The Ghost of Oyuki (お雪の幻, Oyuki no maboroshi) is a painting of a female yūrei, (a traditional Japanese ghost), by Maruyama Ōkyo (1733–1795), founder of the Maruyama-Shijō school of painting. According to an inscription on the painting, Okyo had a mistress in the Tominaga Geisha house. She died young and Okyo mourned her death. One night her spirit came to him in a dream. Unable to get her image out of his head, he painted this portrait. This is one of the earliest paintings of a yūrei with the basic late-Edo period ghost characteristics: disheveled hair, white kimono, limp hands, nearly transparent, lack of lower body.
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| - El fantasma de Oyuki (es)
- Le Fantôme d'Oyuki (fr)
- The Ghost of Oyuki (en)
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| - El fantasma de Oyuki (お雪の幻 Oyuki no maboroshi?) es una pintura de una mujer yūrei, (un tradicional fantasma japonés), por Maruyama Okyo (1733-1795), fundador de la escuela de pintura Maruyama-Shijô. De acuerdo con una inscripción en la pintura, Okyo tenía una amante en la casa de geishas Tominaga. Ella murió joven y Okyo lamentó su muerte. Una noche, su espíritu se le apareció en un sueño, e incapaz de conseguir que su imagen se fuera de su cabeza, pintó este retrato. Esta es una de las primeras pinturas de un yūrei (fantasma) con las características básicas de un fantasma a finales del período Edo: pelo despeinado, vestido blanco o azul pálido, manos inertes, casi transparente, falta de parte inferior del cuerpo. (es)
- The Ghost of Oyuki (お雪の幻, Oyuki no maboroshi) is a painting of a female yūrei, (a traditional Japanese ghost), by Maruyama Ōkyo (1733–1795), founder of the Maruyama-Shijō school of painting. According to an inscription on the painting, Okyo had a mistress in the Tominaga Geisha house. She died young and Okyo mourned her death. One night her spirit came to him in a dream. Unable to get her image out of his head, he painted this portrait. This is one of the earliest paintings of a yūrei with the basic late-Edo period ghost characteristics: disheveled hair, white kimono, limp hands, nearly transparent, lack of lower body. (en)
- Le Fantôme d'Oyuki (お雪の幻, Oyuki no maboroshi) est le titre d'un tableau d'une yūrei féminine (fantôme japonais traditionnel), par Maruyama Ōkyo (1733-1795), fondateur de l'école Maruyama-Shijō de peinture. (fr)
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| - El fantasma de Oyuki (お雪の幻 Oyuki no maboroshi?) es una pintura de una mujer yūrei, (un tradicional fantasma japonés), por Maruyama Okyo (1733-1795), fundador de la escuela de pintura Maruyama-Shijô. De acuerdo con una inscripción en la pintura, Okyo tenía una amante en la casa de geishas Tominaga. Ella murió joven y Okyo lamentó su muerte. Una noche, su espíritu se le apareció en un sueño, e incapaz de conseguir que su imagen se fuera de su cabeza, pintó este retrato. Esta es una de las primeras pinturas de un yūrei (fantasma) con las características básicas de un fantasma a finales del período Edo: pelo despeinado, vestido blanco o azul pálido, manos inertes, casi transparente, falta de parte inferior del cuerpo. (es)
- Le Fantôme d'Oyuki (お雪の幻, Oyuki no maboroshi) est le titre d'un tableau d'une yūrei féminine (fantôme japonais traditionnel), par Maruyama Ōkyo (1733-1795), fondateur de l'école Maruyama-Shijō de peinture. Selon une inscription sur la peinture, Yoko avait une maîtresse dans la maison de geisha Tominaga. Elle meurt jeune et Ōkyo pleure sa mort. Une nuit, son esprit lui rend visite en rêve et, incapable de sortir son image de sa tête, il peint ce portrait. C'est l'une des premières peintures d'une yūrei avec les caractéristiques de base d'un fantôme de l'époque d'Edo : échevelée, robe blanche ou bleu pâle, mains molles, presque transparente, absence de la partie inférieure du corps. (fr)
- The Ghost of Oyuki (お雪の幻, Oyuki no maboroshi) is a painting of a female yūrei, (a traditional Japanese ghost), by Maruyama Ōkyo (1733–1795), founder of the Maruyama-Shijō school of painting. According to an inscription on the painting, Okyo had a mistress in the Tominaga Geisha house. She died young and Okyo mourned her death. One night her spirit came to him in a dream. Unable to get her image out of his head, he painted this portrait. This is one of the earliest paintings of a yūrei with the basic late-Edo period ghost characteristics: disheveled hair, white kimono, limp hands, nearly transparent, lack of lower body. (en)
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