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"Arquitetura de catedrais e grandes igrejas"@pt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u6559\u5802\u5EFA\u7B51\u4EE5\u5176\u89C4\u6A21\u5927\u5C0F\u5206\u4E3A\u5B97\u5EA7\u5723\u6BBF\u3001\u4E3B\u6559\u5EA7\u5802\u548C\u6559\u5802\u3002\u5B83\u4EEC\u90FD\u9075\u4ECE\u4EA7\u751F\u4E8E\u541B\u58EB\u5766\u4E01\u5927\u5E1D\u65F6\u671F\u7684\u4F20\u7EDF\u7684\u5F62\u5F0F\u3001\u529F\u80FD\u548C\u9020\u578B\u3002 \u7279\u522B\u662F\u4E3B\u6559\u5EA7\u5802\uFF0C\u4EE5\u53CA\u8BB8\u591A\u5927\u6559\u5802\u548C\u5B97\u5EA7\u5723\u6BBF\uFF0C\u4F1A\u6709\u7279\u5B9A\u7684\u590D\u6742\u5EFA\u7B51\u7ED3\u6784\uFF0C\u8FD9\u5728\u6559\u533A\u6559\u5802\u6BD4\u8F83\u5C11\u89C1\u3002\u5B83\u4EEC\u5F80\u5F80\u503E\u5411\u4E8E\u5C55\u793A\u5F53\u65F6\u66F4\u9AD8\u6C34\u5E73\u7684\u5EFA\u7B51\u98CE\u683C\u548C\u9AD8\u8D85\u7684\u5EFA\u7B51\u80FD\u529B\uFF0C\u5E76\u4E14\u83B7\u5F97\u4E86\u666E\u901A\u6559\u533A\u6559\u5802\u6240\u6CA1\u6709\u7684\u5B97\u6559\u5730\u4F4D\u548C\u793E\u4F1A\u5730\u4F4D\u3002\u6B64\u7C7B\u4E3B\u6559\u5EA7\u5802\u5F80\u5F80\u662F\u5176\u533A\u57DF\u5185\u6700\u597D\u7684\u5EFA\u7B51\u4E4B\u4E00\uFF0C\u5E76\u6210\u4E3A\u5F53\u5730\u7684\u9A84\u50B2\u3002\u8BB8\u591A\u4E3B\u6559\u5EA7\u5802\u548C\u5B97\u5EA7\u5723\u6BBF\uFF0C\u4EE5\u53CA\u4E00\u4E9B\u5927\u6559\u5802\uFF0C\u90FD\u662F\u540D\u5217\u4E16\u754C\u4E0A\u6700\u8457\u540D\u7684\u5EFA\u7B51\u4F5C\u54C1\u3002\u8FD9\u5305\u62EC\u5723\u5F7C\u5F97\u5927\u6559\u5802\u3001\u5DF4\u9ECE\u5723\u6BCD\u9662\u3001\u79D1\u9686\u5927\u6559\u5802\u3001\u7D22\u5C14\u5179\u4F2F\u91CC\u5EA7\u5802\u3001\u5E03\u62C9\u683C\u5927\u6559\u5802\u3001\u6797\u80AF\u5927\u6559\u5802\u3001\u5723\u4F46\u5C3C\u5723\u6BBF\u3001\u5723\u739B\u4E3D\u4E9A\u9A6C\u7126\u96F7\u5927\u6559\u5802\u3001\u5723\u7EF4\u5854\u6559\u5802\uFF0C\u5723\u9A6C\u514B\u5927\u6559\u5802\uFF0C\u5A01\u65AF\u654F\u65AF\u7279\u4FEE\u9053\u9662\uFF0C\u5723\u5DF4\u897F\u5C14\u5927\u6559\u5802\uFF0C\u4EE5\u53CA\u672A\u5B8C\u5DE5\u7684\u5723\u5BB6\u65CF\u5927\u6559\u5802\u548C\u73B0\u5728\u4F5C\u4E3A\u535A\u7269\u9986\u4F7F\u7528\u7684\u5723\u7D22\u83F2\u4E9A\u5927\u6559\u5802\u7B49\u3002 \u6700\u65E9\u7684\u5927\u6559\u5802\u53EF\u4EE5\u8FFD\u6EAF\u5230\u53E4\u5178\u65F6\u671F\u665A\u671F\u3002\u968F\u7740\u57FA\u7763\u6559\u7684\u4F20\u64AD\uFF0C\u5176\u6559\u5802\u4E5F\u5728\u4E16\u754C\u5404\u5730\u5EFA\u8BBE\u5F00\u6765\u3002\u5B83\u4EEC\u7684\u5F62\u5F0F\u53D6\u51B3\u4E8E\u5F53\u5730\u7684\u6750\u6599\u548C\u6280\u672F\u6C34\u5E73\u3002\u901A\u8FC7\u4E3B\u6559\u4E0B\u53D1\u5230\u5176\u4ED6\u533A\u57DF\u7684\u4E00\u7EB8\u547D\u4EE4\uFF0C\u4F5C\u4E3A\u5EFA\u7B51\u5E08\u7684\u4E3B\u77F3\u5320\u5728\u4E16\u754C\u5404\u5730\u5174\u5EFA\u8D77\u4E86\u4E0D\u540C\u98CE\u683C\u7684\u5EFA\u7B51\u3002\u8FD9\u4E9B\u98CE\u683C\u5148\u540E\u6709\u65E9\u671F\u57FA\u7763\u6559\u98CE\u683C\u3001\u62DC\u5360\u5EAD\u98