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Vesperae solennes de confessore (Solemn Vespers for a Confessor), K. 339, is a sacred choral composition, written by Wolfgang Amadeus Mozart in 1780. It is scored for SATB choir and soloists, violin I, violin II, 2 trumpets, 3 trombones colla parte, 2 timpani, and basso continuo (violoncello, double bass, and organ, with optional bassoon obbligato).

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  • Les Vesperæ solennes de confessore (en català, Vespres solemnes de confessor) en do major, K. 339, van ser compostes per Wolfgang Amadeus Mozart en 1780. L'obra va ser composta durant l'etapa en què Mozart va ocupar el lloc de compositor de la cort del príncep-arquebisbe de Salzburg, . (ca)
  • Die Vesperae solennes de Confessore KV 339 wurden 1780 von Wolfgang Amadeus Mozart komponiert. Sie folgen der katholischen Liturgie für eine Vesper und umfassen sechs Sätze, darunter fünf Psalmen aus dem Alten Testament und das Magnificat aus dem Lukasevangelium. Alle Sätze enden mit der Doxologie Gloria Patri. Die Bezeichnung de Confessore weist darauf hin, dass die Vesperae am Abend des liturgischen Festtags eines heiligen Bekenners (confessor), z. B. eines heiligen Bischofs, gebetet oder gesungen wurden, solennes bedeutet „feierlich“ und weist auf eine Orchesterbesetzung mit Pauken und Trompeten hin. Die liturgischen Texte der Vesper an Bekennerfesten wurden an zahlreichen Tagen gebraucht, da Bekennerfeste im Kirchenjahr häufig waren, und ihre Vespern waren vor der Brevierreform Pius' X. nicht nur in den Antiphonen, sondern auch in den Psalmen identisch. Die Vesperae sind für Solisten (Sopran, Alt, Tenor und Bass), vierstimmigen Chor, 2 Trompeten, Pauken, 3 Posaunen, 2 Violinen und Generalbass (Violoncello, Kontrabass, Fagott und Orgel) komponiert. Besonders bekannt ist die Sopranarie Laudate Dominum, die in Originalbesetzung und in Bearbeitungen vielfach auch einzeln aufgeführt wird. Die Sätze sind: 1. * Dixit (Ps 110 (109) ) 2. * Confitebor (Ps 111 (110) ) 3. * Beatus vir (Ps 112 (111) ) 4. * Laudate pueri (Ps 113 (112) ) 5. * Laudate Dominum (Ps 117 (116) ) 6. * Magnificat (Lk 1,46-55 ) Mozart komponierte das Werk während seiner Tätigkeit als Hofkomponist für den Erzbischof von Salzburg Hieronymus von Colloredo. (de)
  • Las Vesperæ solennes de confessore (en español, Vísperas solemnes de confesor) en do mayor, K. 339, son una composición sacra de 1780 de Wolfgang Amadeus Mozart, de la etapa en que este ocupó el puesto de compositor de la corte del príncipe-arzobispo de Salzburgo, