. . . . . . . . "\u0410\u0434\u043E\u043B\u044C\u0444 \u041B\u043E\u043E\u0441 (\u043D\u0456\u043C. Adolf Loos; 10 \u0433\u0440\u0443\u0434\u043D\u044F 1870, \u0411\u0440\u043D\u043E \u2014 8 \u0441\u0435\u0440\u043F\u043D\u044F 1933, \u041A\u0430\u043B\u044C\u043A\u0441\u0431\u0443\u0440\u0433 (\u043D\u0438\u043D\u0456 \u0412\u0456\u0434\u0435\u043D\u044C)) \u2014 \u0430\u0440\u0445\u0456\u0442\u0435\u043A\u0442\u043E\u0440."@uk . "1124373381"^^ . "Adolf Loos (* 10. Dezember 1870 in Br\u00FCnn, M\u00E4hren, \u00D6sterreich-Ungarn; \u2020 23. August 1933 in Kalksburg bei Wien, Nieder\u00F6sterreich; heute Teil von Wien) war ein \u00F6sterreichischer Architekt, Architekturkritiker und Kulturpublizist. Er gilt als einer der Wegbereiter der modernen Architektur."@de . . . . . . . "Adolf Loos"@cs . "Adolf Franz Karl Viktor Maria Loos (ur. 10 grudnia 1870 w Brnie, zm. 23 sierpnia 1933 w Wiedniu) \u2013 austriacki architekt, prekursor modernizmu, teoretyk i publicysta."@pl . . . . . "Adolf Franz Karl Viktor Maria Loos"@en . . "Adolf Loos, n\u00E9 le 10 d\u00E9cembre 1870 \u00E0 Br\u00FCnn en Autriche-Hongrie (actuelle Brno en Tch\u00E9quie) et mort le 23 ao\u00FBt 1933 \u00E0 Vienne, est un architecte autrichien, d\u00E9fenseur du d\u00E9pouillement int\u00E9gral dans l\u2019architecture moderne."@fr . . . . . "Adolf Loos"@en . . . . . . . "Adolf Loos (10. prosince 1870 Brno \u2013 23. srpna 1933 u V\u00EDdn\u011B) byl v\u00FDznamn\u00FD moravsko - rakousk\u00FD a \u010Deskoslovensk\u00FD architekt a teoretik architektury; klasik modern\u00ED architektury a \u010Deln\u00FD p\u0159edstavitel architektonick\u00E9ho purismu. Spolu s Leopoldem Bauerem, Josephem Mariou Olbrichem a Josefem Hoffmannem pat\u0159\u00ED k v\u00FDznamn\u00FDm rod\u00E1k\u016Fm z Moravy a Slezska, kte\u0159\u00ED ovlivnili evropskou architekturu."@cs . . . . . "Adolf Loos"@en . . . . "\u963F\u9053\u592B\u00B7\u5F17\u6717\u8332\u00B7\u5361\u723E\u00B7\u7DAD\u514B\u591A\u00B7\u746A\u9E97\u4E9E\u00B7\u8DEF\u65AF\uFF081870\u5E7412\u670810\u65E5\uFF0D1933\u5E748\u670823\u65E5\uFF09\uFF0C\u662F\u4E00\u540D\u5967\u5730\u5229\u5EFA\u7BC9\u5E2B\uFF0C\u51FA\u751F\u5728\u6469\u62C9\u7DAD\u4E9E\u3002\u8DEF\u65AF\u5BF9\u6B50\u6D32\u73FE\u4EE3\u4E3B\u7FA9\u5EFA\u7BC9\u7684\u767C\u5C55\u4EA7\u751F\u4E86\u5F88\u5927\u7684\u5F71\u97FF\u3002\u5728\u4ED6\u7684\u8AD6\u6587\u300A\u88DD\u98FE\u8207\u7F6A\u60E1\u300B\u88E1\uFF0C\u63D0\u5021\u5149\u6ED1\u3001\u6E05\u6670\u7684\u8868\u9762\uFF0C\u4E0E\u7684\u5962\u534E\u88C5\u9970\u4EE5\u53CA\u7EF4\u4E5F\u7EB3\u5206\u79BB\u6D3E\u7684\u66F4\u73B0\u4EE3\u7684\u7F8E\u5B66\u539F\u5219\u5F62\u6210\u5BF9\u6BD4\u3002\u8FD9\u4E00\u70B9\u5728\u4ED6\u8BBE\u8BA1\u7684\u7EF4\u4E5F\u7EB3\u8DEF\u65AF\u697C\uFF08Looshaus\uFF09\u4E2D\u5F97\u5230\u4E86\u4F53\u73B0\u3002\u8DEF\u65AF\u662F\u73B0\u4EE3\u4E3B\u4E49\u5EFA\u7B51\u7684\u5148\u9A71\uFF0C\u5728\u5EFA\u7B51\u548C\u8BBE\u8BA1\u65B9\u9762\u5BF9\u73B0\u4EE3\u4E3B\u4E49\u63D0\u51FA\u4E86\u5927\u91CF\u5EFA\u8BBE\u6027\u7684\u7406\u8BBA\u548C\u6279\u8BC4\uFF0C\u5E76\u53D1\u5C55\u4E86\u5E03\u7F6E\u5BA4\u5185\u7A7A\u95F4\u7684\u201CRaumplan\u201D\uFF08\u5B57\u9762\u4E0A\u7684\u7A7A\u95F4\u89C4\u5212\uFF09\u65B9\u6CD5\uFF0C\u4F8B\u5982\u5E03\u62C9\u683C\u7684\u3002 \u8DEF\u65AF\u6709\u8FC7\u4E09\u6B21\u5A5A\u59FB\uFF0C\u90FD\u4EE5\u79BB\u5A5A\u544A\u7EC8\u3002\u4ED6\u8EAB\u4F53\u4E0D\u597D\uFF0C\u5305\u62EC\u9057\u4F20\u6027\u542C\u529B\u969C\u788D\u30021928\u5E74\uFF0C\u4ED6\u56E0\u5265\u524A8\u81F310\u5C81\u8D2B\u56F0\u5BB6\u5EAD\u7684\u5973\u5B69\u800C\u88AB\u5224\u4E3A\u604B\u7AE5\u7656\u3002\u4ED6\u4E8E1933\u5E748\u670823\u65E5\u5728\u7EF4\u4E5F\u7EB3\u9644\u8FD1\u7684\u5361\u5C14\u514B\u65AF\u5821\u53BB\u4E16\uFF0C\u4EAB\u5E7462\u5C81\u3002"@zh . "\u0410\u0434\u043E\u043B\u044C\u0444 \u041B\u043E\u043E\u0441"@uk . . . . . . "185"^^ . . . "Adolf Loos (Brno, 10 dicembre 1870 \u2013 Kalksburg, 23 agosto 1933) \u00E8 stato un architetto austriaco, considerato uno dei pionieri dell'architettura moderna."@it . . . "Adolf Loos (Brno, 1870eko abenduaren 10 \u2212 , 1933ko abuztuaren 23) arkitekto austriarra zen. Garaiko modernistentzat erreferentea izan zen eta funtsezko arkitektoa izan zen Mugimendu Modernoaren hastapenerako. Arkitektura modernoaren eta arrazionalismo arkitektonikoaren abiatzaileetakoen artean nabarmendu zen, protomodernotzat eta protoarrazionalistatzat sailkatua da."@eu . . . "1870-12-10"^^ . . "Adolf Loos"@de . "\u30A2\u30C9\u30EB\u30D5\u30FB\u30ED\u30FC\u30B9\uFF08Adolf Loos, 1870\u5E7412\u670810\u65E5 - 1933\u5E748\u670823\u65E5\uFF09\u306F20\u4E16\u7D00\u30AA\u30FC\u30B9\u30C8\u30EA\u30A2\u306E\u5EFA\u7BC9\u5BB6\u3002\u30E2\u30C0\u30CB\u30BA\u30E0\u306E\u5148\u99C6\u7684\u306A\u4F5C\u54C1\u3092\u4E16\u306B\u9001\u308A\u3001\u300C\u88C5\u98FE\u306F\u7F6A\u60AA\u3067\u3042\u308B\u300D\u3068\u3044\u3046\u4E3B\u5F35\u306F\u5EFA\u7BC9\u754C\u306B\u6CE2\u7D0B\u3092\u547C\u3093\u3060\u3002"@ja . . "Adolf Loos (Brno, Rep\u00FAblica Checa 10 de dezembro de 1870 \u2013 Viena, 23 de agosto de 1933) foi um arquitecto austr\u00EDaco, tendo exercido durante largos anos a sua profiss\u00E3o na \u00C1ustria. Dentre seus trabalhos, destaca-se o projecto para o Chicago Tribune, realizado em 1922, quando trabalhava com Louis Sullivan, e que consiste numa enorme coluna d\u00F3rica assente sobre uma base c\u00FAbica."@pt . . . . . . . . . . . . . "Adolf Franz Karl Viktor Maria Loos (ur. 10 grudnia 1870 w Brnie, zm. 23 sierpnia 1933 w Wiedniu) \u2013 austriacki architekt, prekursor modernizmu, teoretyk i publicysta."@pl . . . . . . . "\u039F \u0386\u03BD\u03C4\u03BF\u03BB\u03C6 \u039B\u03BF\u03C2 (Adolf Loos, 10 \u0394\u03B5\u03BA\u03B5\u03BC\u03B2\u03C1\u03AF\u03BF\u03C5 1870 - 23 \u0391\u03C5\u03B3\u03BF\u03CD\u03C3\u03C4\u03BF\u03C5 1933) \u03AE\u03C4\u03B1\u03BD \u0391\u03C5\u03C3\u03C4\u03C1\u03B9\u03B1\u03BA\u03CC\u03C2 \u03B1\u03C1\u03C7\u03B9\u03C4\u03AD\u03BA\u03C4\u03BF\u03BD\u03B1\u03C2 \u03BA\u03B1\u03B9 \u03C0\u03C1\u03C9\u03C4\u03BF\u03C0\u03CC\u03C1\u03BF\u03C2 \u03C4\u03BF\u03C5 \u03C3\u03CD\u03B3\u03C7\u03C1\u03BF\u03BD\u03BF\u03C5 \u03BA\u03B9\u03BD\u03AE\u03BC\u03B1\u03C4\u03BF\u03C2."@el . . . . . "Adolf Loos (Brno, Mor\u00E0via, 10 de desembre de 1870 - (Viena), 23 d'agost de 1933) fou un arquitecte austr\u00EDac i un dels pioners de l'arquitectura moderna. Despr\u00E9s d'estudiar al , an\u00E0 als Estats Units durant tres anys (1893 - 1896), all\u00E0 visit\u00E0 l'Exposici\u00F3 de Chicago i s'entusiasm\u00E0 per l'arquitectura americana. Entre les seves obres, totalment avantguardistes i tendents a l'eliminaci\u00F3 ornamental, hi trobem la intervenci\u00F3 al Caf\u00E9 Museum de Viena (1899), la Villa Karma a Montreux (1903), les cases Steiner i a Michaerlerplatz de 1910, ambdues a Viena i la casa de Tristan Tzara a Par\u00EDs (1926)."@ca . . . . . . "Adolf Loos, n\u00E9 le 10 d\u00E9cembre 1870 \u00E0 Br\u00FCnn en Autriche-Hongrie (actuelle Brno en Tch\u00E9quie) et mort le 23 ao\u00FBt 1933 \u00E0 Vienne, est un architecte autrichien, d\u00E9fenseur du d\u00E9pouillement int\u00E9gral dans l\u2019architecture moderne."@fr . . "Adolf Loos"@it . "Adolf Loos (Brno, Moravia, 10 de diciembre de 1870-Viena, 23 de agosto de 1933) fue un arquitecto austriaco. Curs\u00F3 estudios en la Escuela Profesional de Reichenberg y en la Polit\u00E9cnica de Dresde. En la ciudad de Chicago trabaj\u00F3 como alba\u00F1il, entarimador y delineante. Posteriormente realiz\u00F3 obras en diversos pa\u00EDses de Europa, tales como Austria, Francia y en Viena comienza a ejercer como arquitecto municipal, trabajando en el Ministerio de Vivienda."@es . . "Adolf Loos"@ca . . "Adolf Franz Karl Viktor Maria Loos, f\u00F6dd 10 december 1870 i Br\u00FCnn, \u00D6sterrike-Ungern (idag Brno, Tjeckien), d\u00F6d 23 augusti 1933 i Wien, var en \u00F6sterrikisk arkitekt och kulturkritiker, huvudsakligen verksam i Wien. Han verkade f\u00F6r en saklig arkitektur utan n\u00E5gra slags ornament och f\u00F6reb\u00E5dade d\u00E4rigenom funktionalismen."@sv . . . . . . . . . "Adolf Loos"@eo . . . . "Adolf Loos"@pt . . "t"@en . "\u0623\u062F\u0648\u0644\u0641 \u0644\u0648\u0633 (\u0628\u0627\u0644\u0623\u0644\u0645\u0627\u0646\u064A\u0629: Adolf Loos)\u200F \u0645\u0646 \u0623\u0634\u0647\u0631 \u0627\u0644\u0645\u0639\u0645\u0627\u0631\u064A\u064A\u0646\u060C \u062A\u0648\u0641\u064A \u0641\u064A \u0641\u064A\u064A\u0646\u0627 \u0641\u064A \u0639\u0627\u0645 1933 \u0645\u0647\u0646\u062A\u0629 \u0645\u0647\u0646\u062F\u0633 \u0645\u0639\u0645\u0627\u0631\u064A \u0646\u0645\u0633\u0627\u0648\u064A \u0627\u0644\u0623\u0635\u0644\u060C \u0648\u064A\u0639\u062A\u0628\u0631 \u0648\u0627\u062D\u062F\u0627 \u0645\u0646 \u0631\u0648\u0627\u062F \u0627\u0644\u0647\u0646\u062F\u0633\u0629 \u0627\u0644\u0645\u0639\u0645\u0627\u0631\u064A\u0629 \u0627\u0644\u062D\u062F\u064A\u062B\u0629. \u0628\u0639\u062F \u062F\u0631\u0627\u0633\u0629 \u0641\u064A \u0643\u0644\u064A\u0629 \u0627\u0644\u0639\u0644\u0648\u0645 \u0627\u0644\u062A\u0637\u0628\u064A\u0642\u064A\u0629 \u062F\u0631\u0633\u062F\u0646 (Dresden) \u0644\u0648\u0648\u0633 \u0641\u064A 1893 \u0633\u0627\u0641\u0631 \u0625\u0644\u0649 \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629 \u062D\u064A\u062B \u0623\u064F\u0639\u062C\u0628 \u0628\u0627\u0644\u0647\u0646\u062F\u0633\u0629 \u0627\u0644\u0645\u0639\u0645\u0627\u0631\u064A\u0629 \u0627\u0644\u0623\u0645\u0631\u064A\u0643\u064A\u0629. \u0641\u064A \u0639\u0627\u0645 1896 \u0627\u0633\u062A\u0642\u0631 \u0641\u064A \u0641\u064A\u064A\u0646\u0627 \u0648\u0623\u0635\u0628\u062D \u0635\u062F\u064A\u0642\u0627 \u0644\u0628\u0639\u0636 \u062F\u0639\u0627\u0647 \u0627\u0644\u0641\u0646 \u0627\u0644\u0623\u0648\u0631\u0648\u0628\u064A \u0627\u0644\u062D\u062F\u064A\u062B \u0645\u062B\u0644 \u0627\u0644\u0635\u062D\u0627\u0641\u064A\u060C \u0627\u0644\u0643\u0627\u062A\u0628 \u0648\u0627\u0644\u0645\u0641\u0643\u0631 \u0643\u0627\u0631\u0644 \u0643\u0631\u0627\u0648\u0633; \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0627\u0631 ; \u0627\u0644\u0634\u0627\u0639\u0631 \u0648\u063A\u064A\u0631\u0647\u0645."@ar . . . "Adolf LOOS (naski\u011Dinta la 10-an de decembro 1870 en Br\u00FCnn, A\u016Dstra-Hungara Monar\u0125io (hodia\u016D Brno, \u0108e\u0125io), mortinta la 23-an de a\u016Dgusto 1933 en , A\u016Dstrio) estis a\u016Dstra arkitekto; liaj domoj forte influis la e\u016Dropan modernan konstruadon post la unua mondmilito. Li studis en Dresden, poste agadis \u0109efe en Vieno, kvankam li pasigis 4-5 jarojn en Usono (1893\u201397) kaj en Parizo (1924\u201328)."@eo . "Adolf Franz Karl Viktor Maria Loos(10 Desember 1870 \u2013 23 Agustus 1933) adalah seorang arsitek Austria yang telah memengaruhi gerakan arsitektur modern di Eropa. Esainya yang berjudul Ornamen dan Kejahatan menganjurkan penggunaan permukaan yang polos dan bukannya memakai dekorasi yang mewah seperti pada arsitektur gaya fin de si\u00E8cle dan gerakan Wiener Secession. Hal ini dijawantahkan dalam bentuk bangunan yang ia rancang di pusat kota Wina, yaitu Looshaus."@in . . . . . . . . . . . . . "53604"^^ . . . . . . "\u0623\u062F\u0648\u0644\u0641 \u0644\u0648\u0633"@ar . "33068"^^ . . . . . . . "\u963F\u9053\u592B\u00B7\u8DEF\u65AF"@zh . "Adolf Franz Karl Viktor Maria Loos(10 Desember 1870 \u2013 23 Agustus 1933) adalah seorang arsitek Austria yang telah memengaruhi gerakan arsitektur modern di Eropa. Esainya yang berjudul Ornamen dan Kejahatan menganjurkan penggunaan permukaan yang polos dan bukannya memakai dekorasi yang mewah seperti pada arsitektur gaya fin de si\u00E8cle dan gerakan Wiener Secession. Hal ini dijawantahkan dalam bentuk bangunan yang ia rancang di pusat kota Wina, yaitu Looshaus. Ia dilahirkan pada tanggal 10 Desember 1870 di Brno, Markgrafschaft M\u00E4hren, yang kini merupakan bagian dari Republik Ceko. Ayahnya bekerja sebagai tukang batu, dan ia wafat pada saat Loos masih berumur sembilan tahun. Saat sudah dewasa, Loos pernah merajut tiga pernikahan yang berujung pada perceraian. Ia juga pernah terlibat dalam skandal pedofilia, karena ia telah mempekerjakan gadis-gadis berumur 8 hingga 10 tahun dari keluarga miskin untuk dijadikan model di studionya. Ia didakwa memaksa mereka melakukan kegiatan seksual. Pengadilan memutuskan bahwa ia bersalah atas sebagian dakwaan pada tahun 1928. Ia tutup usia pada tanggal 23 Agustus 1933 di di dekat Wina."@in . . . . "Adolf Loos (10. prosince 1870 Brno \u2013 23. srpna 1933 u V\u00EDdn\u011B) byl v\u00FDznamn\u00FD moravsko - rakousk\u00FD a \u010Deskoslovensk\u00FD architekt a teoretik architektury; klasik modern\u00ED architektury a \u010Deln\u00FD p\u0159edstavitel architektonick\u00E9ho purismu. Spolu s Leopoldem Bauerem, Josephem Mariou Olbrichem a Josefem Hoffmannem pat\u0159\u00ED k v\u00FDznamn\u00FDm rod\u00E1k\u016Fm z Moravy a Slezska, kte\u0159\u00ED ovlivnili evropskou architekturu."@cs . . . . . . . . . . "Adolf Loos"@en . . . . "\u30A2\u30C9\u30EB\u30D5\u30FB\u30ED\u30FC\u30B9\uFF08Adolf Loos, 1870\u5E7412\u670810\u65E5 - 1933\u5E748\u670823\u65E5\uFF09\u306F20\u4E16\u7D00\u30AA\u30FC\u30B9\u30C8\u30EA\u30A2\u306E\u5EFA\u7BC9\u5BB6\u3002\u30E2\u30C0\u30CB\u30BA\u30E0\u306E\u5148\u99C6\u7684\u306A\u4F5C\u54C1\u3092\u4E16\u306B\u9001\u308A\u3001\u300C\u88C5\u98FE\u306F\u7F6A\u60AA\u3067\u3042\u308B\u300D\u3068\u3044\u3046\u4E3B\u5F35\u306F\u5EFA\u7BC9\u754C\u306B\u6CE2\u7D0B\u3092\u547C\u3093\u3060\u3002"@ja . . . . . . . . "Adolf Loos"@pl . . . "Adolf Loos (Br\u00FCnn, 10 december 1870 - , 23 augustus 1933) was een Oostenrijks architect uit het begin van de 20e eeuw."