9970\u753B\uFF08predella\uFF09\uFF0C\u8BB2\u8FF0\u4E3B\u4FDD\u5723\u4EBA\u5723\u845B\u65AF\u9ED8\u548C\u5723\u8FBE\u5F25\u76CE\u7684\u4F20\u8BF4\u3002\u4ECA\u5929\uFF0C\u53EA\u6709\u4E3B\u753B\u8FD8\u80FD\u5728\u610F\u5927\u5229\u4F5B\u7F57\u4F26\u8428\u5723\u739B\u5C14\u8C37\u5927\u6BBF\u7684\u4FEE\u9053\u9662\u89C1\u5230\uFF0C\u8FD8\u6709\u4E24\u5E45\u9644\u9970\u753B\u5DF2\u57282007\u5E74\u88AB\u4E70\u56DE\u535A\u7269\u9986\u3002\u5723\u9A6C\u5C14\u8C37\u796D\u53F0\u753B\u800C\u88AB\u79F0\u4E3A\u6587\u827A\u590D\u5174\u65E9\u671F\u6700\u597D\u7684\u753B\u4F5C\u4E4B\u4E00\uFF0C\u56E0\u5176\u8FD0\u7528\u4E86\u9690\u55BB\u548C\u900F\u89C6\u3001\u89C6\u89C9\u9677\u9631\uFF0C\u800C\u4E14\u9053\u660E\u4F1A\u5B97\u6559\u9898\u6750\u548C\u7B26\u53F7\uFF0C\u53C8\u4E0E\u5F53\u65F6\u7684\u653F\u6CBB\u4FE1\u606F\u76F8\u4EA4\u7EC7\u3002"@zh . . . . "La Pala di San Marco, dite aussi Compianto della Croce al Tempio, est une peinture \u00E0 tempera sur panneaux de bois, r\u00E9alis\u00E9e par Fra Angelico aux environs de 1440. La partie centrale (220 \u00D7 227 cm) du retable, quelques \u00E9l\u00E9ments de la pr\u00E9delle et deux saints des pilastres sont conserv\u00E9s et expos\u00E9s au mus\u00E9e national San Marco \u00E0 Florence."@fr .