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"Tomorrow Night" is a 1939 song written by Sam Coslow and Will Grosz. A version by Horace Heidt and His Musical Knights (vocal by The Heidtlites) was very popular in 1939. In 1948, Lonnie Johnson had a crossover hit on King Records (Johnson had also previously recorded the song for Paradise records in 1947) with the song, which had Johnson on guitar and Simeon Hatch on piano. Lonnie Johnson's version hit number one on the R&B charts for seven non consecutive weeks and peaked at number nineteen on the pop chart. Actually, the Paradise and King recordings are the same basic recording, however King Records overdubbed a vocal chorus over the original Paradise version, and it's the overdubbed recording that became the hit. A "stereo" version is known to exist where the Paradise basic track is h

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  • Tomorrow Night (Coslow and Grosz song) (en)
  • Tomorrow Night (ru)
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  • «Tomorrow Night» (рус. Завтра вечером) — американская эстрадная песня, написанная в 1939 году Сэмом Кослоу и Уиллом Грошем. В том же году версия Горация Хейдта заняла 16-е место. В 1948 году «Tomorrow Night» записал блюзмен Лонни Джонсон; его версия достигла 1-го места в негритянском хит-параде журнала «Биллборд» и 19-е место в общем хит-параде поп-музыки.. Для Лонни Джонсона песня стала его визитной карточкой, он её не раз перезаписывал. Опираясь на версию Джонсона, песню также записал Элвис Пресли в 1954 году на Sun Records, однако вышла она впервые лишь в 1965 году на альбоме «Elvis for Everyone!» с наложениями подпевок и ударных. Песню также записал Боб Дилан для альбома «Good as I Been to You» (1992). (ru)
  • "Tomorrow Night" is a 1939 song written by Sam Coslow and Will Grosz. A version by Horace Heidt and His Musical Knights (vocal by The Heidtlites) was very popular in 1939. In 1948, Lonnie Johnson had a crossover hit on King Records (Johnson had also previously recorded the song for Paradise records in 1947) with the song, which had Johnson on guitar and Simeon Hatch on piano. Lonnie Johnson's version hit number one on the R&B charts for seven non consecutive weeks and peaked at number nineteen on the pop chart. Actually, the Paradise and King recordings are the same basic recording, however King Records overdubbed a vocal chorus over the original Paradise version, and it's the overdubbed recording that became the hit. A "stereo" version is known to exist where the Paradise basic track is h (en)
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  • Tomorrow Night (en)
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  • Tomorrow Night (en)
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  • Sam Coslow, Will Grosz (en)
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  • "Tomorrow Night" is a 1939 song written by Sam Coslow and Will Grosz. A version by Horace Heidt and His Musical Knights (vocal by The Heidtlites) was very popular in 1939. In 1948, Lonnie Johnson had a crossover hit on King Records (Johnson had also previously recorded the song for Paradise records in 1947) with the song, which had Johnson on guitar and Simeon Hatch on piano. Lonnie Johnson's version hit number one on the R&B charts for seven non consecutive weeks and peaked at number nineteen on the pop chart. Actually, the Paradise and King recordings are the same basic recording, however King Records overdubbed a vocal chorus over the original Paradise version, and it's the overdubbed recording that became the hit. A "stereo" version is known to exist where the Paradise basic track is heard on the left channel and the overdubbed version with the chorus is heard on the right channel Lonnie Johnson's version of "Tomorrow Night" would become his theme song and transformed the song into a blues standard. (en)
  • «Tomorrow Night» (рус. Завтра вечером) — американская эстрадная песня, написанная в 1939 году Сэмом Кослоу и Уиллом Грошем. В том же году версия Горация Хейдта заняла 16-е место. В 1948 году «Tomorrow Night» записал блюзмен Лонни Джонсон; его версия достигла 1-го места в негритянском хит-параде журнала «Биллборд» и 19-е место в общем хит-параде поп-музыки.. Для Лонни Джонсона песня стала его визитной карточкой, он её не раз перезаписывал. Опираясь на версию Джонсона, песню также записал Элвис Пресли в 1954 году на Sun Records, однако вышла она впервые лишь в 1965 году на альбоме «Elvis for Everyone!» с наложениями подпевок и ударных. Песню также записал Боб Дилан для альбома «Good as I Been to You» (1992). (ru)
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