. "Judah"@en . "26"^^ . . "30"^^ . "116700.0"^^ . . . . . . . . . . . . . . . "Pavlowitch"@en . "Migration of the Serbs (painting)"@en . . . . . . . "51"^^ . . "53"^^ . "Seoba Srba (English: Migration of the Serbs) is a set of four similar oil paintings by the Serbian artist Paja Jovanovi\u0107 that depict Serbs, led by Archbishop Arsenije III, fleeing Old Serbia during the Great Serb Migration of 1690\u201391. The first was commissioned in 1895 by Georgije Brankovi\u0107, the Patriarch of Karlovci, to be displayed at the following year's Budapest Millennium Exhibition. In the view of the Serbian clergy, it would serve to legitimize Serb claims to religious autonomy and partial self-administration in Austria-Hungary by upholding the contention that Serbs left their homeland at the behest of the Holy Roman Emperor to protect the Habsburg monarchy's borders. Measuring 380 by 580 centimetres (150 by 230 in), the first painting was completed in 1896, and presented to Patriarch Georgije later that year. Dissatisfied, the Patriarch asked Jovanovi\u0107 to adjust his work to conform with the Church's view of the migration. Though Jovanovi\u0107 made the changes relatively quickly, he could not render them in time for the painting to be displayed in Budapest, and it therefore had to be unveiled at the Archbishop's palace in Sremski Karlovci. Jovanovi\u0107 went on to complete a total of four versions of the painting, three of which survive. The first version is on display at the patriarchate building of the Serbian Orthodox Church in Belgrade, the second at the Pan\u010Devo Museum, and the fourth at Princess Ljubica's Residence, in Belgrade. Migration of the Serbs holds iconic status in Serbian popular culture, and several authors repute it to be one of Jovanovi\u0107's finest achievements."@en . . . . . "\u041F\u0435\u0440\u0435\u0441\u0435\u043B\u0435\u043D\u043D\u044F \u0441\u0435\u0440\u0431\u0456\u0432 (\u043A\u0430\u0440\u0442\u0438\u043D\u0430)"@uk . "Popovich"@en . . . . . "Filipovitch-Robinson"@en . . . . "Migraci\u00F3n de los serbios bajo el patriarca Arsenio III \u010Carnojevi\u0107 (en serbio, Seoba Srba pod patriarhom Arsenijem III Crnojevi\u0107em) o simplemente Migraci\u00F3n de los serbios (Seoba Srba) es el nombre dado a cuatro \u00F3leos similares del artista Paja Jovanovi\u0107. En ellos, el pintor retrata a los serbios, guiados por el arzobispo Arsenio III, durante su huida de la en el marco de la gran migraci\u00F3n de 1690-91. El primero fue un encargo del patriarca de Karlovci , en 1895, con el prop\u00F3sito de ser mostrado al a\u00F1o siguiente en la Exhibici\u00F3n del Milenio de Budapest. A los ojos del clero serbio, la pintura ten\u00EDa el prop\u00F3sito de apoyar la afirmaci\u00F3n de que los serbios dejaron su tierra natal a instancias del emperador del Sacro Imperio Romano Germ\u00E1nico a fin de proteger las fronteras de la Monarqu\u00EDa Habsburgo; afirmaci\u00F3n que servir\u00EDa para legitimar las pretensiones serbias en pos de una autonom\u00EDa religiosa y