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Statements

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Subject Item: dbr:Deconstruction
rdf:type: dbo:Software owl:Thing
rdfs:label: Αποδόμηση Deconstructie Deconstruction Dekonstruktion Deconstrucción Dekonstruksi Dekonstrukcja 解構主義 Деконструкція Dekonstrukce Desconstrução 脱構築 Déconstruction (analyse de texte) Dekonstrukzio Dekonstruktion تفكيكية 탈구축 Decostruzionismo Деконструкция Desconstrucció
rdfs:comment: Dekonstrukcja, dekonstrukcjonizm lub dekonstruktywizm – podejście filozoficzne i zbiór pojęć stworzonych przez Jacquesa Derridę ok. 1960 roku. Odnosi się do wielości możliwych interpretacji i odczytań języka i wytworów kultury. Zwraca uwagę na to, co sam tekst i język podkreśla jako istotne, ale także to, co pomija. Jacques Derrida twierdził, że dekonstruktywizm nie jest kierunkiem filozoficznym ani nową szkołą myślenia, a jedynie sposobem odbioru tekstu. Komentatorzy i kontynuatorzy Derridy stworzyli jednak charakterystyczny, odrębny nurt w filozofii. La déconstruction (ou le déconstructionnisme) est une pratique d'analyse de texte qui vise à révéler les confusions de sens par l'analyse des postulats sous-entendus et les omissions. Apparue dans les milieux universitaires dans les années 1960, elle participe à la fois de la philosophie et de la littérature ; elle a eu un grand écho aux États-Unis, où elle est assimilée à la philosophie postmoderne, et plus globalement à l'approche divergente de la philosophie continentale d'Europe. Si le terme « déconstruction » a d'abord été utilisé par Heidegger, c'est Derrida qui en a systématisé l'usage et théorisé la pratique. O termo desconstrução refere-se a abordagens para entender a relação entre texto e significado . Foi originado pelo filósofo Jacques Derrida , que o definiu como um afastamento das ideias do platonismo de formas e essências "verdadeiras" que têm precedência sobre as aparências, ao invés de considerar a função complexa e em constante mudança da linguagem, tornando ideias estáticas e idealistas de é inadequado. A desconstrução, em vez disso, enfatiza a mera aparência da linguagem tanto na fala quanto na escrita, ou sugere pelo menos que a essência, como é chamada, deve ser encontrada em sua aparência, enquanto ela mesma é "indecidível" e as experiências cotidianas não podem ser avaliadas empiricamente para encontrar a realidade da linguagem. Il decostruzionismo è un concetto introdotto nella filosofia occidentale da Jacques Derrida; esso risponde all'esigenza di tradurre linguisticamente e semanticamente l'invito heideggeriano alla Destruktion dei concetti della metafisica.Per quanto Derrida si sottragga a ogni tentativo di definizione della decostruzione, essa può essere descritta come confronto serrato con i testi e gli autori della filosofia occidentale nell'intento di mettere in luce i presupposti impliciti, i pregiudizi nascosti, le contraddizioni latenti della cultura e del linguaggio che, non troppo consapevolmente, l'uomo adotta. Dekonstrukce je bourání, odstraňování, způsob filozofické práce, který rozvinul mimo jiné Jacques Derrida v návaznosti na Martina Heideggera. Svůj program dekonstrukce metafyziky zformuloval původně jako úlohu dekonstrukce v dějinách ontologie. Dekonstrukce je kritická ohledně tradic, ale tato kritika se odehrává ve jménu tradice. V dekonstrukci (jak ji rozvíjí francouzská filozofie obecně, nejen Derrida) jde o odhalování dvojího pojetí filozofie, podle Heideggera pojímané jednak jako myšlení a jednak jako tradici. Francouzská filozofie se od poloviny šedesátých let 20. století snaží ukázat příslušnost filozofické tradice k tradici celkově a zároveň zkoumat, jak tato formace rozvíjí možnost myšlení. Tento úkol se orientuje jednak monograficky (Karel Marx, Georg Wilhelm Friedrich Hegel, Imm Dekonstruktion avser en filosofisk och litteraturvetenskaplig term med ursprung i poststrukturalismen och den algerisk-franske filosofen Jacques Derrida. Begreppet dekonstruktion är mångtydigt och Derrida ville aldrig lämna en strikt definition på vad dekonstruktion egentligen är. En beskrivning är att dekonstruktion är ett slags frigörande tolkning av texter med syfte att dels försöka finna dolda antaganden bakom texten, dels ge texter nytt liv och innebörd genom att de placeras i ett nytt sammanhang. En utgångspunkt är att