CE\u683C\u3001\u7F57\u9A6C\u5F0F\u3001\u54E5\u7279\u5F0F\u3001\u6587\u827A\u590D\u5174\u5F0F\u3001\u5DF4\u6D1B\u514B\u5F0F\u300118\u81F320\u4E16\u7EAA\u521D\u7684\u5404\u79CD\u590D\u5174\u98CE\u683C\uFF0C\u4EE5\u53CA\u73B0\u4EE3\u98CE\u683C\u3002\u5728\u5404\u79CD\u5B66\u672F\u98CE\u683C\u4E4B\u4E0A\u8FD8\u7CC5\u5408\u4E86\u5F53\u5730\u7684\u533A\u57DF\u7279\u5F81\u3002"@zh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u897F\u30E8\u30FC\u30ED\u30C3\u30D1\u306E\u5927\u8056\u5802\u5EFA\u7BC9\u3068\u306F\u3001\u897F\u30E8\u30FC\u30ED\u30C3\u30D1\u306B\u5178\u578B\u7684\u306B\u898B\u3089\u308C\u308B\u897F\u65B9\u6559\u4F1A\u306E\u5927\u8056\u5802\u306E\u5EFA\u7BC9\u3068\u5185\u90E8\u306E\u69CB\u6210\u306E\u6982\u8AAC\u3067\u3042\u308B\u3002\u306A\u304A\u3001\u897F\u30E8\u30FC\u30ED\u30C3\u30D1\u306E\u5927\u8056\u5802\u306B\u3082\u3001\u305D\u308C\u305E\u308C\u500B\u3005\u306E\u5EFA\u7BC9\u6B74\u304C\u3042\u308B\u306E\u3067\u3001\u4EE5\u4E0B\u306E\u8A18\u8FF0\u306F\u4E00\u822C\u7684\u306A\u3082\u306E\u3067\u3042\u308A\u3001\u3059\u3079\u3066\u306E\u5927\u8056\u5802\u306E\u5EFA\u7BC9\u69CB\u9020\u306B\u5F53\u3066\u306F\u307E\u308B\u308F\u3051\u3067\u306F\u306A\u3044\u3002\u6771\u65B9\u6559\u4F1A\u30FB\u6B63\u6559\u4F1A\u306E\u3082\u306E\u306B\u3064\u3044\u3066\u3001\u6771\u30E8\u30FC\u30ED\u30C3\u30D1\u30FB\u4E2D\u6771\u306E\u3082\u306E\u306B\u3064\u3044\u3066\u306F\u30D3\u30B6\u30F3\u30C6\u30A3\u30F3\u5EFA\u7BC9\u30FB\u6771\u6B27\u8AF8\u56FD\u306E\u30D3\u30B6\u30F3\u30C6\u30A3\u30F3\u5EFA\u7BC9\u30FB\u30ED\u30B7\u30A2\u5EFA\u7BC9\u3092\u53C2\u7167\u3002"@ja . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "A arquitetura de catedrais, bas\u00EDlicas e igrejas abaciais \u00E9 caracterizada principalmente pelo grande tamanho do edif\u00EDcio e segue uma entre v\u00E1rias tradi\u00E7\u00F5es de forma, fun\u00E7\u00E3o e estilo derivadas, em \u00FAltima hora de inst\u00E2ncia, das tradi\u00E7\u00F5es arquitet\u00F4nicas do velho cristianismo primitivo consolidadas durante todo per\u00EDodo constantiniano. Principalmente a catedrais, mas tamb\u00E9m as igrejas de abadia e as bas\u00EDlicas, exibem estruturas complexas que raramente s\u00E3o encontradas em igrejas paroquiais. Elas geralmente revelam, em grande medida, o melhor do estilo arquitetural e do trabalho dos melhores artes\u00F5es de sua \u00E9poca, ocupando uma posi\u00E7\u00E3o, eclesi\u00E1stica e social, que as igrejas paroquiais n\u00E3o tinham. Estas catedrais ou grandes igrejas s\u00E3o, geralmente, obras-primas da regi\u00E3o onde est\u00E3o e s\u00E3o objeto de grande orgulho da popula\u00E7\u00E3o local. Muitas catedrais, bas\u00EDlicas e diversas igrejas abaciais est\u00E3o entre as mais importantes obras da arquitetura mundial. Entre as principais \u00E9 poss\u00EDvel citar a Bas\u00EDlica de S\u00E3o Pedro, a Catedral de Notre-Dame de Paris, a Catedral de Col\u00F4nia, a Catedral de Salisbury, a