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Peter Ane Schat (5 June 1935, in Utrecht – 3 February 2003, in Amsterdam) was a Dutch composer. Schat studied composition with Kees van Baaren at the Utrecht Conservatoire and the Royal Conservatory of The Hague from 1952 until 1958, and then went on to study in London with Mátyás Seiber in 1959 and with Pierre Boulez in Basle in 1960–61. His early training with van Baaren and Seiber disposed him toward twelve-tone technique, and his earliest compositions, such as the Introductie en adagio in oude stijl (1954) and the Septet (1957), combine traditional forms with dodecaphony. Boulez, however, led him to a more radical, strict form of serialism, and he was regarded in the Netherlands as one of the outstanding representatives of the avant garde. While still a student he created his opus 1, P

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  • Peter Schat (de)
  • Peter Schat (fr)
  • Peter Schat (nl)
  • Peter Schat (en)
  • Peter Schat (pl)
  • Схат, Петер (ru)
  • 彼得·夏特 (zh)
rdfs:comment
  • Peter Ane Schat (né le 5 juin 1935 à Utrecht et décédé le 3 février 2003 à Amsterdam) est un compositeur néerlandais, ayant notamment travaillé sur la micro-intervalle et les musiques micro-tonales. (fr)
  • Peter Ane (Peter) Schat (Utrecht, 5 juni 1935 - Amsterdam, 3 februari 2003) was een Nederlands componist. (nl)
  • Peter Schat (ur. 5 czerwca 1935 w Utrechcie, zm. 3 lutego 2003 w Amsterdamie) – holenderski kompozytor. (pl)
  • 彼得·阿内·夏特（荷蘭語：Peter Ane Schat，1935年6月5日－2003年2月3日），又译作沙特，是一名荷兰作曲家。他出生于乌得勒支，曾是皮埃尔·布列兹的学生。创作多为先锋派风格。1969年，他与路易斯·安德里森等人一同创建了电子音乐工作室。1970年代他提出了“”（英語：Tone Clock）理论。他一共作有三部交响曲（1978，1983，2003），许多歌剧以及其他类型的作品，其中一部歌剧为《三打白骨精》（Aap verslaat de knekelgeest，1980）。2003年，夏特在阿姆斯特丹病逝。 (zh)
  • Петер Схат (нидерл. Peter Schat; 5 июня 1935, Утрехт — 3 февраля 2003, Амстердам) — нидерландский композитор. (ru)
  • Peter Ane Schat (* 5. Juni 1935 in Utrecht; † 3. Februar 2003 in Amsterdam) war ein niederländischer Komponist, Musikpädagoge und Musikschriftsteller. Schat studierte am Konservatorium Utrecht Klavier bei und am Konservatorium Den Haag Musiktheorie und Komposition bei Kees van Baaren. Er setzte seine Ausbildung bei Mátyás Seiber in London (1959) und Pierre Boulez in Basel (1960–61) fort. Er gilt als bedeutender Vertreter der musikalischen Avantgarde in den Niederlanden, war ein passionierter Provokateur, Sozialkritiker und Autor und veröffentlichte zahlreiche Artikel und Bücher, darunter De Toonklok (1984) und De Wereld Chromatisch (1988). (de)
  • Peter Ane Schat (5 June 1935, in Utrecht – 3 February 2003, in Amsterdam) was a Dutch composer. Schat studied composition with Kees van Baaren at the Utrecht Conservatoire and the Royal Conservatory of The Hague from 1952 until 1958, and then went on to study in London with Mátyás Seiber in 1959 and with Pierre Boulez in Basle in 1960–61. His early training with van Baaren and Seiber disposed him toward twelve-tone technique, and his earliest compositions, such as the Introductie en adagio in oude stijl (1954) and the Septet (1957), combine traditional forms with dodecaphony. Boulez, however, led him to a more radical, strict form of serialism, and he was regarded in the Netherlands as one of the outstanding representatives of the avant garde. While still a student he created his opus 1, P (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Peter_Schat_(1968).jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Studio_peter_schat.jpg
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reference
  • 1960.0 (second)
  • Groot, Rokus de. 2001. "Schat, Peter". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en)
  • Waa, Frits van der. 2003. "Wereldbestormer". De Volkskrant : 9. (en)
  • Dufallo, Richard. 1989. Trackings: Composers Speak with Richard Dufallo. New York: Oxford University Press. . (en)
  • Leeuw, Ton de. 1960. "New Trends in Modern Dutch Music". Sonorum Speculum, no. 4:131–33. (en)
  • Beer, Roland de. 1994. "Tegen de toplaag, tegen de kunstpausen Het stille, cruciale effect van de Notenkrakeractie". De Volkskrant . (en)
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