"\u0414\u0438\u0430\u0441\u0445\u0438\u0301\u0437\u043C\u0430 (\u0434\u0440.-\u0433\u0440\u0435\u0447. \u03B4\u03B9\u03B1\u03C3\u03C7\u03AF\u03C3\u03BC\u03B1, \u043B\u0430\u0442. diaschisma), \u0442\u0430\u043A\u0436\u0435 \u0443\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u0430\u044F \u043A\u043E\u043C\u043C\u0430 \u2014 \u043C\u0438\u043A\u0440\u043E\u0438\u043D\u0442\u0435\u0440\u0432\u0430\u043B, \u0440\u0430\u0432\u043D\u044B\u0439 \u0440\u0430\u0437\u043D\u043E\u0441\u0442\u0438 \u0434\u0438\u0434\u0438\u043C\u043E\u0432\u043E\u0439 (\u0441\u0438\u043D\u0442\u043E\u043D\u0438\u0447\u0435\u0441\u043A\u043E\u0439) \u043A\u043E\u043C\u043C\u044B \u0438 \u0441\u0445\u0438\u0437\u043C\u044B \u0438, \u0442\u0430\u043A\u0438\u043C \u043E\u0431\u0440\u0430\u0437\u043E\u043C, \u0438\u043C\u0435\u044E\u0449\u0438\u0439 \u043E\u0442\u043D\u043E\u0448\u0435\u043D\u0438\u0435 \u0447\u0430\u0441\u0442\u043E\u0442 \u0432\u0435\u0440\u0445\u043D\u0435\u0433\u043E \u0438 \u043D\u0438\u0436\u043D\u0435\u0433\u043E \u0437\u0432\u0443\u043A\u0430, \u0440\u0430\u0432\u043D\u043E\u0435 , \u0438\u043B\u0438 19,5526 \u0446. \u0414\u0438\u0430\u0441\u0445\u0438\u0437\u043C\u0430, \u0442\u0430\u043A \u0436\u0435 \u043A\u0430\u043A \u0431\u043E\u043B\u044C\u0448\u0430\u044F \u0438 \u043C\u0430\u043B\u0430\u044F \u0434\u0438\u0435\u0441\u044B, \u0441\u043E\u043E\u0442\u0432\u0435\u0442\u0441\u0442\u0432\u0443\u0435\u0442 \u0443\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u043E\u0439 \u0441\u0435\u043A\u0443\u043D\u0434\u0435 \u0432 \u0447\u0438\u0441\u0442\u043E\u043C \u0441\u0442\u0440\u043E\u0435 (\u0442\u043E \u0435\u0441\u0442\u044C \u0438\u043D\u0442\u0435\u0440\u0432\u0430\u043B\u0443 \u0432\u0438\u0434\u0430 C\u2014Deses, Cis\u2014Des, E\u2014Fes, Eis\u2014F \u0438 \u0442.\u043F.)."@ru . . "784119382"^^ . . . . . . . . . "\u0414\u0438\u0430\u0441\u0445\u0438\u0301\u0437\u043C\u0430 (\u0434\u0440.-\u0433\u0440\u0435\u0447. \u03B4\u03B9\u03B1\u03C3\u03C7\u03AF\u03C3\u03BC\u03B1, \u043B\u0430\u0442. diaschisma), \u0442\u0430\u043A\u0436\u0435 \u0443\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u0430\u044F \u043A\u043E\u043C\u043C\u0430 \u2014 \u043C\u0438\u043A\u0440\u043E\u0438\u043D\u0442\u0435\u0440\u0432\u0430\u043B, \u0440\u0430\u0432\u043D\u044B\u0439 \u0440\u0430\u0437\u043D\u043E\u0441\u0442\u0438 \u0434\u0438\u0434\u0438\u043C\u043E\u0432\u043E\u0439 (\u0441\u0438\u043D\u0442\u043E\u043D\u0438\u0447\u0435\u0441\u043A\u043E\u0439) \u043A\u043E\u043C\u043C\u044B \u0438 \u0441\u0445\u0438\u0437\u043C\u044B \u0438, \u0442\u0430\u043A\u0438\u043C \u043E\u0431\u0440\u0430\u0437\u043E\u043C, \u0438\u043C\u0435\u044E\u0449\u0438\u0439 \u043E\u0442\u043D\u043E\u0448\u0435\u043D\u0438\u0435 \u0447\u0430\u0441\u0442\u043E\u0442 \u0432\u0435\u0440\u0445\u043D\u0435\u0433\u043E \u0438 \u043D\u0438\u0436\u043D\u0435\u0433\u043E \u0437\u0432\u0443\u043A\u0430, \u0440\u0430\u0432\u043D\u043E\u0435 , \u0438\u043B\u0438 19,5526 \u0446. \u0414\u0438\u0430\u0441\u0445\u0438\u0437\u043C\u0430, \u0442\u0430\u043A \u0436\u0435 \u043A\u0430\u043A \u0431\u043E\u043B\u044C\u0448\u0430\u044F \u0438 \u043C\u0430\u043B\u0430\u044F \u0434\u0438\u0435\u0441\u044B, \u0441\u043E\u043E\u0442\u0432\u0435\u0442\u0441\u0442\u0432\u0443\u0435\u0442 \u0443\u043C\u0435\u043D\u044C\u0448\u0451\u043D\u043D\u043E\u0439 \u0441\u0435\u043A\u0443\u043D\u0434\u0435 \u0432 \u0447\u0438\u0441\u0442\u043E\u043C \u0441\u0442\u0440\u043E\u0435 (\u0442\u043E \u0435\u0441\u0442\u044C \u0438\u043D\u0442\u0435\u0440\u0432\u0430\u043B\u0443 \u0432\u0438\u0434\u0430 C\u2014Deses, Cis\u2014Des, E\u2014Fes, Eis\u2014F \u0438 \u0442.\u043F.)."@ru . . . . "2683915"^^ . . . . . . . . . . . . . "The diaschisma (or diacisma) is a small musical interval defined as the difference between three octaves and four perfect fifths plus two major thirds (in just intonation). It can be represented by the ratio 2048:2025 and is about 19.5 cents. The use of the name diaschisma for this interval is due to Helmholtz; earlier Rameau had called that interval a \"diminished comma\" or comma minor. A diaschisma is the difference between a schisma and a syntonic comma, as well as the difference between the greater chromatic semitone (135:128 = 92.18 cents) and the just minor second (16:15 = 111.73 cents). Medieval theorists Boethius and Tinctoris described the diaschisma as one-half of the Pythagorean minor second, or 256/243, which would make the other half either 25/24 (70.67 cents) or about 45 cents. The diaschisma may be approximated by 89/88, 19.56 cents. Tempering out the diaschisma, in the modern meaning of the term, leads to a diaschismic temperament. The diaschisma is tempered out in the usual system of 12 equal temperament; in fact, 12 equal temperament can be characterized as the 5-limit temperament that tempers out both the syntonic comma of 81/80 and the diaschisma. However, it is possible to improve the tuning a good deal over that of 12-et and still temper out the diaschisma; the equal temperaments with 22, 34 and 46 notes all temper it out."@en . . . . . . . "\u0414\u0438\u0430\u0441\u0445\u0438\u0437\u043C\u0430"@ru . . "The diaschisma (or diacisma) is a small musical interval defined as the difference between three octaves and four perfect fifths plus two major thirds (in just intonation). It can be represented by the ratio 2048:2025 and is about 19.5 cents. The use of the name diaschisma for this interval is due to Helmholtz; earlier Rameau had called that interval a \"diminished comma\" or comma minor."@en . . . . . . . . "Diaschisma"@en . . . . . . . . . . . . . "2652"^^ . . .