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Toho Scope (東宝スコープ) is an anamorphic lens system developed in the late 1950s by Toho Studios in response to the popularity of CinemaScope. Its technical specifications are identical to those of CinemaScope. This widescreen format was first used for the black-and-white films , and On Wings of Love, made use of color in , and debuted in full-color (and tokusatsu) with The Mysterians (all 1957). The label fell out of use in 1965 to be replaced by Panavision lenses of similar specifications.

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  • 東宝スコープ (ja)
  • TohoScope (en)
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  • 東宝スコープ(とうほうスコープ)は、映画会社・東宝が1950年代後半に開発したアナモルフィック・レンズによる日本の映画のワイドスクリーン・システムである。「シネマスコープ」の人気に応えて独自に開発されたが、技術的特徴はシネマスコープとほとんど同一である。画面アスペクト比は「2.35:1」。 (ja)
  • Toho Scope (東宝スコープ) is an anamorphic lens system developed in the late 1950s by Toho Studios in response to the popularity of CinemaScope. Its technical specifications are identical to those of CinemaScope. This widescreen format was first used for the black-and-white films , and On Wings of Love, made use of color in , and debuted in full-color (and tokusatsu) with The Mysterians (all 1957). The label fell out of use in 1965 to be replaced by Panavision lenses of similar specifications. (en)
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  • Toho Scope (東宝スコープ) is an anamorphic lens system developed in the late 1950s by Toho Studios in response to the popularity of CinemaScope. Its technical specifications are identical to those of CinemaScope. This widescreen format was first used for the black-and-white films , and On Wings of Love, made use of color in , and debuted in full-color (and tokusatsu) with The Mysterians (all 1957). The label fell out of use in 1965 to be replaced by Panavision lenses of similar specifications. In contemporary popular culture, the recognizable Toho Scope logo prefaced Godzilla: Final Wars, one of many homages to older science fiction productions made throughout the film. (en)
  • 東宝スコープ(とうほうスコープ)は、映画会社・東宝が1950年代後半に開発したアナモルフィック・レンズによる日本の映画のワイドスクリーン・システムである。「シネマスコープ」の人気に応えて独自に開発されたが、技術的特徴はシネマスコープとほとんど同一である。画面アスペクト比は「2.35:1」。 (ja)
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