Catedral de Praga, a Bas\u00EDlica de Saint-Denis, Santa Maria Maggiore, a Bas\u00EDlica de S\u00E3o Vital, a Bas\u00EDlica de S\u00E3o Marcos, a Abadia de Westminster, a Catedral de S\u00E3o Bas\u00EDlio, Catedral Nacional de Washington, a Sagrada Fam\u00EDlia, obra-prima ainda incompleta de Gaudi, e a antiga igreja de Santa Sofia, recentemente transformada de museu em mesquita. As primeiras igrejas de grande porte datam da Antiguidade Tardia. Conforme o cristianismo e a constru\u00E7\u00E3o de igrejas e catedrais se espalhou por todo o mundo crist\u00E3o, as t\u00E9cnicas de constru\u00E7\u00E3o passaram a depender cada vez mais dos materiais e das habilidades dos construtores de cada regi\u00E3o. Diferentes estilos arquitet\u00F4nicos se desenvolveram e se disseminaram pelas m\u00E3os das novas ordens mon\u00E1sticas, de bispos de uma regi\u00E3o nomeados para governar outra e pelas m\u00E3os de mestres pedreiros itinerantes que frequentemente serviam de arquitetos. Os estilos das grandes igrejas foram chamados, sucessivamente, de : arquitetura paleocrist\u00E3, bizantina, rom\u00E2nica, g\u00F3tica, renascentista, barroca, variados estilos de revivalismo do final do s\u00E9culo XVIII at\u00E9 o princ\u00EDpio do XX e moderno. E sobreposto \u00E0 cada um destes estilos acad\u00EAmicos estavam os diversos estilos e caracter\u00EDsticas regionais. Entre estas, algumas s\u00E3o t\u00E3o peculiares \u00E0 uma regi\u00E3o ou pa\u00EDs que, independente do estilo, aparecem em igrejas projetadas com s\u00E9culos de diferen\u00E7a entre si."@pt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The architecture of cathedrals and great churches is characterised by the buildings' large scale and follows one of several branching traditions of form, function and style that derive ultimately from the Early Christian architectural traditions established in Late Antiquity during the Christianization of the Roman Empire. Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Santhome Church, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaud\u00ED's incomplete Sagrada Fam\u00EDlia and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque. The earliest large churches date from Late Antiquity. As Christianity and the construction of churches spread across the world, their manner of building was dependent upon local materials and local techniques. Different styles of architecture developed and their fashion spread, carried by the establishment of monastic orders, by the posting of bishops from one region to another and by the travelling of master stonemasons who served as architects. The successive styles of the great church buildings of Europe are known as Early Christian, Byzantine, Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, and various Revival styles of the late 18th to early 20th centuries, and then Modern. Underlying each of the academic styles are the regional characteristics. Some of these characteristics are so typical of a particular country or region that they appear, regardless of style, in the architecture of churches designed many centuries apart."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Architecture of cathedrals and great churches"@en . . . . . . . . . . . . . . . . . . . . . "The architecture of cathedrals and great churches is characterised by the buildings' large scale and follows one of several branching traditions of form, function and style that derive ultimately from the Early Christian architectural traditions established in Late Antiquity during the Christianization of the Roman Empire."@en . . . . "\u062A\u062A\u0645\u064A\u0632 \u0639\u0645\u0627\u0631\u0629 \u0627\u0644\u0643\u0627\u062A\u062F\u0631\u0627\u0626\u064A\u0627\u062A\u060C \u0648\u0627\u0644\u0628\u0627\u0632\u064A\u0644\u064A\u0643\u0627\u060C \u0648\u0643\u0646\u0627\u0626\u0633 \u0627\u0644\u062F\u064A\u0631 \u0628\u0627\u0644\u0645\u0642\u064A\u0627\u0633 \u0627\u0644\u0643\u0628\u064A\u0631 \u0644\u0644\u0645\u0628\u0627\u0646\u064A \u0648\u0627\u062A\u0628\u0627\u0639\u0647\u0627 \u0644\u062A\u0642\u0644\u064A\u062F \u0648\u0627\u062D\u062F \u0645\u0646 \u0627\u0644\u062A\u0642\u0627\u0644\u064A\u062F \u0627\u0644\u0645\u062A\u0641\u0631\u0639\u0629 \u0644\u0644\u0634\u0643\u0644\u060C \u0648\u0627\u0644\u0648\u0638\u064A\u0641\u0629\u060C \u0648\u0627\u0644\u0623\u0633\u0644\u0648\u0628 \u0627\u0644\u0645\u0633\u062A\u0645\u062F\u0629 \u062C\u0645\u064A\u0639\u0647\u0627 \u0628\u0627\u0644\u0623\u0633\u0627\u0633 \u0645\u0646 \u0627\u0644\u062A\u0642\u0627\u0644\u064A\u062F \u0627\u0644\u0645\u0639\u0645\u0627\u0631\u064A\u0629 \u0627\u0644\u0645\u0633\u064A\u062D\u064A\u0629 \u0627\u0644\u0645\u0628\u0643\u0631\u0629 \u0627\u0644\u062A\u064A \u062A\u0623\u0633\u0633\u062A \u0641\u064A \u0627\u0644\u0641\u062A\u0631\u0629 \u0627\u0644\u0642\u0633\u0637\u0646\u0637\u064A\u0646\u064A\u0629."@ar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "91356"^^ . . . . . . . . . . . . . . . . . . "\u0639\u0645\u0627\u0631\u0629 \u0627\u0644\u0643\u0627\u062A\u062F\u0631\u0627\u0626\u064A\u0627\u062A"@ar . . . . . . . . . . . . . . . . . . . . . . . . . . . "La arquitectura de las catedrales y las grandes iglesias \u2014bas\u00EDlicas, colegiatas e iglesias abaciales\u2014 se caracteriza por la gran escala de los edificios, y tipol\u00F3gica y estilicamente, su dise\u00F1o sigue alguna de las tradiciones de forma, funci\u00F3n y estilo que derivan todas, en \u00FAltima instancia, de las tradiciones arquitect\u00F3nicas paleocristianas establecidas en el per\u00EDodo constantiniano. Las catedrales, en particular, as\u00ED como muchas iglesias abaciales y bas\u00EDlicas, tienen formas edificatorias complejas que se encuentran con menos frecuencia en las iglesias parroquiales. Tambi\u00E9n tienden a mostrar el estilo arquitect\u00F3nico imperante