@nl . . . "Adolf Loos (Brno, Mor\u00E0via, 10 de desembre de 1870 - (Viena), 23 d'agost de 1933) fou un arquitecte austr\u00EDac i un dels pioners de l'arquitectura moderna. Despr\u00E9s d'estudiar al , an\u00E0 als Estats Units durant tres anys (1893 - 1896), all\u00E0 visit\u00E0 l'Exposici\u00F3 de Chicago i s'entusiasm\u00E0 per l'arquitectura americana. El 1896 s'establ\u00ED a Viena, esdevenint amic d'alguns dels protagonistes de les avantguardes art\u00EDstiques europees de l'\u00E8poca, com l'escriptor i periodista Karl Kraus, el m\u00FAsic Arnold Sch\u00F6nberg, el poeta Peter Altenberg, Kokoschka i Tristan Tzara. Va polemitzar amb els modernistes (Sezession vienesa), que per ell representen un gust ja superat per la realitat contempor\u00E0nia. \u00C9s considerat un dels precursors del racionalisme arquitect\u00F2nic. Segons Loos, l'arquitectura ha de ser pr\u00E0ctica i per tant no pot ser un art; d'aqu\u00ED sorgeix la necessitat moral d'eliminar qualsevol decoraci\u00F3 in\u00FAtil. Compensa aquesta reducci\u00F3 ornamental amb l'\u00FAs de materials nobles i texturats com la fusta o la pedra, fa servir el que anomena sinceritat constructiva (no enganyar en l'\u00FAs dels materials ni amb la seva aparen\u00E7a), i estudia en profunditat les complexitats en la distribuci\u00F3 de l'espai. Entre les seves obres, totalment avantguardistes i tendents a l'eliminaci\u00F3 ornamental, hi trobem la intervenci\u00F3 al Caf\u00E9 Museum de Viena (1899), la Villa Karma a Montreux (1903), les cases Steiner i a Michaerlerplatz de 1910, ambdues a Viena i la casa de Tristan Tzara a Par\u00EDs (1926). Despr\u00E9s de la I Guerra Mundial fou arquitecte en cap de la ciutat de Viena (1920 - 1922)."@ca . "\u0410\u0434\u043E\u043B\u044C\u0444 \u041B\u043E\u043E\u0441 (\u043D\u0435\u043C. Adolf Loos; 10 \u0434\u0435\u043A\u0430\u0431\u0440\u044F 1870, \u0411\u0440\u043D\u043E (\u041C\u043E\u0440\u0430\u0432\u0438\u044F \u2014 23 \u0430\u0432\u0433\u0443\u0441\u0442\u0430 1933, \u041A\u0430\u043B\u044C\u043A\u0441\u0431\u0443\u0440\u0433, \u0440\u0430\u0439\u043E\u043D \u0412\u0435\u043D\u044B) \u2014 \u0430\u0432\u0441\u0442\u0440\u0438\u0439\u0441\u043A\u0438\u0439 \u0430\u0440\u0445\u0438\u0442\u0435\u043A\u0442\u043E\u0440, \u0430\u0440\u0445\u0438\u0442\u0435\u043A\u0442\u0443\u0440\u043D\u044B\u0439 \u043A\u0440\u0438\u0442\u0438\u043A, \u043F\u0443\u0431\u043B\u0438\u0446\u0438\u0441\u0442 \u0438 \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430. \u0415\u0433\u043E \u0442\u0432\u043E\u0440\u0447\u0435\u0441\u0442\u0432\u043E \u0438\u043C\u0435\u043B\u043E \u0432\u0430\u0436\u043D\u043E\u0435 \u0437\u043D\u0430\u0447\u0435\u043D\u0438\u0435 \u0434\u043B\u044F \u043F\u043E\u0441\u043B\u0435\u0434\u0443\u044E\u0449\u0435\u0433\u043E \u0441\u0442\u0430\u043D\u043E\u0432\u043B\u0435\u043D\u0438\u044F \u0438\u043D\u0442\u0435\u0440\u043D\u0430\u0446\u0438\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0441\u0442\u0438\u043B\u044F. \u041A\u0430\u043A \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A \u043F\u0440\u043E\u0441\u043B\u0430\u0432\u0438\u043B\u0441\u044F \u0441\u0432\u043E\u0438\u043C \u044D\u0441\u0441\u0435 \u00AB\u041E\u0440\u043D\u0430\u043C\u0435\u043D\u0442 \u0438 \u043F\u0440\u0435\u0441\u0442\u0443\u043F\u043B\u0435\u043D\u0438\u0435\u00BB (1913), \u0432 \u043A\u043E\u0442\u043E\u0440\u043E\u043C \u0436\u0451\u0441\u0442\u043A\u043E \u043A\u0440\u0438\u0442\u0438\u043A\u043E\u0432\u0430\u043B \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u043E \u0432\u0435\u043D\u0441\u043A\u043E\u0433\u043E \u043C\u043E\u0434\u0435\u0440\u043D\u0430 \u0448\u043A\u043E\u043B\u044B \u041E. \u0412\u0430\u0433\u043D\u0435\u0440\u0430, \u0430 \u0442\u0430\u043A\u0436\u0435 \u0434\u0435\u044F\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0413\u0435\u0440\u043C\u0430\u043D\u0441\u043A\u043E\u0433\u043E \u0412\u0435\u0440\u043A\u0431\u0443\u043D\u0434\u0430 \u0438 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u043E\u0432 \u00AB\u044E\u0433\u0435\u043D\u0434\u0441\u0442\u0438\u043B\u044F\u00BB, \u0437\u0430 \u00AB\u0443\u043A\u0440\u0430\u0448\u0430\u0442\u0435\u043B\u044C\u0441\u0442\u0432\u043E\u00BB."@ru . "Adolf Loos (* 10. Dezember 1870 in Br\u00FCnn, M\u00E4hren, \u00D6sterreich-Ungarn; \u2020 23. August 1933 in Kalksburg bei Wien, Nieder\u00F6sterreich; heute Teil von Wien) war ein \u00F6sterreichischer Architekt, Architekturkritiker und Kulturpublizist. Er gilt als einer der Wegbereiter der modernen Architektur."@de . . . "\u039F \u0386\u03BD\u03C4\u03BF\u03BB\u03C6 \u039B\u03BF\u03C2 (Adolf Loos, 10 \u0394\u03B5\u03BA\u03B5\u03BC\u03B2\u03C1\u03AF\u03BF\u03C5 1870 - 23 \u0391\u03C5\u03B3\u03BF\u03CD\u03C3\u03C4\u03BF\u03C5 1933) \u03AE\u03C4\u03B1\u03BD \u0391\u03C5\u03C3\u03C4\u03C1\u03B9\u03B1\u03BA\u03CC\u03C2 \u03B1\u03C1\u03C7\u03B9\u03C4\u03AD\u03BA\u03C4\u03BF\u03BD\u03B1\u03C2 \u03BA\u03B1\u03B9 \u03C0\u03C1\u03C9\u03C4\u03BF\u03C0\u03CC\u03C1\u03BF\u03C2 \u03C4\u03BF\u03C5 \u03C3\u03CD\u03B3\u03C7\u03C1\u03BF\u03BD\u03BF\u03C5 \u03BA\u03B9\u03BD\u03AE\u03BC\u03B1\u03C4\u03BF\u03C2."@el . . "Brno, Austria-Hungary"@en . . . "1933-08-23"^^ . . . . . . . . "Adolf Loos"@eu . . . "Adolf Franz Karl Viktor Maria Loos, f\u00F6dd 10 december 1870 i Br\u00FCnn, \u00D6sterrike-Ungern (idag Brno, Tjeckien), d\u00F6d 23 augusti 1933 i Wien, var en \u00F6sterrikisk arkitekt och kulturkritiker, huvudsakligen verksam i Wien. Han verkade f\u00F6r en saklig arkitektur utan n\u00E5gra slags ornament och f\u00F6reb\u00E5dade d\u00E4rigenom funktionalismen."@sv . . . "Adolf LOOS (naski\u011Dinta la 10-an de decembro 1870 en Br\u00FCnn, A\u016Dstra-Hungara Monar\u0125io (hodia\u016D Brno, \u0108e\u0125io), mortinta la 23-an de a\u016Dgusto 1933 en , A\u016Dstrio) estis a\u016Dstra arkitekto; liaj domoj forte influis la e\u016Dropan modernan konstruadon post la unua mondmilito. Li studis en Dresden, poste agadis \u0109efe en Vieno, kvankam li pasigis 4-5 jarojn en Usono (1893\u201397) kaj en Parizo (1924\u201328). Li distingis sin de la secesio, pli poste de la historiismo kaj en 1898 anoncis, ke li evitos la superfluajn ornama\u0135ojn. Lia unua konstrua\u0135o estis la Karma-villo (1904\u201306) en Clarens, proksime al Montreux, Svislando, kiu montris geometrian simplecon. Tiun sekvis la viena Steiner-villo en 1910, kiun multaj arthistoriistoj taksas la unua moderna konstrua\u0135o, plej ofte pro la fasado ellaborita per simetriaj kombinoj de trianguloj. Li anka\u016D verkis studa\u0135ojn, en kiuj li argumentis pri superflueco de la ornama\u0135oj. La plej konata konstrua\u0135o de Loos estas la vienaj domoj de Goldman kaj Salatsch el 1910. Ili havas klasisisman eksteron sed per plataj, malplenaj, poluritaj marmorsurfacoj. Li konstruis dum sia restado en Francio en 1926 la lo\u011Ddomon de la dadaisma pentristo Tristan Tzara."@eo . . . . . . . . . "Adolf Loos"@fr . "\u0410\u0434\u043E\u043B\u044C\u0444 \u041B\u043E\u043E\u0441 (\u043D\u0435\u043C. Adolf Loos; 10 \u0434\u0435\u043A\u0430\u0431\u0440\u044F 1870, \u0411\u0440\u043D\u043E (\u041C\u043E\u0440\u0430\u0432\u0438\u044F \u2014 23 \u0430\u0432\u0433\u0443\u0441\u0442\u0430 1933, \u041A\u0430\u043B\u044C\u043A\u0441\u0431\u0443\u0440\u0433, \u0440\u0430\u0439\u043E\u043D \u0412\u0435\u043D\u044B) \u2014 \u0430\u0432\u0441\u0442\u0440\u0438\u0439\u0441\u043A\u0438\u0439 \u0430\u0440\u0445\u0438\u0442\u0435\u043A\u0442\u043E\u0440, \u0430\u0440\u0445\u0438\u0442\u0435\u043A\u0442\u0443\u0440\u043D\u044B\u0439 \u043A\u0440\u0438\u0442\u0438\u043A, \u043F\u0443\u0431\u043B\u0438\u0446\u0438\u0441\u0442 \u0438 \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430. \u0415\u0433\u043E \u0442\u0432\u043E\u0440\u0447\u0435\u0441\u0442\u0432\u043E \u0438\u043C\u0435\u043B\u043E \u0432\u0430\u0436\u043D\u043E\u0435 \u0437\u043D\u0430\u0447\u0435\u043D\u0438\u0435 \u0434\u043B\u044F \u043F\u043E\u0441\u043B\u0435\u0434\u0443\u044E\u0449\u0435\u0433\u043E \u0441\u0442\u0430\u043D\u043E\u0432\u043B\u0435\u043D\u0438\u044F \u0438\u043D\u0442\u0435\u0440\u043D\u0430\u0446\u0438\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0441\u0442\u0438\u043B\u044F. \u041A\u0430\u043A \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A \u043F\u0440\u043E\u0441\u043B\u0430\u0432\u0438\u043B\u0441\u044F \u0441\u0432\u043E\u0438\u043C \u044D\u0441\u0441\u0435 \u00AB\u041E\u0440\u043D\u0430\u043C\u0435\u043D\u0442 \u0438 \u043F\u0440\u0435\u0441\u0442\u0443\u043F\u043B\u0435\u043D\u0438\u0435\u00BB (1913), \u0432 \u043A\u043E\u0442\u043E\u0440\u043E\u043C \u0436\u0451\u0441\u0442\u043A\u043E \u043A\u0440\u0438\u0442\u0438\u043A\u043E\u0432\u0430\u043B \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u043E \u0432\u0435\u043D\u0441\u043A\u043E\u0433\u043E \u043C\u043E\u0434\u0435\u0440\u043D\u0430 \u0448\u043A\u043E\u043B\u044B \u041E. \u0412\u0430\u0433\u043D\u0435\u0440\u0430, \u0430 \u0442\u0430\u043A\u0436\u0435 \u0434\u0435\u044F\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0413\u0435\u0440\u043C\u0430\u043D\u0441\u043A\u043E\u0433\u043E \u0412\u0435\u0440\u043A\u0431\u0443\u043D\u0434\u0430 \u0438 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u043E\u0432 \u00AB\u044E\u0433\u0435\u043D\u0434\u0441\u0442\u0438\u043B\u044F\u00BB, \u0437\u0430 \u00AB\u0443\u043A\u0440\u0430\u0448\u0430\u0442\u0435\u043B\u044C\u0441\u0442\u0432\u043E\u00BB."@ru . . . "Adolf Loos (Brno, 10 dicembre 1870 \u2013 Kalksburg, 23 agosto 1933) \u00E8 stato un architetto austriaco, considerato uno dei pionieri dell'architettura moderna."@it . "Adolf Loos"@sv . . . "\u041B\u043E\u043E\u0441, \u0410\u0434\u043E\u043B\u044C\u0444"@ru . . . . . "\u963F\u9053\u592B\u00B7\u5F17\u6717\u8332\u00B7\u5361\u723E\u00B7\u7DAD\u514B\u591A\u00B7\u746A\u9E97\u4E9E\u00B7\u8DEF\u65AF\uFF081870\u5E7412\u670810\u65E5\uFF0D1933\u5E748\u670823\u65E5\uFF09\uFF0C\u662F\u4E00\u540D\u5967\u5730\u5229\u5EFA\u7BC9\u5E2B\uFF0C\u51FA\u751F\u5728\u6469\u62C9\u7DAD\u4E9E\u3002\u8DEF\u65AF\u5BF9\u6B50\u6D32\u73FE\u4EE3\u4E3B\u7FA9\u5EFA\u7BC9\u7684\u767C\u5C55\u4EA7\u751F\u4E86\u5F88\u5927\u7684\u5F71\u97FF\u3002\u5728\u4ED6\u7684\u8AD6\u6587\u300A\u88DD\u98FE\u8207\u7F6A\u60E1\u300B\u88E1\uFF0C\u63D0\u5021\u5149\u6ED1\u3001\u6E05\u6670\u7684\u8868\u9762\uFF0C\u4E0E\u7684\u5962\u534E\u88C5\u9970\u4EE5\u53CA\u7EF4\u4E5F\u7EB3\u5206\u79BB\u6D3E\u7684\u66F4\u73B0\u4EE3\u7684\u7F8E\u5B66\u539F\u5219\u5F62\u6210\u5BF9\u6BD4\u3002\u8FD9\u4E00\u70B9\u5728\u4ED6\u8BBE\u8BA1\u7684\u7EF4\u4E5F\u7EB3\u8DEF\u65AF\u697C\uFF08Looshaus\uFF09\u4E2D\u5F97\u5230\u4E86\u4F53\u73B0\u3002\u8DEF\u65AF\u662F\u73B0\u4EE3\u4E3B\u4E49\u5EFA\u7B51\u7684\u5148\u9A71\uFF0C\u5728\u5EFA\u7B51\u548C\u8BBE\u8BA1\u65B9\u9762\u5BF9\u73B0\u4EE3\u4E3B\u4E49\u63D0\u51FA\u4E86\u5927\u91CF\u5EFA\u8BBE\u6027\u7684\u7406\u8BBA\u548C\u6279\u8BC4\uFF0C\u5E76\u53D1\u5C55\u4E86\u5E03\u7F6E\u5BA4\u5185\u7A7A\u95F4\u7684\u201CRaumplan\u201D\uFF08\u5B57\u9762\u4E0A\u7684\u7A7A\u95F4\u89C4\u5212\uFF09\u65B9\u6CD5\uFF0C\u4F8B\u5982\u5E03\u62C9\u683C\u7684\u3002 \u8DEF\u65AF\u6709\u8FC7\u4E09\u6B21\u5A5A\u59FB\uFF0C\u90FD\u4EE5\u79BB\u5A5A\u544A\u7EC8\u3002\u4ED6\u8EAB\u4F53\u4E0D\u597D\uFF0C\u5305\u62EC\u9057\u4F20\u6027\u542C\u529B\u969C\u788D\u30021928\u5E74\uFF0C\u4ED6\u56E0\u5265\u524A8\u81F310\u5C81\u8D2B\u56F0\u5BB6\u5EAD\u7684\u5973\u5B69\u800C\u88AB\u5224\u4E3A\u604B\u7AE5\u7656\u3002\u4ED6\u4E8E1933\u5E748\u670823\u65E5\u5728\u7EF4\u4E5F\u7EB3\u9644\u8FD1\u7684\u5361\u5C14\u514B\u65AF\u5821\u53BB\u4E16\uFF0C\u4EAB\u5E7462\u5C81\u3002"@zh . "Adolf Loos (Br\u00FCnn, 10 december 1870 - , 23 augustus 1933) was een Oostenrijks architect uit het begin van de 20e eeuw."@nl . . "Adolf Loos (Brno, 1870eko abenduaren 10 \u2212 , 1933ko abuztuaren 23) arkitekto austriarra zen. Garaiko modernistentzat erreferentea izan zen eta funtsezko arkitektoa izan zen Mugimendu Modernoaren hastapenerako. Arkitektura modernoaren eta arrazionalismo arkitektonikoaren abiatzaileetakoen artean nabarmendu zen, protomodernotzat eta protoarrazionalistatzat sailkatua da."@eu . . "Adolf Loos"@nl . . . . . . . . . . "Adolf Loos (Brno, Rep\u00FAblica Checa 10 de dezembro de 1870 \u2013 Viena, 23 de agosto de 1933) foi um arquitecto austr\u00EDaco, tendo exercido durante largos anos a sua profiss\u00E3o na \u00C1ustria. Dentre seus trabalhos, destaca-se o projecto para o Chicago Tribune, realizado em 1922, quando trabalhava com Louis Sullivan, e que consiste numa enorme coluna d\u00F3rica assente sobre uma base c\u00FAbica. Foi precursor do Raumplan, o desenvolvimento da planta em diferentes cotas. Atrav\u00E9s das varia\u00E7\u00F5es de altura das divis\u00F5es, bem como das propor\u00E7\u00F5es adotadas e das mudan\u00E7as de materiais, \u00E9 estabelecida uma hierarquia entre os diversos espa\u00E7os; criam-se zonas dentro da casa, definindo tamb\u00E9m graus de intimidade de cada divis\u00E3o\". Para Loos, arquitectura \u00E9 composi\u00E7\u00E3o espacial consolidada \u2013 planifica\u00E7\u00E3o do espa\u00E7o que poder\u00E1 ser traduzida em planta. Embora n\u00E3o tenha desenvolvido esta ideia numa teoria formal, a direc\u00E7\u00E3o deste pensamento \u00E9 clara: \"A grande revolu\u00E7\u00E3o em arquitectura \u00E9 a solu\u00E7\u00E3o de uma planifica\u00E7\u00E3o no espa\u00E7o.