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Yoshishige Saitō (斎藤義重, Saitō Yoshishige, also Saitō Gijū or Saito Ghiju, born May 4, 1904, in Hirosaki, died June 13, 2001 in Yokohama) was a Japanese visual artist and art educator. Saitō was a seminal figure in Japanese art of the 20th century and a crucial link between the prewar avant-garde and postwar abstract art in Japan. From early on, he was exposed to Post-Impressionism and the avant-garde movements, including Russian constructivism and European Dada, as well as Western literature and Marxism. In the 1930s, he became active in the avant-garde art circles, while pursuing abstraction in paintings and wood reliefs, most notably the relief series of Kara kara and Toro Wood. All of his prewar works and related materials were lost to an air-raid fire in 1945, some of them were reconst

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  • Saitō Yoshishige (de)
  • Saito Yoshishige (fr)
  • 斎藤義重 (ja)
  • Yoshishige Saitō (en)
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  • Saitō Yoshishige (japanisch 斎藤 義重, auch als Saitō Gijū gelesen; geb. 4. Mai 1904 in Tokio; gest. 13. Juni 2001) war ein japanischer Maler, Grafiker und Bildhauer der Shōwa-Zeit. (de)
  • Saito Yoshishige (斎藤義重) est un peintre, auteur d'installations, Figuratif puis abstrait, japonais du XXe siècle, né le 4 mai 1904 à Tokyo, décédé à Tokyo en 2001. (fr)
  • 斎藤 義重（さいとう よししげ、1904年5月4日 – 2001年6月13日）は、青森県弘前市出身の現代美術家。多摩美術大学教授。「さいとう ぎじゅう」と読まれることもある。絵画と彫刻の垣根を超えた表現を追求して作品を制作した。戦後以降の現代美術を代表する作品の数々を残し、「もの派」の作家らに大きな影響を与えた。 (ja)
  • Yoshishige Saitō (斎藤義重, Saitō Yoshishige, also Saitō Gijū or Saito Ghiju, born May 4, 1904, in Hirosaki, died June 13, 2001 in Yokohama) was a Japanese visual artist and art educator. Saitō was a seminal figure in Japanese art of the 20th century and a crucial link between the prewar avant-garde and postwar abstract art in Japan. From early on, he was exposed to Post-Impressionism and the avant-garde movements, including Russian constructivism and European Dada, as well as Western literature and Marxism. In the 1930s, he became active in the avant-garde art circles, while pursuing abstraction in paintings and wood reliefs, most notably the relief series of Kara kara and Toro Wood. All of his prewar works and related materials were lost to an air-raid fire in 1945, some of them were reconst (en)
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  • Saitō Yoshishige (japanisch 斎藤 義重, auch als Saitō Gijū gelesen; geb. 4. Mai 1904 in Tokio; gest. 13. Juni 2001) war ein japanischer Maler, Grafiker und Bildhauer der Shōwa-Zeit. (de)
  • Saito Yoshishige (斎藤義重) est un peintre, auteur d'installations, Figuratif puis abstrait, japonais du XXe siècle, né le 4 mai 1904 à Tokyo, décédé à Tokyo en 2001. (fr)
  • 斎藤 義重（さいとう よししげ、1904年5月4日 – 2001年6月13日）は、青森県弘前市出身の現代美術家。多摩美術大学教授。「さいとう ぎじゅう」と読まれることもある。絵画と彫刻の垣根を超えた表現を追求して作品を制作した。戦後以降の現代美術を代表する作品の数々を残し、「もの派」の作家らに大きな影響を与えた。 (ja)
  • Yoshishige Saitō (斎藤義重, Saitō Yoshishige, also Saitō Gijū or Saito Ghiju, born May 4, 1904, in Hirosaki, died June 13, 2001 in Yokohama) was a Japanese visual artist and art educator. Saitō was a seminal figure in Japanese art of the 20th century and a crucial link between the prewar avant-garde and postwar abstract art in Japan. From early on, he was exposed to Post-Impressionism and the avant-garde movements, including Russian constructivism and European Dada, as well as Western literature and Marxism. In the 1930s, he became active in the avant-garde art circles, while pursuing abstraction in paintings and wood reliefs, most notably the relief series of Kara kara and Toro Wood. All of his prewar works and related materials were lost to an air-raid fire in 1945, some of them were reconstructed in the 1970s. In the immediate postwar years, Saitō’s return to art was slow, but by 1957, he established himself again in the art world as a prominent abstract artist. His painting imbued with a great sense of formalism was first followed by his “drill paintings” during the Informel period and then by the return to wood reliefs, which would later lead to large-scale “spatial constructions” made of painted plywood in the 1980s. In these works in wood, he critically engaged with the issues of painting, while exploring the potential of mundane plywood to construct spaces. As a professor at the Tama Art University and the Tokyo School of Art, Saitō inspired a great number of art students, especially the future artists of the Mono-ha movement. (en)
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