en su \u00E9poca y en ellas trabajaron los mejores arquitectos, maestros de obras y artesanos ocupando un estatus, tanto eclesi\u00E1stico como social, que una iglesia parroquial ordinaria no tiene. Dado que las catedrales y grandes iglesias sol\u00EDan ser los mejores edificios de cada regi\u00F3n, fueron una expresi\u00F3n de orgullo local. Muchas catedrales y bas\u00EDlicas, y buen n\u00FAmero de iglesias abaciales, se encuentran entre las obras arquitect\u00F3nicas m\u00E1s destacadas del mundo, como la bas\u00EDlica de San Pedro, Notre Dame de Par\u00EDs, la catedral de Colonia, la catedral de Salisbury, la catedral de Praga, la catedral de Lincoln, la bas\u00EDlica de Saint-Denis, la bas\u00EDlica de Santa Mar\u00EDa la Mayor, la bas\u00EDlica de San Vital, la bas\u00EDlica de San Marcos, la abad\u00EDa de Westminster, la catedral de San Basilio, la catedral de la Ciudad de M\u00E9xico , la incompleta Sagrada Familia de Gaud\u00ED y la antigua iglesia de Santa Sof\u00EDa, ahora un museo. Las primeras iglesias grandes datan de la Antig\u00FCedad tard\u00EDa. Como el cristianismo se expandi\u00F3 por todo el mundo, la construcci\u00F3n de iglesias y catedrales dependi\u00F3 en gran manera de los materiales y t\u00E9cnicas locales. Se desarrollaron diferentes estilos arquitect\u00F3nicos que se propagaron con el establecimiento de las \u00F3rdenes mon\u00E1sticas, con el traslado de obispos de una regi\u00F3n a otra y tambi\u00E9n por el desplazamiento de los maestros canteros que oficiaron como arquitectos.\u200B Historiogr\u00E1ficamente, esos estilos de los grandes edificios eclesi\u00E1sticos han contribuido a caracterizar lo que se conoce hoy como arquitectura paleocristianana, bizantina, rom\u00E1nica, g\u00F3tica, renacentista, barroca y varios de los estilos revival (de finales del siglo XVIII a principios del siglo XX).\u200B Adem\u00E1s de las caracter\u00EDsticas universales de esos estilos acad\u00E9micos , aparecen superpuestas caracter\u00EDsticas regionales, algunas de ellas tan propias de un pa\u00EDs o regi\u00F3n que aparecen, independientemente del estilo, en iglesias dise\u00F1adas con muchos siglos de diferencia.\u200B"@es . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u897F\u30E8\u30FC\u30ED\u30C3\u30D1\u306E\u5927\u8056\u5802\u5EFA\u7BC9\u3068\u306F\u3001\u897F\u30E8\u30FC\u30ED\u30C3\u30D1\u306B\u5178\u578B\u7684\u306B\u898B\u3089\u308C\u308B\u897F\u65B9\u6559\u4F1A\u306E\u5927\u8056\u5802\u306E\u5EFA\u7BC9\u3068\u5185\u90E8\u306E\u69CB\u6210\u306E\u6982\u8AAC\u3067\u3042\u308B\u3002\u306A\u304A\u3001\u897F\u30E8\u30FC\u30ED\u30C3\u30D1\u306E\u5927\u8056\u5802\u306B\u3082\u3001\u305D\u308C\u305E\u308C\u500B\u3005\u306E\u5EFA\u7BC9\u6B74\u304C\u3042\u308B\u306E\u3067\u3001\u4EE5\u4E0B\u306E\u8A18\u8FF0\u306F\u4E00\u822C\u7684\u306A\u3082\u306E\u3067\u3042\u308A\u3001\u3059\u3079\u3066\u306E\u5927\u8056\u5802\u306E\u5EFA\u7BC9\u69CB\u9020\u