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Firmin Lebel (early 16th century – 27–31 December 1573) was a French composer and choir director of the Renaissance, active in Rome. While relatively little of his music survives, he was notable as one of the likely teachers of Palestrina. Only three of Lebel's works survive, all motets. Two, a setting of the Ave verum corpus and Sancta Maria succurre miseris, are for five voices, and the other, Puer natus est, is for six. Stylistically they are typical of the generation before Palestrina, during which the Franco-Flemish rather than Italians dominated the musical scene in Rome.

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  • Firmin Lebel (eo)
  • Firmin Lebel (en)
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  • Firmin Lebel (komence de la 16a jarcento – 27a–31a de Decembro 1573) estis franca komponisto kaj ĥorestro de la Renesanco, aginta en Romo. Kvankam relative malmulto de lia muziko survivas, li elstaris kiel unu el la verŝajnaj instruistoj de Palestrina. Nur tri el la verkoj de Lebel survivis, ĉiuj motetoj. Du, kiel serio de Ave verum corpus kaj Sancta Maria succurre miseris, estas por kvin voĉoj, kaj la alia, Puer natus est, estas por ses. Stile ili estas tipaj de la generacio antaŭ Palestrina, dum kiu hegemoniis la Franc-flandroj pli ol la Italoj en la muzika panoramo en Romo. (eo)
  • Firmin Lebel (early 16th century – 27–31 December 1573) was a French composer and choir director of the Renaissance, active in Rome. While relatively little of his music survives, he was notable as one of the likely teachers of Palestrina. Only three of Lebel's works survive, all motets. Two, a setting of the Ave verum corpus and Sancta Maria succurre miseris, are for five voices, and the other, Puer natus est, is for six. Stylistically they are typical of the generation before Palestrina, during which the Franco-Flemish rather than Italians dominated the musical scene in Rome. (en)
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  • Firmin Lebel (komence de la 16a jarcento – 27a–31a de Decembro 1573) estis franca komponisto kaj ĥorestro de la Renesanco, aginta en Romo. Kvankam relative malmulto de lia muziko survivas, li elstaris kiel unu el la verŝajnaj instruistoj de Palestrina. Li naskiĝis en Noyon, sed oni konas nenion el lia komenca vivo. Li estis kapelano ĉe Santa Maria Maggiore, kaj estis maestro di cappella de ties Liberia kapelo ĉirkaŭ 1540; ĉe tiu posteno, el fino de 1540 kaj eble dum kelkaj jaroj, oni supozxas ke li estis instruisto de la juna Palestrina. En 1545 li iĝis maestro di cappella ĉe la preĝejo de San Luigi dei Francesi (Sankta Ludoviko de la Francoj), posteno kiun li tenis ĝis 1561, kiam Annibale Zoilo estis nomumita por tiu posteno. La 4an de Septembro 1561, li aliĝis al la papa kapelo; evidente li estis tre bone konsiderata kiel ĥorestro kaj komponitso, por la alirekzameno li estis helpata de la papo Pio la 4-a mem. Post nur kvar jaroj, tamen, la kapela ĥoro estis draste malpligita kiel parto de la reformoj de la Koncilio de Trento, kaj Lebel estis maldungita, kun multaj aliaj kantistoj, kiaj . Lebel restis en Romo por la resto de sia vivo, kaj oni kantis rekviemon en sia honoro en 1574 ĉe la kapelo de San Luigi dei Francesi. Nur tri el la verkoj de Lebel survivis, ĉiuj motetoj. Du, kiel serio de Ave verum corpus kaj Sancta Maria succurre miseris, estas por kvin voĉoj, kaj la alia, Puer natus est, estas por ses. Stile ili estas tipaj de la generacio antaŭ Palestrina, dum kiu hegemoniis la Franc-flandroj pli ol la Italoj en la muzika panoramo en Romo. (eo)
  • Firmin Lebel (early 16th century – 27–31 December 1573) was a French composer and choir director of the Renaissance, active in Rome. While relatively little of his music survives, he was notable as one of the likely teachers of Palestrina. He was born in Noyon, but nothing is known of his early life. He was a chaplain at Santa Maria Maggiore, and was maestro di cappella of its Liberian chapel by 1540; while at this post, from late 1540 and possibly continuing for several years, he is thought to have been a teacher of the young Palestrina. In 1545 he became maestro di cappella at the church of San Luigi dei Francesi, a position he kept until 1561, at which time Annibale Zoilo was appointed in his place. On 4 September 1561, he joined the papal chapel; evidently he was highly regarded as a choir director and composer, for the entrance examination was waived in his case, by Pope Pius IV himself. After only four years, however, the chapel choir was dramatically reduced as part of the reforms of the Council of Trent, and Lebel was dismissed, along with many other singers, including Ghiselin Danckerts. Lebel remained in Rome for the rest of his life, and a requiem was sung in his honor in 1574 at the chapel of San Luigi dei Francesi. Only three of Lebel's works survive, all motets. Two, a setting of the Ave verum corpus and Sancta Maria succurre miseris, are for five voices, and the other, Puer natus est, is for six. Stylistically they are typical of the generation before Palestrina, during which the Franco-Flemish rather than Italians dominated the musical scene in Rome. (en)
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