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About: Plunderphonics     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Technique105665146, within Data Space : dbpedia.org:8891 associated with source document(s)

Type: Thinggenretopical conceptMusic genredul:Conceptyago:WikicatCanadianStylesOfMusicyago:WikicatMusicalTechniquesyago:Ability105616246yago:Abstraction100002137yago:Attribute100024264yago:Cognition100023271yago:Know-how105616786yago:Manner104928903yago:Method105660268yago:Property104916342yago:PsychologicalFeature100023100music genreyago:Technique105665146 New Facet based on Instances of this Class

Plunderphonics is a music genre in which tracks are constructed by sampling recognizable musical works. The term was coined by composer John Oswald in 1985 in his essay "Plunderphonics, or Audio Piracy as a Compositional Prerogative", and eventually explicitly defined in the liner notes of his Grayfolded album. Plunderphonics can be considered a form of sound collage. Oswald has described it as a referential and self-conscious practice which interrogates notions of originality and identity.