kulturer, språk och samhällen är i ständig förändring. Betydelsen av ett ord eller en text är beroende av dess kontext (jämför diskurs och språkspel). Därför går det inte att slå fast att ett visst ord eller en viss text har en fast betydelse eller alltid syftar på ett كما صاغها الفيلسوف جاك دريدا، التفكيكية هي أسلوب فهم العلاقة بين النص والمعنى. يتكون أسلوب دريدا من ربط قراءات النص بأذن لما يناقض المعنى المقصود أو الوحدة الهيكلية لنص معين. هدف التفكيكية هو إظهار أن استخدام اللغة في نص ما واللغة ككل معقد غير قابل للتبسيط، وغير مستقر، أو مستحيل. من خلال قراءاته، كان دريدا يأمل أن يُظهر التفكيكية عمليا. في حين تنتشر في أوروبا القارية (وحيثما انتشرت الفلسفة القارية)، إلا أن التفكيكية غير متبناه أو مقبولة في معظم أقسام الفلسفة في الجامعات التي تسودها الفلسفة التحليلية. Деконструкція — підхід до аналізу тексту, запропонований французьким філософом Жаком Дерріда, суть якого у виявленні в тексті прихованих суперечностей з метою показати можливість неоднозначної його інтерпретації. Дерріда ухиляється від точного визначення деконструкції, оскільки для цього потрібно було б використовувати ту ж мову, яку він критикує. Деконструкція використовується в сучасній філософії та літературній критиці. Підхід здобув популярність в Сполучених Штатах і Європі, ставши складовою частиною та континентальної філософії. Dekonstrukzioa filosofia garaikidearen metodo bat da, kontzeptuen bilakaera historikoa aztertzeko testuen analisia lehenesten duena. Filosofia, literatura edo bestelako testuak zorrotz aztertzen ditu, haien hutsuneak eta zentzu nahasketak azaleratzeko, adierazpen iradokiak eta adierazten ez dena ardatz edukita. Testuen azterketaz diharduen teoria postestrukturalista da dekonstrukzioa, 1960ko hamarraldian zabaldu zena. Dekonstrukzio terminoa Heideggerrek erabili zuen lehendabiziz, baina Derridaren lanagatik bilakatu zen ohiko haren erabilpena. Деконстру́кция (от лат. de- «сверху вниз; обратно» + constructio «сооружение; осмысление») — понятие современной философии и искусства, означающее понимание посредством разрушения стереотипа или включения в новый контекст. Deconstructie (ook: deconstructionisme en deconstructivisme) is een leeswijze waarmee gepoogd wordt vooronderstellingen te ontdekken in teksten. Het filosofische begrip vond zijn ontstaan in de jaren zestig van de 20e eeuw als reactie op het structuralisme, dat in de eerste helft van de 20e eeuw dominant was geweest in taalkunde, antropologie en literaire kritiek. De Frans-Algerijnse denker Jacques Derrida legde de basis van het begrip “deconstructie” met onder meer La voix et le phénomène (1967) en La dissémination (1972). Dekonstruksi adalah suatu pemikiran untuk memahami kontradiksi yang ada di dalam teks dan mencoba untuk membangun kembali makna-makna yang sudah melekat dalam teks tersebut. Pemikiran mengenai dekonstruksi tidak menerima suatu teks secara konstan sesuai dengan makna teks tersebut. Pemikiran dekonstruksi percaya bahwa suatu teks pasti memiliki makna-makna yang tersembunyi dan memiliki arti yang berbeda. Oleh karena itu, pemikiran dekonstruksi membutuhkan proses mencari makna secara struktural dari makna tunggal yang telah umum disepakati oleh para pembaca. Dalam penulisan naskah sejarah, para peneliti tidak menemukan semua sumber sejarah secara langsung dan lengkap. Sedangkakan teori dan metodologi penulisan sejarah terus berkembang. Oleh karena itu penulisan sejarah sering dilakukan kembal The term deconstruction refers to approaches to understanding the relationship between text and meaning. It was introduced by the philosopher Jacques Derrida, who defined it as a turn away from Platonism's ideas of "true" forms and essences which take precedence over appearances, instead considering the constantly changing complex function of language, making static and idealist ideas of it inadequate. Deconstruction instead places emphasis on the mere appearance of language in both speech and writing, or suggests at least that essence as it is called is to be found in its appearance, while it itself is "undecidable", and everyday experiences cannot be empirically evaluated to find the actuality of language. 在歐陸哲學與文學批評中，解構主義（法語：déconstruction；英語：deconstruction）是由法國後結構主義哲學家德希達（Jacque Derrida）所創立的批評學派。德希達提出了一種他稱之為解構閱讀西方哲學的方法。大體來說，解構閱讀是一種揭露文本結構與其西方形上本質（Western metaphysical essence）之間差異的文本分析方法。解構閱讀呈現出文本不能只是被解讀成單一作者在傳達一個明顯的訊息，而應該被解讀為在某個文化或世界觀中各種衝突的體現。