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dbr:Dondang_Sayang
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Dondang Sayang Dondang sayang Dondang Sayang
rdfs:comment
Dondang Sayang literally love ballad, originated in Malacca sometime in the 15th century, influenced by traditional Portuguese folk music. It is a traditional Malay form of entertainment where Baba and Nyonya singers exchange extemporaneous Malay Pantun (poetry), in a lighthearted and sometimes humorous style. The singers are normally accompanied by a violin, two Malay rebana (drums), and a tetawak (gong). These instruments are often supplemented by other available instruments, most notably, accordions, flutes, or an additional violin. It is also associated with the Ronggeng dance. O dondang sayang é uma arte musical tradicional da Malásia. É praticada no estado costeiro de Melaka por quatro comunidades locais: malaios, os Baba Nyonya, os Chitty e os portugueses. Esta arte consiste em interpretar canções e rimas poéticas melodiosas ao som de violinos, gongos, pandeiretas e timbales. As comunidades cantam essas canções, chamadas "baladas amorosas", para expressar sentimentos de afeto e conselhos generosos sobre questões como amor e generosidade. No século XV, na época do Sultanato de Melaka, esta arte musical e vocal era executada apenas durante cerimónias e eventos realizados no palácio do soberano, mas mais tarde foi-se espalhando entre a população. Segundo a tradição, as performances são acompanhadas por canções e poemas compostos em quartetos que incluem um homem Dondang Sayang adalah nyanyian perantaraan yang persembahannya diiringi oleh permainan alat-alat musik Melayu asli dan modern. Dondang Sayang dipercaya muncul di Melaka pada zaman Kesultanan Melayu Melaka pada abad ke-15.Kesenian ini juga tumbuh subur di Indonesia, terkhusus di pesisir timur Sumatra. Itu terjadi dikarenakan pesisir timur Sumatra seperti Riau, Aru (Deli) pernah dikuasai oleh Melaka. * l * b * s
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Dondang Sayang
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1410
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Dondang Sayang
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2018
dbo:abstract
Dondang Sayang adalah nyanyian perantaraan yang persembahannya diiringi oleh permainan alat-alat musik Melayu asli dan modern. Dondang Sayang dipercaya muncul di Melaka pada zaman Kesultanan Melayu Melaka pada abad ke-15.Kesenian ini juga tumbuh subur di Indonesia, terkhusus di pesisir timur Sumatra. Itu terjadi dikarenakan pesisir timur Sumatra seperti Riau, Aru (Deli) pernah dikuasai oleh Melaka. * l * b * s O dondang sayang é uma arte musical tradicional da Malásia. É praticada no estado costeiro de Melaka por quatro comunidades locais: malaios, os Baba Nyonya, os Chitty e os portugueses. Esta arte consiste em interpretar canções e rimas poéticas melodiosas ao som de violinos, gongos, pandeiretas e timbales. As comunidades cantam essas canções, chamadas "baladas amorosas", para expressar sentimentos de afeto e conselhos generosos sobre questões como amor e generosidade. No século XV, na época do Sultanato de Melaka, esta arte musical e vocal era executada apenas durante cerimónias e eventos realizados no palácio do soberano, mas mais tarde foi-se espalhando entre a população. Segundo a tradição, as performances são acompanhadas por canções e poemas compostos em quartetos que incluem um homem e uma mulher extremamente bons na recitação de poemas. Todas as pessoas, independentemente da sua idade, profissão, estatuto social e crenças religiosas, podem participar nas representações deste elemento do património cultural que transmite mensagens positivas e a partilha de sentimentos, alegrias e tristezas, fortalecendo assim os laços que unem as comunidades. As representações desta arte tradicional são celebradas regularmente e acontecem especialmente para reuniões, festividades e festivais. Além disso, são organizados vários programas, cursos e atividades culturais para pessoas que querem praticar e melhorar a sua execução. Desde 2018 que o dondang sayang integra a lista representativa do Património Cultural Imaterial da Humanidade Dondang Sayang literally love ballad, originated in Malacca sometime in the 15th century, influenced by traditional Portuguese folk music. It is a traditional Malay form of entertainment where Baba and Nyonya singers exchange extemporaneous Malay Pantun (poetry), in a lighthearted and sometimes humorous style. The singers are normally accompanied by a violin, two Malay rebana (drums), and a tetawak (gong). These instruments are often supplemented by other available instruments, most notably, accordions, flutes, or an additional violin. The chief musician is usually the violinist who plays a primary role in dondang sayang, providing a counter melody to the vocal melody. Musicians may switch instruments in between performances, but the violinist seldom does, although this is permitted. If there are musicians to spare, up to 5 rebana may be used. Sometimes, the rebana may be substituted by the tambour and barrel drum or even the kompang. The music is slow, and a song usually consists of 32 bars, beginning with a violin introduction, with the rebana and then the gong entering, and the voice finally entering in bar 5. Its style is somewhat informal and its lyrics usually consist of love poems. (Ahmad Usop 1984). The musical instruments may also be augmented with an accordion (Shafiee Ahmad 1992). It is also associated with the Ronggeng dance.
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