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Twenty-two people are recorded as having produced fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng, the colony's first domestically produced film, and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. Altogether, they are credited for 93 of all known films produced in the Indies, and four of them remained active after independence. All were men; the first female film producer in Indonesia, Ratna Asmara, produced her first film in 1953.

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  • Twenty-two people are recorded as having produced fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng, the colony's first domestically produced film, and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. Altogether, they are credited for 93 of all known films produced in the Indies, and four of them remained active after independence. All were men; the first female film producer in Indonesia, Ratna Asmara, produced her first film in 1953. The colony's first producer, Heuveldorp, was of European descent. He was followed in 1928 by the ethnic Chinese businessmen Tjan Tjoen Lian and Liem Goan Lian, who began work on Lily van Java but soon pulled out, to be replaced by David Wong. By 1930 Chinese producers had dominated the industry. The most active of these, The Teng Chun, made his debut in 1931 with Boenga Roos dari Tjikembang; he would go on to produce another 27 films before independence. No native Indonesian film producers are recorded from this period, although several productions were credited only to companies. Producers in the Indies would often handle multiple roles, such as director and cinematographer. When these positions were filled separately, the producer retained creative control. The Indonesian film historian Misbach Yusa Biran writes that works produced during this time were emphatically commercial, not paying attention to nationalistic or aesthetic values. However, the film scholars Thomas Barker and Charlotte Setijadi-Dunn suggest that the Chinese-produced films from the Indies offered the possibility of a heterogeneous national identity. The following list is sorted alphabetically by default, with further sorting capability in certain fields; owing to differing naming conventions between cultures, not all entries are sorted by last name. The list only counts fictional films directed by the subjects and does not include films from other genres or films in which the person held other roles. The names of persons credited with an abbreviated name are written in full, where available. (en)
  • Dua puluh dua orang diketahui pernah memproduksi film fiksi di Hindia Belanda antara tahun 1926, ketika L. Heuveldorp merilis Loetoeng Kasaroeng, film yang pertama kali dibuat di koloni ini, dan tahun 1949, ketika Belanda secara resmi mengakui kedaulatan Indonesia pasca-revolusi empat tahun yang membubarkan Hindia Belanda. Bersama-sama, mereka memproduksi sekitar 93 film pada masa itu. Empat di antaranya masih aktif pada tahun-tahun setelah merdeka. Semua produsernya laki-laki; produser film wanita pertama di Indonesia, Ratna Asmara, membuat film pertamanya tahun 1953. Produser film pertama di koloni ini, Heuveldorp dan G. Kruger, adalah keturunan Eropa atau campuran. Jejak mereka diikuti oleh pebisnis Tionghoa Tjan Tjoen Lian dan Liem Goan Lian pada tahun 1928, yang mulai mengerjakan Lily van Java namun segera dibatalkan, dan digantikan oleh David Wong. Pada tahun 1930, produser Cina telah mendominasi industri film di koloni ini. Produser paling aktif, The Teng Chun, merilis film perdananya tahun 1931 yang berjudul Boenga Roos dari Tjikembang; ia kemudian memproduksi 27 film lain sebelum merdeka. Tidak ada produser film pribumi Indonesia yang tercatat pada masa ini, meski sejumlah film mencantumkan nama perusahaan sebagai produsernya. Produser film di Hindia Belanda biasanya merangkap beberapa jabatan, seperti sutradara dan sinematografer. Saat jabatan tersebut diisi secara terpisah, produser memegang kendali kreatifnya. Sejarawan film Indonesia Misbach Yusa Biran menulis bahwa film-film yang diproduksi pada masa itu bersifat komersial dan tidak menyampaikan nilai-nilai nasionalis atau estetis. Akan tetapi, pengamat film Thomas Barker dan Charlotte Setijadi-Dunn, berpendapat bahwa film-film buatan produser Cina dari Hindia Belanda bisa saja mengangkut identitas nasional yang heterogen. Daftar berikut diurutkan sesuai abjad dan dilengkapi tombol pengurutan di setiap kolom. Daftar ini hanya mencakup film-film fiksi yang mereka sutradarai dan tidak mencakup film yang berasal dari genre lain. Nama yang digunakan adalah nama lengkap (jika ada). (in)
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  • Twenty-two people are recorded as having produced fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng, the colony's first domestically produced film, and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. Altogether, they are credited for 93 of all known films produced in the Indies, and four of them remained active after independence. All were men; the first female film producer in Indonesia, Ratna Asmara, produced her first film in 1953. (en)
  • Dua puluh dua orang diketahui pernah memproduksi film fiksi di Hindia Belanda antara tahun 1926, ketika L. Heuveldorp merilis Loetoeng Kasaroeng, film yang pertama kali dibuat di koloni ini, dan tahun 1949, ketika Belanda secara resmi mengakui kedaulatan Indonesia pasca-revolusi empat tahun yang membubarkan Hindia Belanda. Bersama-sama, mereka memproduksi sekitar 93 film pada masa itu. Empat di antaranya masih aktif pada tahun-tahun setelah merdeka. Semua produsernya laki-laki; produser film wanita pertama di Indonesia, Ratna Asmara, membuat film pertamanya tahun 1953. (in)
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  • Daftar produser film Hindia Belanda (in)
  • List of film producers of the Dutch East Indies (en)
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