Michael Haydn's Symphony No. 34 in E-flat major, Perger 26, Sherman 34, MH 473, written in Salzburg in 1788, is the last E-flat major symphony he wrote, the first of his final set of six symphonies. Scored for 2 oboes, 2 bassoons, 2 horns and strings, in three movements: 1.
* Allegro con brio 2.
* Adagietto, in B-flat major 3.
* Fugato. Allegro The first and last movements begin the same way, only that the first movement uses the theme to launch a sonata form while the third movement uses it to preface a fugato.
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| - 34. Sinfonie (Michael Haydn) (de)
- Symphonie no 34 de Michael Haydn (fr)
- Symphony No. 34 (Michael Haydn) (en)
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| - Seine Sinfonie Nr. 34 Es-Dur MH 473 (Perger 26) komponierte Michael Haydn im Jahr 1788. (de)
- La Symphonie no 34 en mi bémol majeur, Perger 26, Sherman 34, MH 473, est une symphonie de Michael Haydn, composée en 1788 à Salzbourg. (fr)
- Michael Haydn's Symphony No. 34 in E-flat major, Perger 26, Sherman 34, MH 473, written in Salzburg in 1788, is the last E-flat major symphony he wrote, the first of his final set of six symphonies. Scored for 2 oboes, 2 bassoons, 2 horns and strings, in three movements: 1.
* Allegro con brio 2.
* Adagietto, in B-flat major 3.
* Fugato. Allegro The first and last movements begin the same way, only that the first movement uses the theme to launch a sonata form while the third movement uses it to preface a fugato. (en)
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| - Seine Sinfonie Nr. 34 Es-Dur MH 473 (Perger 26) komponierte Michael Haydn im Jahr 1788. (de)
- La Symphonie no 34 en mi bémol majeur, Perger 26, Sherman 34, MH 473, est une symphonie de Michael Haydn, composée en 1788 à Salzbourg. (fr)
- Michael Haydn's Symphony No. 34 in E-flat major, Perger 26, Sherman 34, MH 473, written in Salzburg in 1788, is the last E-flat major symphony he wrote, the first of his final set of six symphonies. Scored for 2 oboes, 2 bassoons, 2 horns and strings, in three movements: 1.
* Allegro con brio 2.
* Adagietto, in B-flat major 3.
* Fugato. Allegro The first and last movements begin the same way, only that the first movement uses the theme to launch a sonata form while the third movement uses it to preface a fugato. (en)
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