一個被解構的文本會顯示出許多同時存在的各種觀點，而這些觀點通常會彼此衝突。將一個文本的解構閱讀與其傳統閱讀來相比較的話，也會顯示出這當中的許多觀點是被壓抑與忽視的。解构主义流派反对结构主义，解构主义认为结构没有中心，结构也不是固定不变的，结构由一系列的差别组成。由于差别在变化，结构也跟随着变化，所以结构是不稳定和开放的。因此解构主义又被称为后结构主义。德里达认为文本没有固定的意义，作品的终极不变的意义是不存在的。解構分析的主要方法是去看一個文本中的二元對立（比如說，男性與女性、同性戀與異性戀），並且呈現出這兩個對立的面向事實上是流動與不可能完全分離的，而非兩個嚴格劃分開來的類別。而其通常結論便是，這些分類實際上不是以任何固定或絕對的形式存在著的。 Η αποδόμηση είναι όρος της φιλοσοφίας, της λογοτεχνικής κριτικής, και των κοινωνικών επιστημών, που ήρθε στη δημοσιότητα μέσω της χρήσης του από το φιλόσοφο Ζακ Ντεριντά κατά τη δεκαετία του '60. Με τον όρο "αποδόμηση" εννοείται η λεπτομερής ανάγνωση κειμένων με στόχο την υπόδειξη ότι κάθε δεδομένο κείμενο, αντί να είναι ένα ενωμένο όλο, έχει αδιάλλακτα αντιφατικά νοήματα. Όπως ο J. Hillis Miller, διαπρεπής Αμερικανός που εξάσκησε την αποδόμηση, έχει εξηγήσει σε ένα δοκίμιό του , "αποδόμηση δεν είναι το να αποσυναρμολογήσεις τη δομή ενός κειμένου, αλλά μία υπόδειξη ότι το ίδιο το κείμενο έχει αποσυναρμολογήσει τον εαυτό του. Αυτό που φαίνεται ως η συμπαγής του βάση δεν είναι βράχος, αλλά αέρας". Η αποδόμηση ορίζει το κείμενο ως κάτι το νόημα του οποίου γνωρίζεται μόνο μεσω διαφοράς. Η γλώσ Deconstrucción es un enfoque utilizado para comprender la relación entre texto y significado. Fue originado por el filósofo Jacques Derrida, quien definió el término de diversas formas a lo largo de su carrera. En su forma más simple, puede considerarse como una crítica del platonismo y la idea de formas verdaderas, o esencias, que tienen prioridad sobre las apariencias. La deconstrucción, en cambio, pone el énfasis en la apariencia, o sugiere, al menos, que la esencia se encuentra en la apariencia. Derrida diría que la diferencia es "indecidible", en el sentido de que no se puede discernir en las experiencias cotidianas. 탈구축(脫構築, deconstruction)은 텍스트와 의미의 상호관계를 이해하려는 하나의 기호학적 분석 방법으로, 탈구조, 해체, 해체주의, 해체이론 등으로도 부른다. 기원은 프랑스 철학자 자크 데리다의 1967년 저서 그라마톨로지(Of Grammatology)로, 이 연구에서 데리다는 이항대립이 의미와 가치의 구축에 쓰이는 모든 텍스트의 탈구축을 제안하였다. 탈구축은 서구 형이상학의 해체작업이자 일종의 자기비판으로서 의의를 가지고 있으며, 포스트모더니즘의 대표적인 키워드이기도 하다. 경직성과 일관성인 이성주의와 구조주의를 반대하고, 소외되어 있는 감성, 비주류, 여성, 아이, 유색인등의 소수계층에 대한 관심을 가짐으로써 재조명을 취하자는 것이 탈구축의 주된 목적이다. 해체주의에 대한 비판적인 측면은 기존의 것을 단순히 해체하다 보니 부작용 또한 크다는 것이다. 즉, 기존의 구조를 해체하게 되면, 비효율성과 불편함을 가져오는 경우가 생겨난다. Das Wort Dekonstruktion (vgl. frz. déconstruction ‚Zerlegung, Abbau‘; ein Portmanteauwort aus „Destruktion“ und „Konstruktion“) bezeichnet eine Reihe von Strömungen in Philosophie, Philologie und Werkinterpretation seit den 1960er-Jahren. Dekonstruktivisten bemühen sich um den Nachweis, dass – und vor allem: wie – ein Text seine Bedeutung selbst hinterfragt, durchkreuzt und gerade mit solchen Paradoxien Sinn schafft, z. B. durch Widersprüche zwischen inhaltlicher Aussage und sprachlicher Form. Die Methode der Dekonstruktion ist ein kritisches Hinterfragen und Auflösen eines Textes im weiteren Sinn. Desconstrucció o desconstructivisme és un concepte que s'empra en la filosofia contemporània, la crítica literària i les ciències socials, i que denota un procés pel qual els textos i els llenguatges de la filosofia adquireixen un nou significat a la llum dels seus propis supòsits i absències. Jacques Derrida emprà per primer cop aquest terme els anys seixanta. 脱構築（だつこうちく、仏: déconstruction、英: deconstruction）は、「静止的な構造を前提とし、それを想起的に発見しうる」というプラトン以来の哲学の伝統的ドグマに対して、「我々自身の哲学の営みそのものが、つねに古い構造を破壊し、新たな構造を生成している」とする、20世紀哲学の全体に及ぶ大きな潮流のこと。 19世紀まで、を重視する英米哲学と、主観性や社会性を問題にする独仏哲学は、それぞれ独自に議論を重ねてきたが、この問題に至り、活発に相互参照と議論交流が起こる。しかしながら、脱構築という思想においては、「脱構築という思想そのものもまた、つねに脱構築され、つねに新たな意味を獲得していく」ということを意味しており、それぞれの哲学者によって、またその発言の機会によって、主張の主眼が異なる。だが、この不定形さを受容することそのものが、脱構築である。簡単に、哲学（の歴史）は静的な構築物ではなく、その全てが現在進行形のダイナミズムと化すのである。
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dbp:reason: If deconstruction only points to the necessity of unending analysis, next paragraph should not be included in the article, because it is a separate position of Derrida's, not one instrinsic to deconstruction
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dbo:abstract: The term deconstruction refers to approaches to understanding the relationship between text and meaning. It was introduced by the philosopher Jacques Derrida, who defined it as a turn away from Platonism's ideas of "true" forms and essences which take precedence over appearances, instead considering the constantly changing complex function of language, making static and idealist ideas of it inadequate. Deconstruction instead places emphasis on the mere appearance of language in both speech and writing, or suggests at least that essence as it is called is to be found in its appearance, while it itself is "undecidable", and everyday experiences cannot be empirically evaluated to find the actuality of language. Deconstruction argues that language, especially in idealist concepts such as truth and justice, is irreducibly complex, unstable and difficult to determine, making fluid and comprehensive ideas of language more adequate in deconstructive criticism. Since the 1980s, these proposals of language's fluidity instead of being ideally static and discernible have inspired a range of studies in the humanities, including the disciplines of law, anthropology, historiography, linguistics, sociolinguistics, psychoanalysis, LGBT studies, and feminism. Deconstruction also inspired deconstructivism in architecture and remains important within art, music, and literary criticism. 在歐陸哲學與文學批評中，解構主義（法語：déconstruction；英語：deconstruction）是由法國後結構主義哲學家德希達（Jacque Derrida）所創立的批評學派。德希達提出了一種他稱之為解構閱讀西方哲學的方法。大體來說，解構閱讀是一種揭露文本結構與其西方形上本質（Western metaphysical essence）之間差異的文本分析方法。解構閱讀呈現出文本不能只是被解讀成單一作者在傳達一個明顯的訊息，而應該被解讀為在某個文化或世界觀中各種衝突的體現。一個被解構的文本會顯示出許多同時存在的各種觀點，而這些觀點通常會彼此衝突。將一個文本的解構閱讀與其傳統閱讀來相比較的話，也會顯示出這當中的許多觀點是被壓抑與忽視的。解构主义流派反对结构主义，解构主义认为结构没有中心，结构也不是固定不变的，结构由一系列的差别组成。由于差别在变化，结构也跟随着变化，所以结构是不稳定和开放的。因此解构主义又被称为后结构主义。德里达认为文本没有固定的意义，作品的终极不变的意义是不存在的。解構分析的主要方法是去看一個文本中的二元對立（比如說，男性與女性、同性戀與異性戀），並且呈現出這兩個對立的面向事實上是流動與不可能完全分離的，而非兩個嚴格劃分開來的類別。而其通常結論便是，這些分類實際上不是以任何固定或絕對的形式存在著的。解構主義在學術界與大眾刊物中都極具爭議性。在學術界中，它被指控為虛無主義、寄生性太重以及太過瘋狂。而在大眾刊物中，它被當作是學術界已經完全與現實脫離的一個象徵。儘管有這些爭議的存在，解構主義仍舊是一個當代哲學與文學批評理論裡的一股主要力量。 Dekonstrukce je bourání, odstraňování, způsob filozofické práce, který rozvinul mimo jiné Jacques Derrida v návaznosti na Martina Heideggera. Svůj program dekonstrukce metafyziky zformuloval původně jako úlohu dekonstrukce v dějinách ontologie. Dekonstrukce je kritická ohledně tradic, ale tato kritika se odehrává ve jménu tradice. V dekonstrukci (jak ji rozvíjí francouzská filozofie obecně, nejen Derrida) jde o odhalování dvojího pojetí filozofie, podle Heideggera pojímané jednak jako myšlení a jednak jako tradici. Francouzská filozofie se od poloviny šedesátých let 20. století snaží ukázat příslušnost filozofické tradice k tradici celkově a zároveň zkoumat, jak tato formace rozvíjí možnost myšlení. Tento úkol se orientuje jednak monograficky (Karel Marx, Georg Wilhelm Friedrich Hegel, Immanuel Kant) a jednak tematicky (písmo, umění, politika, dějiny). Podle Derridy je dekonstrukce analýza tradovaných významových útvarů až do doby, kdy nebudou odhaleny jejich skryté a potlačené předpoklady. Pojem dekonstrukce zprvu ve větší míře zazníval především v americké literární vědě, pro samotného Derridu je dekonstrukce výrazem pro změnu pořádku racionality, v níž žijeme. Idea dekonstrukce byla vedoucí myšlenkou při založení Collége International de Philosophie v Paříži v roce 1983 pod Derridovým vedením. Tento ústav má mimo akademickou hierarchii a na interdisciplinární úrovni udržovat otevřenou možnost svobodného filozofického výzkumu. Dekonstrukcja, dekonstrukcjonizm lub dekonstruktywizm – podejście filozoficzne i zbiór pojęć stworzonych przez Jacquesa Derridę ok. 1960 roku. Odnosi się do wielości możliwych interpretacji i odczytań języka i wytworów kultury. Zwraca uwagę na to, co sam tekst i język podkreśla jako istotne, ale także to, co pomija. Jacques Derrida twierdził, że dekonstruktywizm nie jest kierunkiem filozoficznym ani nową szkołą myślenia, a jedynie sposobem odbioru tekstu. Komentatorzy i kontynuatorzy Derridy stworzyli jednak charakterystyczny, odrębny nurt w filozofii. Jak twierdził sam Derrida, „nie ma nic poza tekstem”, i każdy komentarz na temat dzieła, także pochodzący od autora, jest jedynie przyczynkiem, kolejnym odrębnym tekstem podlegającym interpretacjom, lecz bynajmniej nie uprzywilejowanym. Termin dekonstrukcja nie ma precyzyjnej definicji, także dlatego, że unikał jej sam autor, czerpiąc zarówno z twórczości Heideggera (i jego pojęcia ), jak i z idei Innego u Lévinasa. Choć sam autor terminu nie uważał się za postmodernistę, dekonstruktywizm uważany jest za jedno z kluczowych podejść w ramach tego kierunku badań społecznych i filozofii. Ponieważ dekonstrukcja jest także sposobem interpretacji i kultury, jest obecna zarówno w filozofii, jak i w antropologii, socjologii, a także w literaturoznawstwie. Деконстру́кция (от лат. de- «сверху вниз; обратно» + constructio «сооружение; осмысление») — понятие современной философии и искусства, означающее понимание посредством разрушения стереотипа или включения в новый контекст. Исходит из предпосылки, что смысл конструируется в процессе прочтения, а привычное представление либо лишено глубины (тривиально), либо навязано репрессивной инстанцией автора. Поэтому необходима провокация, инициирующая мысль и освобождающая скрытые смыслы текста, не контролируемые автором. Концепцию деконструкции разработал Жак Деррида, однако она восходит к понятию деструкции Хайдеггера — отрицания традиции истолкования с целью выявления сокрытий смысла. Понятие деконструкции было усилено психоаналитическими, дзэн-буддистскими и марксистскими аллюзиями. Dekonstrukzioa filosofia garaikidearen metodo bat da, kontzeptuen bilakaera historikoa aztertzeko testuen analisia lehenesten duena. Filosofia, literatura edo bestelako testuak zorrotz aztertzen ditu, haien hutsuneak eta zentzu nahasketak azaleratzeko, adierazpen iradokiak eta adierazten ez dena ardatz edukita. Testuen azterketaz diharduen teoria postestrukturalista da dekonstrukzioa, 1960ko hamarraldian zabaldu zena. Dekonstrukzioak frogatu nahi du testuen oinarriak berez konplexuak, ezegonkorrak edo ezinezkoak direla. Hau da, testuek esanahi kontraesankorrak eta bateraezinak dauzkate, eta interpretazio bat baino gehiago dituzte. Hortaz, interpretazioa ezin da puntu jakin batez harago joan. Derridak "aporia" deitu zion puntu horri. honela deskribatu zuen dekonstrukzioa: Dekonstrukzio terminoa Heideggerrek erabili zuen lehendabiziz, baina Derridaren lanagatik bilakatu zen ohiko haren erabilpena. O termo desconstrução refere-se a abordagens para entender a relação entre texto e significado . Foi originado pelo filósofo Jacques Derrida , que o definiu como um afastamento das ideias do platonismo de formas e essências "verdadeiras" que têm precedência sobre as aparências, ao invés de considerar a função complexa e em constante mudança da linguagem, tornando ideias estáticas e idealistas de é inadequado. A desconstrução, em vez disso, enfatiza a mera aparência da linguagem tanto na fala quanto na escrita, ou sugere pelo menos que a essência, como é chamada, deve ser encontrada em sua aparência, enquanto ela mesma é "indecidível" e as experiências cotidianas não podem ser avaliadas empiricamente para encontrar a realidade da linguagem. A desconstrução argumenta que a linguagem, especialmente em conceitos idealistas como verdade e justiça, é irredutivelmente complexa, instável e difícil de determinar, tornando as ideias de linguagem fluidas e abrangentes mais adequadas à crítica desconstrutiva. Desde a década de 1980, essas propostas de fluidez da linguagem, em vez de serem idealmente estáticas e discerníveis, inspiraram uma série de estudos nas ciências humanas , incluindo as disciplinas do direito, antropologia, historiografia, linguística, sociolinguística, psicanálise, estudos LGBT e feminismo. A desconstrução também inspirou o desconstrutivismo na arquitetura e continua sendo importante na arte, na música e na crítica literária. É um conceito elaborado por Jacques Derrida, como uma crítica de pressupostos dos conceitos filosóficos, onde ocorrem muitas dúvidas devido ao grau de dificuldade oferecido pela matéria. Dekonstruksi adalah suatu pemikiran untuk memahami kontradiksi yang ada di dalam teks dan mencoba untuk membangun kembali makna-makna yang sudah melekat dalam teks tersebut. Pemikiran mengenai dekonstruksi tidak menerima suatu teks secara konstan sesuai dengan makna teks tersebut. Pemikiran dekonstruksi percaya bahwa suatu teks pasti memiliki makna-makna yang tersembunyi dan memiliki arti yang berbeda. Oleh karena itu, pemikiran dekonstruksi membutuhkan proses mencari makna secara struktural dari makna tunggal yang telah umum disepakati oleh para pembaca. Dalam penulisan naskah sejarah, para peneliti tidak menemukan semua sumber sejarah secara langsung dan lengkap. Sedangkakan teori dan metodologi penulisan sejarah terus berkembang. Oleh karena itu penulisan sejarah sering dilakukan kembali. Jadi metode dekonstruksi dalam penulisan sejarah