306B\u5F53\u3066\u306F\u307E\u308B\u308F\u3051\u3067\u306F\u306A\u3044\u3002\u6771\u65B9\u6559\u4F1A\u30FB\u6B63\u6559\u4F1A\u306E\u3082\u306E\u306B\u3064\u3044\u3066\u3001\u6771\u30E8\u30FC\u30ED\u30C3\u30D1\u30FB\u4E2D\u6771\u306E\u3082\u306E\u306B\u3064\u3044\u3066\u306F\u30D3\u30B6\u30F3\u30C6\u30A3\u30F3\u5EFA\u7BC9\u30FB\u6771\u6B27\u8AF8\u56FD\u306E\u30D3\u30B6\u30F3\u30C6\u30A3\u30F3\u5EFA\u7BC9\u30FB\u30ED\u30B7\u30A2\u5EFA\u7BC9\u3092\u53C2\u7167\u3002"@ja . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Arquitectura de las catedrales y las grandes iglesias"@es . . . . "La arquitectura de las catedrales y las grandes iglesias \u2014bas\u00EDlicas, colegiatas e iglesias abaciales\u2014 se caracteriza por la gran escala de los edificios, y tipol\u00F3gica y estilicamente, su dise\u00F1o sigue alguna de las tradiciones de forma, funci\u00F3n y estilo que derivan todas, en \u00FAltima instancia, de las tradiciones arquitect\u00F3nicas paleocristianas establecidas en el per\u00EDodo constantiniano."@es . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Arsitektur katedral, basilika dan gereja dikarakteristikkan oleh skala besar bangunan dan mengikuti salah satu tradisi cabang dari bentuk, fungsi dan gaya yang semuanya bermula dari tradisi arsitektural yang didirikan pada Konstantinian. Katedral, serta beberapa gereja dan basilika memiliki bentuk struktural kompleks tertentu yang jarang ditemukan pada ."@in . . . . . . . . . . . . . . . . "Arsitektur katedral dan gereja besar"@in . . . . . . "180750"^^ . . . . "A arquitetura de catedrais, bas\u00EDlicas e igrejas abaciais \u00E9 caracterizada principalmente pelo grande tamanho do edif\u00EDcio e segue uma entre v\u00E1rias tradi\u00E7\u00F5es de forma, fun\u00E7\u00E3o e estilo derivadas, em \u00FAltima hora de inst\u00E2ncia, das tradi\u00E7\u00F5es arquitet\u00F4nicas do velho cristianismo primitivo consolidadas durante todo per\u00EDodo constantiniano."@pt . . . . . . . . . . . . . "Arsitektur katedral, basilika dan gereja dikarakteristikkan oleh skala besar bangunan dan mengikuti salah satu tradisi cabang dari bentuk, fungsi dan gaya yang semuanya bermula dari tradisi arsitektural yang didirikan pada Konstantinian. Katedral, serta beberapa gereja dan basilika memiliki bentuk struktural kompleks tertentu yang jarang ditemukan pada ."@in . . . . . . . . . . . . . . . . . . . "\u6559\u5802\u5EFA\u7B51"@zh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "1122765992"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u6559\u5802\u5EFA\u7B51\u4EE5\u5176\u89C4\u6A21\u5927\u5C0F\u5206\u4E3A\u5B97\u5EA7\u5723\u6BBF\u3001\u4E3B\u6559\u5EA7\u5802\u548C\u6559\u5802\u3002\u5B83\u4EEC\u90FD\u9075\u4ECE\u4EA7\u751F\u4E8E\u541B\u58EB\u5766\u4E01\u5927\u5E1D\u65F6\u671F\u7684\u4F20\u7EDF\u7684\u5F62\u5F0F\u3001\u529F\u80FD\u548C\u9020\u578B\u3002 \u7279\u522B\u662F\u4E3B\u6559\u5EA7\u5802\uFF0C\u4EE5\u53CA\u8BB8\u591A\u5927\u6559\u5802\u548C\u5B97\u5EA7\u5723\u6BBF\uFF0C\u4F1A\u6709\u7279\u5B9A\u7684\u590D\u6742\u5EFA\u7B51\u7ED3\u6784\uFF0C\u8FD9\u5728\u6559\u533A\u6559\u5802\u6BD4\u8F83\u5C11\u89C1\u3002\u5B83\u4EEC\u5F80\u5F80\u503E\u5411\u4E8E\u5C55\u793A\u5F53\u65F6\u66F4\u9AD8\u6C34\u5E73\u7684\u5EFA\u7B51\u98CE\u683C\u548C\u9AD8\u8D85\u7684\u5EFA\u7B51\u80FD\u529B\uFF0C\u5E76\u4E14\u83B7\u5F97\u4E86\u666E\u901A\u6559\u533A\u6559\u5802\u6240\u6CA1\u6709\u7684\u5B97\u6559\u5730\u4F4D\u548C\u793E\u4F1A\u5730\u4F4D\u3002\u6B64\u7C7B\u4E3B\u6559\u5EA7\u5802\u5F80\u5F80\u662F\u5176\u533A\u57DF\u5185\u6700\u597D\u7684\u5EFA\u7B51\u4E4B\u4E00\uFF0C\u5E76\u6210\u4E3A\u5F53\u5730\u7684\u9A84\u50B2\u3002\u8BB8\u591A\u4E3B\u6559\u5EA7\u5802\u548C\u5B97\u5EA7\u5723\u6BBF\uFF0C\u4EE5\u53CA\u4E00\u4E9B\u5927\u6559\u5802\uFF0C\u90FD\u662F\u540D\u5217\u4E16\u754C\u4E0A\u6700\u8457\u540D\u7684\u5EFA\u7B51\u4F5C\u54C1\u3002\u8FD9\u5305\u62EC\u5723\u5F7C\u5F97\u5927\u6559\u5802\u3001\u5DF4\u9ECE\u5723\u6BCD\u9662\u3001\u79D1\u9686\u5927\u6559\u5802\u3001\u7D22\u5C14\u5179\u4F2F\u91CC\u5EA7\u5802\u3001\u5E03\u62C9\u683C\u5927\u6559\u5802\u3001\u6797\u80AF\u5927\u6559\u5802\u3001\u5723\u4F46\u5C3C\u5723\u6BBF\u3001\u5723\u739B\u4E3D\u4E9A\u9A6C\u7126\u96F7\u5927\u6559\u5802\u3001\u5723\u7EF4\u5854\u6559\u5802\uFF0C\u5723\u9A6C\u514B\u5927\u6559\u5802\uFF0C\u5A01\u65AF\u654F\u65AF\u7279\u4FEE\u9053\u9662\uFF0C\u5723\u5DF4\u897F\u5C14\u5927\u6559\u5802\uFF0C\u4EE5\u53CA\u672A\u5B8C\u5DE5\u7684\u5723\u5BB6\u65CF\u5927\u6559\u5802\u548C\u73B0\u5728\u4F5C\u4E3A\u535A\u7269\u9986\u4F7F\u7528\u7684\u5723\u7D22\u83F2\u4E9A\u5927\u6559\u5802\u7B49\u3002 \u6700\u65E9\u7684\u5927\u6559\u5802\u53EF\u4EE5\u8FFD\u6EAF\u5230\u53E4\u5178\u65F6\u671F\u665A\u671F\u3002\u968F\u7740\u57FA\u7763\u6559\u7684\u4F20\u64AD\uFF0C\u5176\u6559\u5802\u4E5F\u5728\u4E16\u754C\u5404\u5730\u5EFA\u8BBE\u5F00\u6765\u3002\u5B83\u4EEC\u7684\u5F62\u5F0F\u53D6\u51B3\u4E8E\u5F53\u5730\u7684\u6750\u6599\u548C\u6280\u672F\u6C34\u5E73\u3002\u901A\u8FC7\u4E3B\u6559\u4E0B\u53D1\u5230\u5176\u4ED6\u533A\u57DF\u7684\u4E00\u7EB8\u547D\u4EE4\uFF0C\u4F5C\u4E3A\u5EFA\u7B51\u5E08\u7684\u4E3B\u77F3\u5320\u5728\u4E16\u754C\u5404\u5730\u5174\u5EFA\u8D77\u4E86\u4E0D\u540C\u98CE\u683C\u7684\u5EFA\u7B51\u3002\u8FD9\u4E9B\u98CE\u683C\u5148\u540E\u6709\u65E9\u671F\u57FA\u7763\u6559\u98CE\u683C\u3001\u62DC\u5360\u5EAD\u98CE\u683C\u3001\u7F57\u9A6C\u5F0F\u3001\u54E5\u7279\u5F0F\u3001\u6587\u827A\u590D\u5174\u5F0F\u3001\u5DF4\u6D1B\u514B\u5F0F\u300118\u81F320\u4E16\u7EAA\u521D\u7684\u5404\u79CD\u590D\u5174\u98CE\u683C\uFF0C\u4EE5\u53CA\u73B0\u4EE3\u98CE\u683C\u3002\u5728\u5404\u79CD\u5B66\u672F\u98CE\u683C\u4E4B\u4E0A\u8FD8\u7CC5\u5408\u4E86\u5F53\u5730\u7684\u533A\u57DF\u7279\u5F81\u3002"@zh . . . . . . . . . . . . . . . . . . . "\u897F\u30E8\u30FC\u30ED\u30C3\u30D1\u306E\u5927\u8056\u5802\u5EFA\u7BC9"@ja . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .