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| - Superstudio war eine Gruppe von sechs Architekten (Peter Frassinelli, Alessandro Magris, Roberto Magris, Adolfo Natalini, Alessandro Poli, ), die im Jahre 1966 in Florenz gemeinsam Entwürfe im Bereich Architektur und Industriedesign ausgearbeitet haben. Ihre Entwürfe wurden in Ausstellungen 1966 und 1967 in Pistoia und Modena gezeigt, wo sie ihre „Zwölf Idealstädte“ ausstellten. 1972 wurden ihre Arbeiten im Museum of Modern Art in New York City im Rahmen der Ausstellung: „Italy, the New Domestic Landscape“ ausgestellt. (de)
- Superstudio est un groupe d'architectes italiens d'avant-garde fondé en 1966 à Florence, et dissout en 1982. Il regroupe Adolfo Natalini et , les fondateurs du groupe ainsi qu'Alessandro Poli, , Roberto et . Figure de l'architecture radicale en Italie à la fin des années 1960, Superstudio est à l'origine de plusieurs œuvres utopiques. (fr)
- Superstudio è stato uno studio di architettura fondato da un gruppo di architetti neolaureati, nel 1966 a Firenze. (it)
- スーパースタジオ(Superstudio)は、イタリアの建築家ドローイング集団で、1966年にフィレンツェで、（Adolfo Natalini、1941年- ）と（Cristiano Taraldo di Francia、1941年- ）により設立された。1967年から（Robert Magris、1935年- ）、1968年から（Piero Frassinelli、1939年- ）、1970年から（Alessandro Magris、1941年- ）と（Alessandro Poli、1941年- ）が参加。 同時代のアーキグラムと比較して、ポジティブに未来のテクノロジー社会を描いたアーキグラムに対し、スーパースタジオの場合はネガティブな未来を描いていた。 1978年に集団協働は解消するが、その後メンバーは建築教育、建築の実践、その他のデザインプロジェクトやみずからの文章を通じて独自にアイデアを開発し発表し続ける。 (ja)
- O Superstudio foi um grupo arquitetônico radical fundado em 1966 pelos italianos e , aos quais se juntaram Alessandro e Roberto Magris e Piero Frassinelli. Fez parte das vanguardas arquitetônicas e do design dos anos 60. Utilizou a colagem, foto-montagem, filmes e outras técnicas para imaginar novos espaços e formas de representação e promover o "anti-design". O grupo se dissolveu no final dos anos 70. (pt)
- Superstudio fue un grupo arquitectónico italiano desarrollado entre los años 1966 y 1978. Enmarcado en el antidiseño, se fundó en Florencia en 1966, en paralelo al grupo Archizoom. Estaba compuesto por los arquitectos Adolfo Natalini, y . (es)
- Superstudio was an architectural firm, founded in 1966 in Florence, Italy by Adolfo Natalini and , later joined by Gian Piero Frassinelli, Alessandro and Roberto Magris, Alessandro Poli. Superstudio was a major part of the Radical architecture and design movement of the late 1960s. The founders had gone to school at the University of Florence with Archizoom Associati founder Andrea Branzi and first showed their work in the Superarchitettura show in 1966. This exhibition became the manifesto of the Radical Design movement. (en)
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| - Superstudio war eine Gruppe von sechs Architekten (Peter Frassinelli, Alessandro Magris, Roberto Magris, Adolfo Natalini, Alessandro Poli, ), die im Jahre 1966 in Florenz gemeinsam Entwürfe im Bereich Architektur und Industriedesign ausgearbeitet haben. Ihre Entwürfe wurden in Ausstellungen 1966 und 1967 in Pistoia und Modena gezeigt, wo sie ihre „Zwölf Idealstädte“ ausstellten. 1972 wurden ihre Arbeiten im Museum of Modern Art in New York City im Rahmen der Ausstellung: „Italy, the New Domestic Landscape“ ausgestellt. (de)
- Superstudio fue un grupo arquitectónico italiano desarrollado entre los años 1966 y 1978. Enmarcado en el antidiseño, se fundó en Florencia en 1966, en paralelo al grupo Archizoom. Estaba compuesto por los arquitectos Adolfo Natalini, y . Opuesto al racionalismo y a la primacía del diseño sobre la función social y cultural de la arquitectura, el antidiseño puso énfasis en el estudio de las necesidades de los individuos por sobre cualquier otra consideración. Inspirados en el Art Nouveau, el art déco, el pop-art y el arte kitsch, realizaron una serie de diseños de tono irreverente que cuestionaban la funcionalidad y buen gusto del diseño anterior. También concibieron proyectos de ciudades utópicas del futuro, donde la tecnología liberaría al ser humano del trabajo manual. (es)
- Superstudio est un groupe d'architectes italiens d'avant-garde fondé en 1966 à Florence, et dissout en 1982. Il regroupe Adolfo Natalini et , les fondateurs du groupe ainsi qu'Alessandro Poli, , Roberto et . Figure de l'architecture radicale en Italie à la fin des années 1960, Superstudio est à l'origine de plusieurs œuvres utopiques. (fr)
- Superstudio was an architectural firm, founded in 1966 in Florence, Italy by Adolfo Natalini and , later joined by Gian Piero Frassinelli, Alessandro and Roberto Magris, Alessandro Poli. Superstudio was a major part of the Radical architecture and design movement of the late 1960s. The founders had gone to school at the University of Florence with Archizoom Associati founder Andrea Branzi and first showed their work in the Superarchitettura show in 1966. This exhibition became the manifesto of the Radical Design movement. In 1967, Natalini established three categories of future research: “architecture of the monument”, “architecture of the image”, and “technomorphic architecture”. In 1969, Superstudio presented one of their most famous conceptual architecture works – Continuous Monument: An Architectural Model for Total Urbanization. Their anti-architectural proposals used grid systems as a way to mediate space. Continuous Monument represented a critique of the urban planning at that time. Superstudio aimed for social change through architecture. In the early 1970s, they created a series of films in order to raise awareness of the harmful impact of construction on natural environment. Adolfo Natalini wrote in 1971 “...if design is merely an inducement to consume, then we must reject design; if architecture is merely the codifying of bourgeois model of ownership and society, then we must reject architecture; if architecture and town planning is merely the formalization of present unjust social divisions, then we must reject town planning and its cities...until all design activities are aimed towards meeting primary needs. Until then, design must disappear. We can live without architecture..." Through their models, Superstudio proposed an alternative strategy of life without objects, a view of architectural practice as essentially theoretical, with a primary focus on cultural criticism. In 1970, they created their iconic minimalist furniture collection – Quaderna, which is still in production by Zanotta. Their other famous projects include: "Sofo Sofa" (1968) (still in production), "Sofa Bazaar" (1968), Passiflora Table Lamp (1966), Polaris Excelsior table lamp (1968). Superstudio took part in the MoMA exhibition "Italy: The New Domestic Landscape" (1972). Critics agree that the work of Superstudio was influential, or even entirely inspirational to, among others, architects like Zaha Hadid, Rem Koolhaas and Bernard Tschumi. Evidence of this is notable when one considers that the use of strong symmetrical line-work and geometric form; mediums heavily utilized by all of these architects, were staples of Superstudio's work throughout most of its life. Furthermore, Superstudio's penchant for envisioning immense, entirely aspirational mega-structures is a trait visible in much of the early work of architects such as Hadid and Koolhaas. Superstudio abandoned working as a collective in 1978, but its members continued to develop their ideas independently through their writings, via education, architectural practice and other design projects. (en)
- Superstudio è stato uno studio di architettura fondato da un gruppo di architetti neolaureati, nel 1966 a Firenze. (it)
- スーパースタジオ(Superstudio)は、イタリアの建築家ドローイング集団で、1966年にフィレンツェで、（Adolfo Natalini、1941年- ）と（Cristiano Taraldo di Francia、1941年- ）により設立された。1967年から（Robert Magris、1935年- ）、1968年から（Piero Frassinelli、1939年- ）、1970年から（Alessandro Magris、1941年- ）と（Alessandro Poli、1941年- ）が参加。 同時代のアーキグラムと比較して、ポジティブに未来のテクノロジー社会を描いたアーキグラムに対し、スーパースタジオの場合はネガティブな未来を描いていた。 1978年に集団協働は解消するが、その後メンバーは建築教育、建築の実践、その他のデザインプロジェクトやみずからの文章を通じて独自にアイデアを開発し発表し続ける。 (ja)
- O Superstudio foi um grupo arquitetônico radical fundado em 1966 pelos italianos e , aos quais se juntaram Alessandro e Roberto Magris e Piero Frassinelli. Fez parte das vanguardas arquitetônicas e do design dos anos 60. Utilizou a colagem, foto-montagem, filmes e outras técnicas para imaginar novos espaços e formas de representação e promover o "anti-design". O grupo se dissolveu no final dos anos 70. (pt)
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