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Statements

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dbr:Pre-Raphaelite_Brotherhood
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dbr:American_Pre-Raphaelites
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American Pre-Raphaelites
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The American Pre-Raphaelites was a movement of landscape painters in the United States during the mid-19th century. It was named for its connection to the Pre-Raphaelite Brotherhood and for the influence of John Ruskin on its members. Painter Thomas Charles Farrer led the movement, and many members were active abolitionists. Their work together was short-lived, and the movement had mostly dissolved by 1870.
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American Pre-Raphaelites
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dbc:Realism_(art_movement) dbc:Landscape_painting dbc:American_art_movements dbc:Pre-Raphaelite_Brotherhood
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n8:William_Trost_Richards_-_Sunset_on_the_Meadow_-_1996.194_-_Museum_of_Fine_Arts.jpg?width=300
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William Trost Richards, Sunset on the Meadow, 1861, oil on canvas
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The American Pre-Raphaelites was a movement of landscape painters in the United States during the mid-19th century. It was named for its connection to the Pre-Raphaelite Brotherhood and for the influence of John Ruskin on its members. Painter Thomas Charles Farrer led the movement, and many members were active abolitionists. Their work together was short-lived, and the movement had mostly dissolved by 1870. The American Pre-Raphaelites used a vivid, realistic style and, unlike their English counterparts, avoided figurative paintings in favor of landscapes and still lifes. American Pre-Raphaelites promoted still lifes and natural settings for paintings in the 1860s.
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