Moema is an oil painting on canvas created in 1866 by Brazilian artist Victor Meirelles. It depicts the homonym character from the epic poem Caramuru (1781), by Santa Rita Durão. The work does not depict a scene from the poem, but instead Meirelles's personal interpretation of the character's fate, submerging into the water after being rejected by Caramuru. A preparatory sketch created before the actual painting shows Moema in a different position, as well as a group of natives in the background which are more prominent than the group in the finished painting's background.
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| - Moema (Victor Meirelles) (fr)
- Moema (dipinto) (it)
- Moema (Victor Meirelles) (en)
- Moema (Victor Meirelles) (pt)
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| - Moema è un dipinto a olio su tela realizzato dall'artista brasiliano Victor Meirelles nel 1866. L'opera è attualmente conservata al museo d'arte di San Paolo. Il dipinto ritrae il personaggio omonimo dal poema epico , scritto da nel 1781. L'opera non raffigura una scena del poema, ma l'interpretazione personale di Meirelles del fato del personaggio, che finisce per annegare dopo il rifiuto da parte dell'esploratore portoghese Diogo Álvares Correia, più noto come Caramuru. (it)
- Moema is an oil painting on canvas created in 1866 by Brazilian artist Victor Meirelles. It depicts the homonym character from the epic poem Caramuru (1781), by Santa Rita Durão. The work does not depict a scene from the poem, but instead Meirelles's personal interpretation of the character's fate, submerging into the water after being rejected by Caramuru. A preparatory sketch created before the actual painting shows Moema in a different position, as well as a group of natives in the background which are more prominent than the group in the finished painting's background. (en)
- Moema est une peinture à l'huile, de 1866, du peintre brésilien Victor Meirelles. Il dépeint le personnage du même nom du poème de (pt), (pt) (1781). L'œuvre ne reproduit pas une scène de production littéraire, c'est l'interprétation de Meirelles du destin de l'Indigène, qui plonge dans les eaux après avoir été rejetée par son bien-aimé Caramuru. (fr)
- Moema é uma pintura a óleo, de 1866, do pintor brasileiro Victor Meirelles. Ela retrata a personagem homônima do poema épico Caramuru (1781), de Santa Rita Durão. A obra não reproduz uma cena da produção literária, trata-se da interpretação de Meirelles acerca do destino da índia, que imerge nas águas após ser rejeitada por seu amado Caramuru. (pt)
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| - A work of elevated value, for it gathers in large quantity all of the qualities of grand painting, is Moema by Mr. Vitor Meireles de Lima. The drawing, the colours, the aerial transparency, the lighting effects, the perspective, the exact depiction of nature in its most beautiful aspects, these elevate this masterful composition to the category of an original work of great value. The subject, entirely national, is one of our most touching legends [...]. Moema seals the master's reputation, which emerged brilliantly upon his debut [...]. (en)
- Mr. Vitor Meireles is a realized artist, who settled his style definitely, in its ultimate manner. His drawing is of an irreproachable purity, without the sculptural hardness which removes all action and mobility from the figures of a history painting. Its colours are brilliant, but accentuated with perfect tonal gradation and with this fortunate sobriety which is the secret of true artistic superiority. (en)
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| - Moema is an oil painting on canvas created in 1866 by Brazilian artist Victor Meirelles. It depicts the homonym character from the epic poem Caramuru (1781), by Santa Rita Durão. The work does not depict a scene from the poem, but instead Meirelles's personal interpretation of the character's fate, submerging into the water after being rejected by Caramuru. The painting was shown for the first time in 1866, in the Imperial Academy of Fine Arts. It is a part of the collection of the São Paulo Museum of Art since 1947. Under Beatriz Pimenta Camargo's presidency, the museum obtained funds for the restoration of the painting, considered to be one of the most important ones in its collection. A preparatory sketch created before the actual painting shows Moema in a different position, as well as a group of natives in the background which are more prominent than the group in the finished painting's background. (en)
- Moema est une peinture à l'huile, de 1866, du peintre brésilien Victor Meirelles. Il dépeint le personnage du même nom du poème de (pt), (pt) (1781). L'œuvre ne reproduit pas une scène de production littéraire, c'est l'interprétation de Meirelles du destin de l'Indigène, qui plonge dans les eaux après avoir été rejetée par son bien-aimé Caramuru. La toile aurait été réalisée sans commande et a été exposée pour la première fois en 1866 à l'Académie impériale des Beaux-Arts. Actuellement, la toile fait partie de la collection du musée d'art de São Paulo, acquise en 1947. Sous la présidence de Beatriz Pimenta Camargo, le musée a obtenu un soutien pour la restauration de la toile, considérée comme l'une des icônes de sa collection. (fr)
- Moema è un dipinto a olio su tela realizzato dall'artista brasiliano Victor Meirelles nel 1866. L'opera è attualmente conservata al museo d'arte di San Paolo. Il dipinto ritrae il personaggio omonimo dal poema epico , scritto da nel 1781. L'opera non raffigura una scena del poema, ma l'interpretazione personale di Meirelles del fato del personaggio, che finisce per annegare dopo il rifiuto da parte dell'esploratore portoghese Diogo Álvares Correia, più noto come Caramuru. (it)
- Moema é uma pintura a óleo, de 1866, do pintor brasileiro Victor Meirelles. Ela retrata a personagem homônima do poema épico Caramuru (1781), de Santa Rita Durão. A obra não reproduz uma cena da produção literária, trata-se da interpretação de Meirelles acerca do destino da índia, que imerge nas águas após ser rejeitada por seu amado Caramuru. Aparentemente a pintura foi feita sem encomenda e foi exposta pela primeira vez em 1866 na Academia Imperial de Belas Artes. Atualmente a tela faz parte do acervo do Museu de Arte de São Paulo, adquirida em 1947. Sob a presidência de Beatriz Pimenta Camargo, o museu obteve apoio para o restauro da tela, que é considerada um dos ícones de sua coleção. (pt)
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