biasa dilakukan, demi mencapai sebuah kebenaran yang bisa dipertanggungjawabkan. Sedangkan dalam penelitian karya sastra, dekonstruksi merupakan salah satu jenis kritik sastra yang memutarbalikkan suatu makna hingga bersifat paradoks. Hal ini dimaksudkan untuk mengetahui secara keseluruhan isi dari karya sastra tersebut secara mendalam. Pemikiran mengenai dekonstruksi dirintis oleh Jacques Derrida. Pemikiran dekonstruksi merupakan kunci dari pemikiran postmodernisme. Derrida menganggap bahwa teori ilmu pengetahuan berkembang secara kaku, hingga tidak bisa dibantah. Pemikiran Derrida beranggapan suatu ilmu pengetahuan bisa dikaji ulang kebenarannya tidak mutlak, dan harus bisa dibuktikan kebenarannya. Das Wort Dekonstruktion (vgl. frz. déconstruction ‚Zerlegung, Abbau‘; ein Portmanteauwort aus „Destruktion“ und „Konstruktion“) bezeichnet eine Reihe von Strömungen in Philosophie, Philologie und Werkinterpretation seit den 1960er-Jahren. Dekonstruktivisten bemühen sich um den Nachweis, dass – und vor allem: wie – ein Text seine Bedeutung selbst hinterfragt, durchkreuzt und gerade mit solchen Paradoxien Sinn schafft, z. B. durch Widersprüche zwischen inhaltlicher Aussage und sprachlicher Form. Die Methode der Dekonstruktion ist ein kritisches Hinterfragen und Auflösen eines Textes im weiteren Sinn. Sie wird oft auch als Dekonstruktivismus bezeichnet. Dies ist eine distanzierende Bezeichnung durch außenstehende Autoren. Der Philosoph Jacques Derrida hat die Dekonstruktion kritisch von „Dekonstruktivismus oder Dekonstruktivismen“ als dogmatischen Erscheinungsformen unterschieden. Der Begriff wurde von Derrida als Bezeichnung für ein Lektüre- und Analyseverfahren von Texten geprägt, das sich von hermeneutischen Theorien und deren Praxis der Interpretation abgrenzt. Ein ähnlicher Ansatz findet sich in den Yale Critics von Harold Bloom, Geoffrey Hartman, Paul de Man und , die darum bemüht sind, den „Deutungswahn“ zu zerstören. Der Unterschied zwischen hermeneutischen und dekonstruktiven „Textbefragungen“ besteht darin, dass die Hermeneutik von einem quasi dialogischen Verhältnis zwischen Text und Interpret ausgeht, das auf ein zunehmend besseres Verständnis einer im Text enthaltenen Botschaft abzielt. Dabei wird eine rekonstruierbare Sinneinheit, ein Sinnzusammenhang, unterstellt. Desconstrucció o desconstructivisme és un concepte que s'empra en la filosofia contemporània, la crítica literària i les ciències socials, i que denota un procés pel qual els textos i els llenguatges de la filosofia adquireixen un nou significat a la llum dels seus propis supòsits i absències. Jacques Derrida emprà per primer cop aquest terme els anys seixanta. El terme s'ha estès a l'arquitectura, en què es refereix als edificis que trenquen amb el volum únic i la geometria ordinària. Per la seva banda, el concepte en arquitectura ha inspirat per anomenar, en cuina, el fet de cuinar i emplatar diferentment, també trencant amb un volum únic i separant els elements en altres formes, textures, temperatures diferents que se surten de l'ordinari. Dekonstruktion avser en filosofisk och litteraturvetenskaplig term med ursprung i poststrukturalismen och den algerisk-franske filosofen Jacques Derrida. Begreppet dekonstruktion är mångtydigt och Derrida ville aldrig lämna en strikt definition på vad dekonstruktion egentligen är. En beskrivning är att dekonstruktion är ett slags frigörande tolkning av texter med syfte att dels försöka finna dolda antaganden bakom texten, dels ge texter nytt liv och innebörd genom att de placeras i ett nytt sammanhang. En utgångspunkt är att kulturer, språk och samhällen är i ständig förändring. Betydelsen av ett ord eller en text är beroende av dess kontext (jämför diskurs och språkspel). Därför går det inte att slå fast att ett visst ord eller en viss text har en fast betydelse eller alltid syftar på ett särskilt ting utanför texten (det vill säga i verkligheten). Dekonstruktionen försöker visa hur alla texter bär på motsägelser som kan ligga dolda vid en första anblick. Deconstructie (ook: deconstructionisme en deconstructivisme) is een leeswijze waarmee gepoogd wordt vooronderstellingen te ontdekken in teksten. Het filosofische begrip vond zijn ontstaan in de jaren zestig van de 20e eeuw als reactie op het structuralisme, dat in de eerste helft van de 20e eeuw dominant was geweest