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Statements

Subject Item
dbr:Robert_Wilson_(director)
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dbr:The_Flight_Across_the_Ocean
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yago:WikicatOperasByMultipleComposers yago:DramaticComposition107007684 yago:Opera107026352 yago:WikicatGerman-languageOperas yago:AuditoryCommunication107109019 yago:MusicGenre107071942 yago:WikicatOperas yago:Abstraction100002137 yago:Music107020895 yago:Wikicat1929Operas yago:ClassicalMusic107025900 owl:Thing yago:WikicatOperasByKurtWeill yago:WikicatOperasByPaulHindemith yago:WrittenCommunication106349220 yago:WikicatGermanPlays dbo:Play yago:Writing106362953 yago:Play107007945 yago:ExpressiveStyle107066659 yago:Communication100033020 yago:WikicatPlaysByBertoltBrecht
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Il volo oceanico The Flight Across the Ocean Der Ozeanflug Der Lindberghflug
rdfs:comment
Der Lindberghflug (El vuelo de Lindbergh, en español) es un del dramaturgo Bertolt Brecht, inspirado por We, el relato de Charles Lindbergh del año 1927 de su vuelo transatlántico. Fue escrita para el , y se estrenó en 1929 con música de Kurt Weill y Paul Hindemith en una retransmisión por la Orquesta de la Radio del suroeste de Alemania bajo la dirección de Hermann Scherchen.​ Il volo oceanico (Der Ozeanflug - Ein Radiolehrstück für Knaben und Mädchen) è un dramma didattico in 17 brevi sezioni in versi irregolari per recitazione e canto di Bertolt Brecht, pubblicato nel 1929. Scritto per il Festival Musicale di Baden-Baden, era originariamente intitolato Der Lindberghflug (Il volo di Lindbergh), e fu presentato in anteprima nel 1929 con musiche di Kurt Weill e Paul Hindemith in una trasmissione radiofonica, eseguita dall'Orchestra sinfonica di Baden-Baden e Friburgo, sotto la direzione di Hermann Scherchen. Der Ozeanflug ist ein experimentelles musikalisches Hörbild aus dem Jahre 1929 mit einem Text von Bertolt Brecht. The Flight across the Ocean (German: Der Ozeanflug) is a Lehrstück by the German dramatist Bertolt Brecht, inspired by We, Charles Lindbergh's 1927 account of his transatlantic flight in the plane Spirit of St. Louis. Written for the Baden-Baden Music Festival, it was originally entitled Lindbergh's Flight (Der Lindberghflug) and premiered in 1929 with music by Kurt Weill and Paul Hindemith in a broadcast by the Frankfurter Rundfunk-Symphonie-Orchester under the direction of Hermann Scherchen and produced by Ernst Hardt.
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German
dbp:nativeName
Der Ozeanflug
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dbp:premiereDate
1929
dbp:type
dbr:Lehrstücke
dbo:abstract
Il volo oceanico (Der Ozeanflug - Ein Radiolehrstück für Knaben und Mädchen) è un dramma didattico in 17 brevi sezioni in versi irregolari per recitazione e canto di Bertolt Brecht, pubblicato nel 1929. Scritto per il Festival Musicale di Baden-Baden, era originariamente intitolato Der Lindberghflug (Il volo di Lindbergh), e fu presentato in anteprima nel 1929 con musiche di Kurt Weill e Paul Hindemith in una trasmissione radiofonica, eseguita dall'Orchestra sinfonica di Baden-Baden e Friburgo, sotto la direzione di Hermann Scherchen. Poco dopo, Weill sostituì le sezioni di Hindemith con la sua musica e questa nuova versione (descritta come una 'cantata per soli, coro e orchestra') fu presentata al Teatro Kroll di Berlino il 5 dicembre 1929, diretta da Otto Klemperer. Brecht cambiò il titolo in occasione della messa in onda del dramma dall'emittente Süddeutscher Rundfunk di Stoccarda nel 1950 per esprimere il suo dissenso verso l'adesione di Charles Lindbergh al partito Nazional-socialista tedesco; con una lettera datata 3 gennaio, Brecht indicava le sostituzioni da apportare al testo e pubblicava un prologo da recitare anche nelle successive rappresentazioni. Der Ozeanflug ist ein experimentelles musikalisches Hörbild aus dem Jahre 1929 mit einem Text von Bertolt Brecht. The Flight across the Ocean (German: Der Ozeanflug) is a Lehrstück by the German dramatist Bertolt Brecht, inspired by We, Charles Lindbergh's 1927 account of his transatlantic flight in the plane Spirit of St. Louis. Written for the Baden-Baden Music Festival, it was originally entitled Lindbergh's Flight (Der Lindberghflug) and premiered in 1929 with music by Kurt Weill and Paul Hindemith in a broadcast by the Frankfurter Rundfunk-Symphonie-Orchester under the direction of Hermann Scherchen and produced by Ernst Hardt. Shortly afterwards, Weill replaced the Hindemith sections with his own music and this new version (described as a "cantata for soloists, chorus and orchestra") opened at Berlin's Kroll Theatre on 5 December 1929, conducted by Otto Klemperer. The play was enlarged as Der Flug der Lindbergh in 1930, but the new portion was not set to music. In December 1949, Brecht removed Lindbergh's name from the play for an upcoming production by the Südwestrundfunk. He also added a new preface denouncing Lindbergh's contributions to the technology of terror bombing as well as his wartime isolationism and his widely perceived Nazi sympathies. The original line "Mein Name ist Charles Lindbergh" [My name is Charles Lindbergh] became "Mein Name tut nichts zur Sache" [My name doesn't matter]. Der Lindberghflug (El vuelo de Lindbergh, en español) es un del dramaturgo Bertolt Brecht, inspirado por We, el relato de Charles Lindbergh del año 1927 de su vuelo transatlántico. Fue escrita para el , y se estrenó en 1929 con música de Kurt Weill y Paul Hindemith en una retransmisión por la Orquesta de la Radio del suroeste de Alemania bajo la dirección de Hermann Scherchen.​ Poco después, Weill reemplazó las secciones de Hindemith con su propia música y esta nueva versión (descrita como una "cantata para solistas, coro y orquesta") se estrenó en el de Berlín el 5 de diciembre de 1929, dirigida por Otto Klemperer. La obra fue ampliada como Der Flug der Lindbergh en 1930, pero la nueva porción no fue musicada. En 1950 Brecht eliminó el nombre de Lindbergh para una producción por la Südwestrundfunk, añadiéndole un prefacio denunciando las contribuciones de Lindbergh a la tecnología del así como su en época de guerra y supuestas simpatías nazis. La línea original "Mi nombre es Charles Lindbergh" se convirtió en "Mi nombre no importa".​ El título definitivo pasó a ser Der Ozeanflug (El vuelo sobre el océano).
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