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About: Rescue opera     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatRescueOperas, within Data Space : dbpedia.org:8891 associated with source document(s)

Type: yago:WikicatOperaGenresyago:Abstraction100002137yago:AuditoryCommunication107109019yago:Category105838765yago:ClassicalMusic107025900yago:Cognition100023271yago:Communication100033020yago:Concept105835747yago:Content105809192yago:ExpressiveStyle107066659yago:Genre105845332yago:Idea105833840yago:Kind105839024yago:Music107020895yago:MusicGenre107071942yago:Opera107026352yago:PsychologicalFeature100023100music genreyago:WikicatRescueOperas New Facet based on Instances of this Class

Rescue opera was a genre of opera in the late 18th and early 19th centuries in France and Germany. Generally, rescue operas deal with the rescue of a main character from danger and end with a happy dramatic resolution in which lofty humanistic ideals triumph over base motives. Operas with this kind of subject matter became popular in France around the time of the French Revolution; a number of such operas dealt with the rescue of a political prisoner. Stylistically and thematically, rescue opera was an outgrowth of the French bourgeois opéra comique; musically, it began a new tradition that would influence German Romantic opera and French grand opera. The most famous rescue opera is Ludwig van Beethoven's Fidelio.