Le carnaval de Venise (English: The Carnival of Venice) is a in a prologue and three acts by the French composer André Campra. The libretto is by Jean-François Regnard. It was first performed on 20 January 1699 by the Académie royale de musique in the Salle du Palais-Royal in Paris. Campra dedicated the work to Louis, Grand Dauphin, heir apparent to the French throne, who enjoyed it and had it staged again in February 1711, shortly before his death. In one critic's assessment: "In a magisterial act of conflation, this composer blends the styles of Lully, Lalande, Monteverdi and Cavalli and manages also to foreshadow Handel and Rameau. He dreamt up a multi-hued score, capable of recapturing in Paris both the carnival spirit in general and that of the legendary Venice in particular."
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| - Le Carnaval de Venise (es)
- Le Carnaval de Venise (Campra) (fr)
- Le carnaval de Venise (en)
- Венецианский карнавал (опера-балет) (ru)
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| - Le Carnaval de Venise (título original en francés; en español, El carnaval de Venecia) es una ópera-ballet en un prólogo y tres actos, con música de André Campra y libreto en francés de Jean-François Regnard. Se estrenó en la Académie royale de musique el 28 de febrero de 1699. (es)
- Le Carnaval de Venise est un opéra-ballet en un prologue et trois actes, composé par André Campra. Le livret est de Jean-François Regnard. Il fut représenté la première fois à l'Académie royale de musique le 28 février 1699 — soit moins de deux mois avant la mort de Jean Racine. (fr)
- Le carnaval de Venise (English: The Carnival of Venice) is a in a prologue and three acts by the French composer André Campra. The libretto is by Jean-François Regnard. It was first performed on 20 January 1699 by the Académie royale de musique in the Salle du Palais-Royal in Paris. Campra dedicated the work to Louis, Grand Dauphin, heir apparent to the French throne, who enjoyed it and had it staged again in February 1711, shortly before his death. In one critic's assessment: "In a magisterial act of conflation, this composer blends the styles of Lully, Lalande, Monteverdi and Cavalli and manages also to foreshadow Handel and Rameau. He dreamt up a multi-hued score, capable of recapturing in Paris both the carnival spirit in general and that of the legendary Venice in particular." (en)
- Венециа́нский карнава́л (фр. Le carnaval de Venise) — опера-балет французского композитора эпохи барокко Андре Кампра, написанная на либретто французского драматурга Жана Франсуа Реньяра. Премьера состоялась 20 января 1699 года в театре Пале-Рояль во Франции силами Королевской академии музыки. Кампра посвятил оперу Людовику Великому Дофину, наследнику французского престола. Опера-балет пришлась Людовику по вкусу и он организовал повторную постановку в феврале 1711 года, незадолго до своей смерти. В музыке оперы искусно смешаны французский и итальянский вокальный стиль — тенденция, намеченная уже в венецианском акте «Галантной Европы». Благодаря богатой музыкальной фактуре, динамическому действию и приёму «театр в театре» композитору удалось передать дух венецианского карнавала и утвердить (ru)
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| - Le Carnaval de Venise (título original en francés; en español, El carnaval de Venecia) es una ópera-ballet en un prólogo y tres actos, con música de André Campra y libreto en francés de Jean-François Regnard. Se estrenó en la Académie royale de musique el 28 de febrero de 1699. (es)
- Le Carnaval de Venise est un opéra-ballet en un prologue et trois actes, composé par André Campra. Le livret est de Jean-François Regnard. Il fut représenté la première fois à l'Académie royale de musique le 28 février 1699 — soit moins de deux mois avant la mort de Jean Racine. (fr)
- Le carnaval de Venise (English: The Carnival of Venice) is a in a prologue and three acts by the French composer André Campra. The libretto is by Jean-François Regnard. It was first performed on 20 January 1699 by the Académie royale de musique in the Salle du Palais-Royal in Paris. Campra dedicated the work to Louis, Grand Dauphin, heir apparent to the French throne, who enjoyed it and had it staged again in February 1711, shortly before his death. In one critic's assessment: "In a magisterial act of conflation, this composer blends the styles of Lully, Lalande, Monteverdi and Cavalli and manages also to foreshadow Handel and Rameau. He dreamt up a multi-hued score, capable of recapturing in Paris both the carnival spirit in general and that of the legendary Venice in particular." It was presented in July 1975 at the Aix-en-Provence Festival, conducted by Michel Plasson. Jorge Lavelli directed and the cast included Christiane Eda-Pierre, , , and Roger Soyer. The Boston Early Music Festival mounted a production in June 2017. A recording with Hervé Niquet conducting Le Concert Spirituel was released in 2011. Vocalists included Salomé Haller, Marina De Liso, Andrew Foster-Williams, Alain Buet, Mathias Vidal, Sarah Tynan, Blandine Staskiewicz, and Luigi De Donato. Gramophone called it "a performance to brighten up the dullest mood". (en)
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