\" Em 1908, escreveu o ensaio/manifesto intitulado \"Ornamento e Crime\", no qual criticava o uso abusivo da ornamenta\u00E7\u00E3o na arquitetura europ\u00E9ia do final do s\u00E9culo XIX. Loos acreditava que \"quando uma cultura evolui, ela gradativamente abandona o uso do ornamento em objetos utilit\u00E1rios\". Segundo alguns cr\u00EDticos, \"esta guerra contra o ornamento e a decora\u00E7\u00E3o esconde uma lacuna ideol\u00F3gica no modernismo: a falta de uma base cultural (...) O modernismo procurou deliberadamente destruir todos os v\u00EDnculos e reminisc\u00EAncias da arquitetura hist\u00F3rica\". A cultura \u00E9 algo que adquire um estatuto primordial nos escritos de Loos. \u00C9 isso que Karl Kraus nos quer transmitir quando refere que \u201Ctudo o que Adolf Loos e eu \u2013 ele materialmente e eu verbalmente \u2013 temos feito n\u00E3o \u00E9 mais que mostrar a diferen\u00E7a entre uma urna e um penico e que \u00E9 essa distin\u00E7\u00E3o que oferece \u00E0 cultura margem de manobra. Os outros, aqueles que n\u00E3o conseguem fazer essa distin\u00E7\u00E3o, est\u00E3o divididos entre os que usam a urna como penico e os que usam o penico como urna.\u201D Estes dois objectos diferentes segundo conven\u00E7\u00F5es sociais, correspondem respectivamente \u00E0 arte e ao objecto utilit\u00E1rio: Kraus criticava tanto os que pretendem incutir arte ao objecto quotidiano, os artistas da Secess\u00E3o, como os que usam o objecto utilit\u00E1rio como arte."@pt . "Adolf Loos (Brno, Moravia, 10 de diciembre de 1870-Viena, 23 de agosto de 1933) fue un arquitecto austriaco. Curs\u00F3 estudios en la Escuela Profesional de Reichenberg y en la Polit\u00E9cnica de Dresde. En la ciudad de Chicago trabaj\u00F3 como alba\u00F1il, entarimador y delineante. Posteriormente realiz\u00F3 obras en diversos pa\u00EDses de Europa, tales como Austria, Francia y en Viena comienza a ejercer como arquitecto municipal, trabajando en el Ministerio de Vivienda."@es . . . "1933-08-23"^^ . "Adolf Loos"@en . . . . "\u0623\u062F\u0648\u0644\u0641 \u0644\u0648\u0633 (\u0628\u0627\u0644\u0623\u0644\u0645\u0627\u0646\u064A\u0629: Adolf Loos)\u200F \u0645\u0646 \u0623\u0634\u0647\u0631 \u0627\u0644\u0645\u0639\u0645\u0627\u0631\u064A\u064A\u0646\u060C \u062A\u0648\u0641\u064A \u0641\u064A \u0641\u064A\u064A\u0646\u0627 \u0641\u064A \u0639\u0627\u0645 1933 \u0645\u0647\u0646\u062A\u0629 \u0645\u0647\u0646\u062F\u0633 \u0645\u0639\u0645\u0627\u0631\u064A \u0646\u0645\u0633\u0627\u0648\u064A \u0627\u0644\u0623\u0635\u0644\u060C \u0648\u064A\u0639\u062A\u0628\u0631 \u0648\u0627\u062D\u062F\u0627 \u0645\u0646 \u0631\u0648\u0627\u062F \u0627\u0644\u0647\u0646\u062F\u0633\u0629 \u0627\u0644\u0645\u0639\u0645\u0627\u0631\u064A\u0629 \u0627\u0644\u062D\u062F\u064A\u062B\u0629. \u0628\u0639\u062F \u062F\u0631\u0627\u0633\u0629 \u0641\u064A \u0643\u0644\u064A\u0629 \u0627\u0644\u0639\u0644\u0648\u0645 \u0627\u0644\u062A\u0637\u0628\u064A\u0642\u064A\u0629 \u062F\u0631\u0633\u062F\u0646 (Dresden) \u0644\u0648\u0648\u0633 \u0641\u064A 1893 \u0633\u0627\u0641\u0631 \u0625\u0644\u0649 \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629 \u062D\u064A\u062B \u0623\u064F\u0639\u062C\u0628 \u0628\u0627\u0644\u0647\u0646\u062F\u0633\u0629 \u0627\u0644\u0645\u0639\u0645\u0627\u0631\u064A\u0629 \u0627\u0644\u0623\u0645\u0631\u064A\u0643\u064A\u0629. \u0641\u064A \u0639\u0627\u0645 1896 \u0627\u0633\u062A\u0642\u0631 \u0641\u064A \u0641\u064A\u064A\u0646\u0627 \u0648\u0623\u0635\u0628\u062D \u0635\u062F\u064A\u0642\u0627 \u0644\u0628\u0639\u0636 \u062F\u0639\u0627\u0647 \u0627\u0644\u0641\u0646 \u0627\u0644\u0623\u0648\u0631\u0648\u0628\u064A \u0627\u0644\u062D\u062F\u064A\u062B \u0645\u062B\u0644 \u0627\u0644\u0635\u062D\u0627\u0641\u064A\u060C \u0627\u0644\u0643\u0627\u062A\u0628 \u0648\u0627\u0644\u0645\u0641\u0643\u0631 \u0643\u0627\u0631\u0644 \u0643\u0631\u0627\u0648\u0633; \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0627\u0631 ; \u0627\u0644\u0634\u0627\u0639\u0631 \u0648\u063A\u064A\u0631\u0647\u0645. \u0641\u064A \u0627\u0644\u0628\u062F\u0627\u064A\u0629 \u0627\u0646\u062A\u0645\u0649 \u0643\u0639\u0636\u0648 \u0641\u064A (Vienna Secession)\u060C \u063A\u064A\u0631 \u0627\u0646\u0647 \u062A\u0631\u0643\u0647\u0627 \u0641\u064A \u0648\u0642\u062A \u0645\u0628\u0643\u0631 \u0639\u0627\u0645 1898 \u0644\u0627\u0646\u0647 \u064A\u0639\u062A\u0628\u0631 \u0627\u0646\u0647\u0627 \u0630\u0627\u062A \u0630\u0648\u0642 \u0642\u062F \u0639\u0641\u0627 \u0639\u0644\u064A\u0647 \u0627\u0644\u0632\u0645\u0646 \u0628\u0627\u0644\u0645\u0642\u0627\u0631\u0646\u0629 \u0645\u0639 \u0627\u0644\u0648\u0627\u0642\u0639 \u0627\u0644\u0645\u0639\u0627\u0635\u0631. \u0648\u0648\u0641\u0642\u0627 \u0644\u0644\u0648\u0648\u0633 \u0627\u0644\u0647\u0646\u062F\u0633\u0629 \u0627\u0644\u0645\u0639\u0645\u0627\u0631\u064A\u0629 \u0644\u0627 \u0628\u062F \u0627\u0646 \u062A\u0643\u0648\u0646 \u0639\u0645\u0644\u064A\u0629 \u0648\u0628\u0627\u0644\u062A\u0627\u0644\u064A \u0644\u0627 \u064A\u0645\u0643\u0646 \u0623\u0646 \u062A\u0643\u0648\u0646 \u0641\u0646: \u0648\u0645\u0646 \u0647\u0646\u0627 \u0643\u0627\u0646\u062A \u0627\u0644\u062D\u0627\u062C\u0629 \u0625\u0644\u0649 \u0625\u0644\u063A\u0627\u0621 \u0639\u0644\u0649 \u0623\u064A \u062A\u0632\u0648\u064A\u0642 \u0641\u0646\u064A \u0644\u0627 \u062F\u0627\u0639\u064A \u0644\u0647."@ar . . . . . . . . . . . . . . . . . . . . . "\u0410\u0434\u043E\u043B\u044C\u0444 \u041B\u043E\u043E\u0441 (\u043D\u0456\u043C. Adolf Loos; 10 \u0433\u0440\u0443\u0434\u043D\u044F 1870, \u0411\u0440\u043D\u043E \u2014 8 \u0441\u0435\u0440\u043F\u043D\u044F 1933, \u041A\u0430\u043B\u044C\u043A\u0441\u0431\u0443\u0440\u0433 (\u043D\u0438\u043D\u0456 \u0412\u0456\u0434\u0435\u043D\u044C)) \u2014 \u0430\u0440\u0445\u0456\u0442\u0435\u043A\u0442\u043E\u0440."@uk . "1870-12-10"^^ . . . . . . . . "Adolf Loos"@es . "Adolf Franz Karl Viktor Maria Loos (German pronunciation: [\u02C8a\u02D0d\u0254lf lo\u02D0s]; 10 December 1870 \u2013 23 August 1933) was an Austrian and Czechoslovak architect, influential European theorist, and a polemicist of modern architecture. He was an inspiration to modernism and a widely-known critic of the Art Nouveau movement. His controversial views and literary contributions sparked the establishment of the Vienna Secession movement and postmodernism. Loos was born in Brno to a family of sculptors and stonemasons. His almost deaf father, a stonemason, died when he was 9 and played a role in Loos' interest in arts and crafts. Loos later presented with his father's hearing impairment and other health-related issues. His lack of hearing contributed to his solitary personality. Loos had three tumultuous marriages that all ended in divorce and was convicted as a pedophile in 1928. With changing interests, Loos attended multiple colleges also due to his poor academics and his different desires, which proved to be useful by providing him a diverse skillset for architecture. After leaving his last university, Loos visited America and became strongly impacted by the Chicago School of Architecture, being inspired by the architect Louis Sullivan and his form follows function philosophy. Loos then went on to write many literary pieces including the satirical piece and his most popular manifesto, Ornament and Crime, which advocated for smooth and clear surfaces in contrast to the lavish decorations of the fin de si\u00E8cle, as well as the more modern aesthetic principles of the Vienna Secession, exemplified in his design of Looshaus, Vienna. Loos became a pioneer of modern architecture and contributed a body of theory and criticism of Modernism in architecture and design and developed the \"Raumplan\" (literally spatial plan) method of arranging interior spaces, exemplified in Villa M\u00FCller in Prague. He died aged 62 on 23 August 1933 in Kalksburg near Vienna."@en . . . . . . . "Adolf Franz Karl Viktor Maria Loos (German pronunciation: [\u02C8a\u02D0d\u0254lf lo\u02D0s]; 10 December 1870 \u2013 23 August 1933) was an Austrian and Czechoslovak architect, influential European theorist, and a polemicist of modern architecture. He was an inspiration to modernism and a widely-known critic of the Art Nouveau movement. His controversial views and literary contributions sparked the establishment of the Vienna Secession movement and postmodernism."@en . . . . . . . . . . . . . . . "\u0386\u03BD\u03C4\u03BF\u03BB\u03C6 \u039B\u03BF\u03C2"@el . . . . . . . . . . . . . . . . "Adolf Loos"@in . . . . . . . . . . . "\u30A2\u30C9\u30EB\u30D5\u30FB\u30ED\u30FC\u30B9"@ja .