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About: Marcus Gheeraerts the Younger     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatPeopleOfTheTudorPeriod, within Data Space : dbpedia.org:8891 associated with source document(s)

Type: personyago:WikicatBaroquePaintersyago:WikicatBritishPaintersyago:WikicatCourtPaintersyago:WikicatPeopleFromBrugesyago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Painter110391653yago:Person100007846yago:PhysicalEntity100001930yago:YagoLegalActoryago:YagoLegalActorGeoyago:Whole100003553yago:Wikicat16th-centuryDutchPeopleyago:Wikicat16th-centuryEnglishPaintersyago:Wikicat17th-centuryEnglishPaintersyago:WikicatFlemishBaroquePaintersyago:WikicatFlemishRenaissancePaintersyago:WikicatPeopleOfTheTudorPeriod New Facet based on Instances of this Class

Marcus Gheeraerts (also written as Gerards or Geerards; c. 1561/62 – 19 January 1636) was a Flemish artist working at the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and van Dyck" He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter. He became a fashionable portraitist in the last decade of the reign of Elizabeth I under the patronage of her champion and pageant-master Sir Henry Lee. He introduced a new aesthetic in English court painting that captured the essence of a sitter through close observation. He became a favorite portraitist of James I's queen Anne of Denmark, but fell out of fashion in the late 1610s.