in taalkunde, antropologie en literaire kritiek. De Frans-Algerijnse denker Jacques Derrida legde de basis van het begrip “deconstructie” met onder meer La voix et le phénomène (1967) en La dissémination (1972). Derrida's gedachtegang achter deconstructie is dat men de westerse metafysica kan blootleggen door het “deconstrueren” van de logica ervan. Toch is deconstructie geen eigenlijke leesmethode: een tekst laat zich door zijn interne logica op een bepaalde manier lezen en “deconstrueert” zo zichzelf. In literaire of filosofische teksten vindt men paradoxen en tegenstrijdigheden, en de tekstdeconstructie laat zien in welke mate deze tegengestelde begrippen vervlochten zijn. In de jaren zeventig kregen Derrida's ideeën navolging in de architectuur- en designstroming deconstructivisme. Ook in de sociale wetenschappen en in de literaire kritiek hebben ze grote invloed. Деконструкція — підхід до аналізу тексту, запропонований французьким філософом Жаком Дерріда, суть якого у виявленні в тексті прихованих суперечностей з метою показати можливість неоднозначної його інтерпретації. Дерріда ухиляється від точного визначення деконструкції, оскільки для цього потрібно було б використовувати ту ж мову, яку він критикує. Деконструкція використовується в сучасній філософії та літературній критиці. Підхід здобув популярність в Сполучених Штатах і Європі, ставши складовою частиною та континентальної філософії. Важливий внесок у розробку філософської концепції деконструкції зробила французька філософиня Сара Кофман. Deconstrucción es un enfoque utilizado para comprender la relación entre texto y significado. Fue originado por el filósofo Jacques Derrida, quien definió el término de diversas formas a lo largo de su carrera. En su forma más simple, puede considerarse como una crítica del platonismo y la idea de formas verdaderas, o esencias, que tienen prioridad sobre las apariencias. La deconstrucción, en cambio, pone el énfasis en la apariencia, o sugiere, al menos, que la esencia se encuentra en la apariencia. Derrida diría que la diferencia es "indecidible", en el sentido de que no se puede discernir en las experiencias cotidianas. La deconstrucción percibe que el lenguaje, especialmente los conceptos ideales como verdad y justicia, es irreductiblemente complejo, inestable o imposible de determinar. Muchos debates de la filosofía continental en torno a la ontología o metafísica, la gnoseología o epistemología, la ética o moral, la estética, la hermenéutica y la filosofía del lenguaje se refieren a las observaciones de Derrida. Desde la década de 1980, estas observaciones han inspirado una serie de empresas teóricas en las humanidades, incluidas las disciplinas del derecho, antropología, historiografía, lingüística, sociolingüística, psicoanálisis, estudios LGBT y feminismo. La deconstrucción también inspiró el deconstructivismo en la arquitectura y sigue siendo importante en el arte, la música y la crítica literaria. 脱構築（だつこうちく、仏: déconstruction、英: deconstruction）は、「静止的な構造を前提とし、それを想起的に発見しうる」というプラトン以来の哲学の伝統的ドグマに対して、「我々自身の哲学の営みそのものが、つねに古い構造を破壊し、新たな構造を生成している」とする、20世紀哲学の全体に及ぶ大きな潮流のこと。 19世紀まで、を重視する英米哲学と、主観性や社会性を問題にする独仏哲学は、それぞれ独自に議論を重ねてきたが、この問題に至り、活発に相互参照と議論交流が起こる。しかしながら、脱構築という思想においては、「脱構築という思想そのものもまた、つねに脱構築され、つねに新たな意味を獲得していく」ということを意味しており、それぞれの哲学者によって、またその発言の機会によって、主張の主眼が異なる。だが、この不定形さを受容することそのものが、脱構築である。簡単に、哲学（の歴史）は静的な構築物ではなく、その全てが現在進行形のダイナミズムと化すのである。 Η αποδόμηση είναι όρος της φιλοσοφίας, της λογοτεχνικής κριτικής, και των κοινωνικών επιστημών, που ήρθε στη δημοσιότητα μέσω της χρήσης του από το φιλόσοφο Ζακ Ντεριντά κατά τη δεκαετία του '60. Με τον όρο "αποδόμηση" εννοείται η λεπτομερής ανάγνωση κειμένων με στόχο την υπόδειξη ότι κάθε δεδομένο κείμενο, αντί να είναι ένα ενωμένο όλο, έχει αδιάλλακτα αντιφατικά νοήματα. Όπως ο J. Hillis Miller, διαπρεπής Αμερικανός που εξάσκησε την αποδόμηση, έχει εξηγήσει σε ένα δοκίμιό του , "αποδόμηση δεν είναι το να αποσυναρμολογήσεις τη δομή ενός κειμένου, αλλά μία υπόδειξη ότι το ίδιο το κείμενο έχει αποσυναρμολογήσει τον εαυτό του. Αυτό που φαίνεται ως η συμπαγής του βάση δεν είναι βράχος, αλλά αέρας". Η αποδόμηση ορίζει το κείμενο ως κάτι το νόημα του οποίου γνωρίζεται μόνο μεσω διαφοράς. Η γλώσσα είναι αυθαίρετη· οι αξιώσεις και προθέσεις ενός κειμένου για αλήθεια υπονομεύονται από τις ίδιες του τις αντιφάσεις· το νόημα είναι εντέλει ακαθόριστο. Ο σκοπός της αποδόμησης είναι ότι επιτρέπει να δει κανείς μέσα από την υποτιθέμενη σταθερότητα του νοήματος ενός κειμένου· το νόημα του κειμένου δεν είναι πεπερασμένο· στενή προσοχή στο παιχνίδι της γλώσσας αποφέρει τέρψη. Ο Ντεριντά ανάπτυξε τον όρο "αποδόμηση" για να συνδεθεί με τη Φαινομενολογία, τη δομική γλωσσολογία, την πολιτική, την αισθητική, το φεμινισμό και τη λογοτεχνία της δεκαετίας του '60, και η χρησιμότητα του όρου έχει έκτοτε διευρυνθεί. Ο αποδομισμός, επίσης, συνδέεται με την κριτική παράδοση της ερμηνευτικής επιστήμης αφού μεταχειρίζεται την ερμηνεία κειμένων και της έμφυτης κριτικής καθώς υποδεικνύει αντιφάσεις που ήδη λειτουργούν μέσα στο κείμενο. 탈구축(脫構築, deconstruction)은 텍스트와 의미의 상호관계를 이해하려는 하나의 기호학적 분석 방법으로, 탈구조, 해체, 해체주의, 해체이론 등으로도 부른다. 기원은 프랑스 철학자 자크 데리다의 1967년 저서 그라마톨로지(Of Grammatology)로, 이 연구에서 데리다는 이항대립이 의미와 가치의 구축에 쓰이는 모든 텍스트의 탈구축을 제안하였다. 탈구축은 서구 형이상학의 해체작업이자 일종의 자기비판으로서 의의를 가지고 있으며, 포스트모더니즘의 대표적인 키워드이기도 하다. 경직성과 일관성인 이성주의와 구조주의를 반대하고, 소외되어 있는 감성, 비주류, 여성, 아이, 유색인등의 소수계층에 대한 관심을 가짐으로써 재조명을 취하자는 것이 탈구축의 주된 목적이다. 해체주의에 대한 비판적인 측면은 기존의 것을 단순히 해체하다 보니 부작용 또한 크다는 것이다. 즉, 기존의 구조를 해체하게 되면, 비효율성과 불편함을 가져오는 경우가 생겨난다. Il decostruzionismo è un concetto introdotto nella filosofia occidentale da Jacques Derrida; esso risponde all'esigenza di tradurre linguisticamente e semanticamente l'invito heideggeriano alla Destruktion dei concetti della metafisica.Per quanto Derrida si sottragga a ogni tentativo di definizione della decostruzione, essa può essere descritta come confronto serrato con i testi e gli autori della filosofia occidentale nell'intento di mettere in luce i presupposti impliciti, i pregiudizi nascosti, le contraddizioni latenti della cultura e del linguaggio che, non troppo consapevolmente, l'uomo adotta. كما صاغها الفيلسوف جاك دريدا، التفكيكية هي أسلوب فهم العلاقة بين النص والمعنى. يتكون أسلوب دريدا من ربط قراءات النص بأذن لما يناقض المعنى المقصود أو الوحدة الهيكلية لنص معين. هدف التفكيكية هو إظهار أن استخدام اللغة في نص ما واللغة ككل معقد غير قابل للتبسيط، وغير مستقر، أو مستحيل. من خلال قراءاته، كان دريدا يأمل أن يُظهر التفكيكية عمليا. تشير العديد من المناظرات في الفلسفة القارية المحيطة بعلم الوجود ونظرية المعرفة وعلم الأخلاق وفلسفة الجمال وعلم التأويل وفلسفة اللغة، تشير إلى ملاحظات دريدا. منذ الثمانينات، ألهمت هذه الملاحظات سلسلة واسعة من المشاريع النظرية في الإنسانيات، بما في ذلك مجالات القانون وعلم الإنسانيات وعلم التأريخ واللسانيات وعلم اللغات الاجتماعية والتحليل النفسي ودراسات أحرار الجنس، والمدرسة النسوية الفكرية. ألهمت التفكيكية أيضا التفكيكية في العمارة وظلت هام في الأدب والموسيقى والنقد الأدبي. اعتُبرت التفكيكية مصطلحاً أُسيء فهمه وذلك لعدم تقديمه بصورته التاريخية والأدبية الفلسفية إضاقةً إلى ذلك فمصدر التفكيك هو فك الارتباط بين اللغة وكل ما يقع خارجها. قُدمت التفكيكية على يد جاك دريدا في ثلاث كُتب صدرت عانم 1967 فحولت مجري التفكير النقدي البنيوي ووسعت مجاله حتّى أُطلق على منتهجي هذا التيار بأتباع الحركة ما بعد البنيوية أما الحركة النقدية نفسها التي رفع رايتها من يسمون بأصحاب وهم بول دي مان فلم يكتب لها البقاء حيث كانت وبعكس البنيوية تأخذ منهج النكران بدون الإثبات. ابتدأ دريدا نقده من خلال الوصول بالطرق التقليدية لرسم صورة واضحة لمشكلة الإحالة أي قدرة اللفظ على إحالتنا لشيئ ما خارجه، فدريدا يُنكر أنّ اللّغة منزل الوجود ومعنى هذا المًصطلح حسب وجهة نظره الثقافة التي صنعها الإنسان والطبيعة التي صنعها الله، أي أنّ اللغة لن تصبح أبداً نافذة شفافة على العالم لنراه على حقيقته كما يعتقد الفلاسفة الحداثييون واعتبر أن محاولتهم لمواصلة هذا الطريق «عبث لا طائل من ورائه» وهو تعبير عن الحنين إلى ماضِ من اليقين المزيف. في حين تنتشر في أوروبا القارية (وحيثما انتشرت الفلسفة القارية)، إلا أن التفكيكية غير متبناه أو مقبولة في معظم أقسام الفلسفة في الجامعات التي تسودها الفلسفة التحليلية. La déconstruction (ou le déconstructionnisme) est une pratique d'analyse de texte qui vise à révéler les confusions de sens par l'analyse des postulats sous-entendus et les omissions. Apparue dans les milieux universitaires dans les années 1960, elle participe à la fois de la philosophie et de la littérature ; elle a eu un grand écho aux États-Unis, où elle est assimilée à la philosophie postmoderne, et plus globalement à l'approche divergente de la philosophie continentale d'Europe. Si le terme « déconstruction » a d'abord été utilisé par Heidegger, c'est Derrida qui en a systématisé l'usage et théorisé la pratique.
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