autoadministraci\u00F3n parcial dentro del Imperio austroh\u00FAngaro del que entonces formaban parte. La primera pintura, de 380 \u00D7 580 cm, fue terminada en 1896 y presentada al patriarca Jorge ese mismo a\u00F1o, quien, insatisfecho, pidi\u00F3 a Jovanovi\u0107 modificar su obra de acuerdo con el punto de vista que la Iglesia ten\u00EDa sobre la migraci\u00F3n. A pesar de que el autor hizo los ajustes relativamente r\u00E1pido, no pudo hacerlos a tiempo para su exhibici\u00F3n en Budapest y por tanto fue mostrada por primera vez en el palacio arzobispal en Sremski Karlovci. Al final, Jovanovi\u0107 realiz\u00F3 cuatro versiones de la pintura, tres de las cuales a\u00FAn existen: la primera se exhibe en el edificio del patriarcado de la Iglesia ortodoxa de Serbia en Belgrado; la segunda en el de Pan\u010Devo;\u200B y la cuarta en la residencia de la Princesa Ljubica, tambi\u00E9n en Belgrado. La pintura Migraci\u00F3n de los serbios es considerada como uno de los iconos de la cultura popular serbia y varios autores la elogian como uno de los mejores logros de Jovanovi\u0107."@es . . . . "\u0647\u062C\u0631\u0629 \u0627\u0644\u0635\u0631\u0628 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Migration of the Serbs)\u200F \u0647\u064A \u0645\u062C\u0645\u0648\u0639\u0629 \u0645\u0646 \u0623\u0631\u0628\u0639 \u0644\u0648\u062D\u0627\u062A \u0632\u064A\u062A\u064A\u0629 \u0645\u0645\u0627\u062B\u0644\u0629 \u0644\u0644\u0641\u0646\u0627\u0646 \u0627\u0644\u0635\u0631\u0628\u064A \u0628\u0627\u062C\u0627 \u064A\u0648\u0641\u0627\u0646\u0648\u0641\u064A\u062A\u0634 \u062A\u0635\u0648\u0631 \u0627\u0644\u0635\u0631\u0628\u060C \u0628\u0642\u064A\u0627\u062F\u0629 \u0631\u0626\u064A\u0633 \u0627\u0644\u0623\u0633\u0627\u0642\u0641\u0629 \u0623\u0631\u0633\u064A\u0646\u064A\u062C\u064A \u0627\u0644\u062B\u0627\u0644\u062B\u060C \u0648\u0647\u0645 \u064A\u0641\u0631\u0648\u0646 \u0645\u0646 \u0635\u0631\u0628\u064A\u0627 \u0627\u0644\u0642\u062F\u064A\u0645\u0629 \u0623\u062B\u0646\u0627\u0621 \u0647\u062C\u0631\u0629 \u0627\u0644\u0635\u0631\u0628 \u0627\u0644\u0639\u0638\u064A\u0645\u0629 \u0639\u0627\u0645 1690 \u0623\u0644\u0649 1691. \u062A\u0645 \u062A\u0643\u0644\u064A\u0641 \u0627\u0644\u0623\u0628 \u0627\u0644\u0623\u0648\u0644 \u0641\u064A \u0639\u0627\u0645 1895 \u0645\u0646 \u0642\u0628\u0644 \u062C\u0648\u0631\u062C\u064A \u0628\u0631\u0627\u0646\u0643\u0648\u0641\u064A\u062A\u0634\u060C \u0628\u0637\u0631\u064A\u0631\u0643 \u0643\u0627\u0631\u0644\u0648\u0641\u064A\u062A\u0634\u064A\u060C \u0644\u064A\u062A\u0645 \u0639\u0631\u0636\u0647\u0627 \u0641\u064A \u0645\u0639\u0631\u0636 \u0627\u0644\u0623\u0644\u0641\u064A\u0629 \u0641\u064A \u0628\u0648\u062F\u0627\u0628\u0633\u062A \u0641\u064A \u0627\u0644\u0639\u0627\u0645 \u0627\u0644\u062A\u0627\u0644\u064A. \u0645\u0646 \u0648\u062C\u0647\u0629 \u0646\u0638\u0631 \u0631\u062C\u0627\u0644 \u0627\u0644\u062F\u064A\u0646 \u0627\u0644\u0635\u0631\u0628\u060C \u0645\u0646 \u0634\u0623\u0646\u0647\u0627 \u0625\u0636\u0641\u0627\u0621 \u0627\u0644\u0634\u0631\u0639\u064A\u0629 \u0639\u0644\u0649 \u0645\u0637\u0627\u0644\u0628\u0627 \u0627\u0644\u0635\u0631\u0628 \u0628\u0627\u0644\u0627\u0633\u062A\u0642\u0644\u0627\u0644 \u0627\u0644\u062F\u064A\u0646\u064A \u0648\u0627\u0644\u0625\u062F\u0627\u0631\u0629 \u0627\u0644\u0630\u0627\u062A\u064A\u0629 \u0627\u0644\u062C\u0632\u0626\u064A\u0629 \u0641\u064A \u0627\u0644\u0646\u0645\u0633\u0627-\u0627\u0644\u0645\u062C\u0631 \u0645\u0646 \u062E\u0644\u0627\u0644 \u062F\u0639\u0645 \u0627\u0644\u0632\u0639\u0645 \u0628\u0623\u0646 \u0627\u0644\u0635\u0631\u0628 \u062A\u0631\u0643\u0648\u0627 \u0648\u0637\u0646\u0647\u0645 \u0628\u0623\u0645\u0631 \u0645\u0646 \u0627\u0644\u0625\u0645\u0628\u0631\u0627\u0637\u0648\u0631 \u0627\u0644\u0631\u0648\u0645\u0627\u0646\u064A \u0627\u0644\u0645\u0642\u062F\u0633 \u0644\u062D\u0645\u0627\u064A\u0629 \u062D\u062F\u0648\u062F \u0645\u0645\u0644\u0643\u0629 \u0647\u0627\u0628\u0633\u0628\u0648\u0631\u063A."@ar . . "\u00AB\u041F\u0435\u0440\u0435\u0441\u0435\u043B\u0435\u043D\u043D\u044F \u0441\u0435\u0440\u0431\u0456\u0432\u00BB (\u0442\u0430\u043A\u043E\u0436 \u00AB\u041C\u0456\u0433\u0440\u0430\u0446\u0456\u044F \u0441\u0435\u0440\u0431\u0456\u0432\u00BB, \u0441\u0435\u0440\u0431. \u0421\u0435\u043E\u0431\u0435 \u0421\u0440\u0431\u0430) \u2014 \u043C\u043E\u043D\u0443\u043C\u0435\u043D\u0442\u0430\u043B\u044C\u043D\u0430 \u0456\u0441\u0442\u043E\u0440\u0438\u0447\u043D\u0430 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0446\u0456\u044F \u0442\u0430 \u043A\u0456\u043B\u044C\u043A\u0430 \u0457\u0457 \u0432\u0430\u0440\u0456\u0430\u0446\u0456\u0439 \u0456 \u043A\u043E\u043F\u0456\u0439 \u0441\u0435\u0440\u0431\u0441\u044C\u043A\u043E\u0433\u043E \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430 \u041F\u0430\u0457 \u0419\u043E\u0432\u0430\u043D\u043E\u0432\u0438\u0447\u0430, \u0449\u043E \u0437\u043E\u0431\u0440\u0430\u0436\u0443\u044E\u0442\u044C \u0432\u0435\u043B\u0438\u043A\u0435 \u043F\u0435\u0440\u0435\u0441\u0435\u043B\u0435\u043D\u043D\u044F \u0441\u0435\u0440\u0431\u0456\u0432 \u0443 \u043A\u0456\u043D\u0446\u0456 XVII \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F."@uk . . "Migraci\u00F3n de los serbios"@es . "170"^^ . . . "p. 60, note 58"@en . . . . "2014"^^ . "2008"^^ . . . . "2011"^^ . . "Filipovitch-Robinson"@en . "133"^^ . "2000"^^ . . . . . . "1999"^^ . . . . "1994"^^ . . . . . . "\u00AB\u041F\u0435\u0440\u0435\u0441\u0435\u043B\u0435\u043D\u043D\u044F \u0441\u0435\u0440\u0431\u0456\u0432\u00BB (\u0442\u0430\u043A\u043E\u0436 \u00AB\u041C\u0456\u0433\u0440\u0430\u0446\u0456\u044F \u0441\u0435\u0440\u0431\u0456\u0432\u00BB, \u0441\u0435\u0440\u0431. \u0421\u0435\u043E\u0431\u0435 \u0421\u0440\u0431\u0430) \u2014 \u043C\u043E\u043D\u0443\u043C\u0435\u043D\u0442\u0430\u043B\u044C\u043D\u0430 \u0456\u0441\u0442\u043E\u0440\u0438\u0447\u043D\u0430 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0446\u0456\u044F \u0442\u0430 \u043A\u0456\u043B\u044C\u043A\u0430 \u0457\u0457 \u0432\u0430\u0440\u0456\u0430\u0446\u0456\u0439 \u0456 \u043A\u043E\u043F\u0456\u0439 \u0441\u0435\u0440\u0431\u0441\u044C\u043A\u043E\u0433\u043E \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0430 \u041F\u0430\u0457 \u0419\u043E\u0432\u0430\u043D\u043E\u0432\u0438\u0447\u0430, \u0449\u043E \u0437\u043E\u0431\u0440\u0430\u0436\u0443\u044E\u0442\u044C \u0432\u0435\u043B\u0438\u043A\u0435 \u043F\u0435\u0440\u0435\u0441\u0435\u043B\u0435\u043D\u043D\u044F \u0441\u0435\u0440\u0431\u0456\u0432 \u0443 \u043A\u0456\u043D\u0446\u0456 XVII \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F."@uk . . . . . . "104"^^ . . . . . . "Segesten"@en . "225"^^ . . "Seoba Srba.png"@en . "230"^^ . . "Kusovac"@en . "Migraci\u00F3n de los serbios bajo el patriarca Arsenio III \u010Carnojevi\u0107 (en serbio, Seoba Srba pod patriarhom Arsenijem III Crnojevi\u0107em) o simplemente Migraci\u00F3n de los serbios (Seoba Srba) es el nombre dado a cuatro \u00F3leos similares del artista Paja Jovanovi\u0107. En ellos, el pintor retrata a los serbios, guiados por el arzobispo Arsenio III, durante su huida de la en el marco de la gran migraci\u00F3n de 1690-91. El primero fue un encargo del patriarca de Karlovci , en 1895, con el prop\u00F3sito de ser mostrado al a\u00F1o siguiente en la Exhibici\u00F3n del Milenio de Budapest. A los ojos del clero serbio, la pintura ten\u00EDa el prop\u00F3sito de apoyar la afirmaci\u00F3n de que los serbios dejaron su tierra natal a instancias del emperador del Sacro Imperio Romano Germ\u00E1nico a fin de proteger las fronteras de la Monarqu\u00EDa Habsb"@es . . . . . . "Seoba Srba (English: Migration of the Serbs) is a set of four similar oil paintings by the Serbian artist Paja Jovanovi\u0107 that depict Serbs, led by Archbishop Arsenije III, fleeing Old Serbia during the Great Serb Migration of 1690\u201391. The first was commissioned in 1895 by Georgije Brankovi\u0107, the Patriarch of Karlovci, to be displayed at the following year's Budapest Millennium Exhibition. In the view of the Serbian clergy, it would serve to legitimize Serb claims to religious autonomy and partial self-administration in Austria-Hungary by upholding the contention that Serbs left their homeland at the behest of the Holy Roman Emperor to protect the Habsburg monarchy's borders."@en . . . . . "\u0647\u062C\u0631\u0629 \u0627\u0644\u0635\u0631\u0628 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Migration of the Serbs)\u200F \u0647\u064A \u0645\u062C\u0645\u0648\u0639\u0629 \u0645\u0646 \u0623\u0631\u0628\u0639 \u0644\u0648\u062D\u0627\u062A \u0632\u064A\u062A\u064A\u0629 \u0645\u0645\u0627\u062B\u0644\u0629 \u0644\u0644\u0641\u0646\u0627\u0646 \u0627\u0644\u0635\u0631\u0628\u064A \u0628\u0627\u062C\u0627 \u064A\u0648\u0641\u0627\u0646\u0648\u0641\u064A\u062A\u0634 \u062A\u0635\u0648\u0631 \u0627\u0644\u0635\u0631\u0628\u060C \u0628\u0642\u064A\u0627\u062F\u0629 \u0631\u0626\u064A\u0633 \u0627\u0644\u0623\u0633\u0627\u0642\u0641\u0629 \u0623\u0631\u0633\u064A\u0646\u064A\u062C\u064A \u0627\u0644\u062B\u0627\u0644\u062B\u060C \u0648\u0647\u0645 \u064A\u0641\u0631\u0648\u0646 \u0645\u0646 \u0635\u0631\u0628\u064A\u0627 \u0627\u0644\u0642\u062F\u064A\u0645\u0629 \u0623\u062B\u0646\u0627\u0621 \u0647\u062C\u0631\u0629 \u0627\u0644\u0635\u0631\u0628 \u0627\u0644\u0639\u0638\u064A\u0645\u0629 \u0639\u0627\u0645 1690 \u0623\u0644\u0649 1691. \u062A\u0645 \u062A\u0643\u0644\u064A\u0641 \u0627\u0644\u0623\u0628 \u0627\u0644\u0623\u0648\u0644 \u0641\u064A \u0639\u0627\u0645 1895 \u0645\u0646 \u0642\u0628\u0644 \u062C\u0648\u0631\u062C\u064A \u0628\u0631\u0627\u0646\u0643\u0648\u0641\u064A\u062A\u0634\u060C \u0628\u0637\u0631\u064A\u0631\u0643 \u0643\u0627\u0631\u0644\u0648\u0641\u064A\u062A\u0634\u064A\u060C \u0644\u064A\u062A\u0645 \u0639\u0631\u0636\u0647\u0627 \u0641\u064A \u0645\u0639\u0631\u0636 \u0627\u0644\u0623\u0644\u0641\u064A\u0629 \u0641\u064A \u0628\u0648\u062F\u0627\u0628\u0633\u062A \u0641\u064A \u0627\u0644\u0639\u0627\u0645 \u0627\u0644\u062A\u0627\u0644\u064A. \u0645\u0646 \u0648\u062C\u0647\u0629 \u0646\u0638\u0631 \u0631\u062C\u0627\u0644 \u0627\u0644\u062F\u064A\u0646 \u0627\u0644\u0635\u0631\u0628\u060C \u0645\u0646 \u0634\u0623\u0646\u0647\u0627 \u0625\u0636\u0641\u0627\u0621 \u0627\u0644\u0634\u0631\u0639\u064A\u0629 \u0639\u0644\u0649 \u0645\u0637\u0627\u0644\u0628\u0627 \u0627\u0644\u0635\u0631\u0628 \u0628\u0627\u0644\u0627\u0633\u062A\u0642\u0644\u0627\u0644 \u0627\u0644\u062F\u064A\u0646\u064A \u0648\u0627\u0644\u0625\u062F\u0627\u0631\u0629 \u0627\u0644\u0630\u0627\u062A\u064A\u0629 \u0627\u0644\u062C\u0632\u0626\u064A\u0629 \u0641\u064A \u0627\u0644\u0646\u0645\u0633\u0627-\u0627\u0644\u0645\u062C\u0631 \u0645\u0646 \u062E\u0644\u0627\u0644 \u062F\u0639\u0645 \u0627\u0644\u0632\u0639\u0645 \u0628\u0623\u0646 \u0627\u0644\u0635\u0631\u0628 \u062A\u0631\u0643\u0648\u0627 \u0648\u0637\u0646\u0647\u0645 \u0628\u0623\u0645\u0631 \u0645\u0646 \u0627\u0644\u0625\u0645\u0628\u0631\u0627\u0637\u0648\u0631 \u0627\u0644\u0631\u0648\u0645\u0627\u0646\u064A \u0627\u0644\u0645\u0642\u062F\u0633 \u0644\u062D\u0645\u0627\u064A\u0629 \u062D\u062F\u0648\u062F \u0645\u0645\u0644\u0643\u0629 \u0647\u0627\u0628\u0633\u0628\u0648\u0631\u063A."@ar . . . . . . . . . . . . . . "Milojkovi\u0107-Djuri\u0107"@en . "47627804"^^ . . "32556"^^ . "1988"^^ . . . . "Serbia"@en . . . . . . "1114906049"^^ . "1999"^^ . . . . "2002"^^ . . . . "p. 60, note 60"@en . . . "2008"^^ . . "2009"^^ . "Filipovitch-Robinson"@en . . "Lampe"@en . . . . . . . . "\u041F\u0435\u0440\u0435\u0441\u0435\u043B\u0435\u043D\u0438\u0435 \u0441\u0435\u0440\u0431\u043E\u0432 (\u043A\u0430\u0440\u0442\u0438\u043D\u0430)"@ru . "Serbmigration.jpg"@en . . . . "\u0647\u062C\u0631\u0629 \u0627\u0644\u0635\u0631\u0628 (\u0644\u0648\u062D\u0629)"@ar . . . . . . "19"^^ . . . . . "20"^^ . . . . "p. 43, note 22"@en . "Art"@en . . . . . . . . . . . . . . . . "254"^^ . . "42"^^ . . "43"^^ . . 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"17"^^ . . "Medakovi\u0107"@en . . . . . "right"@en . 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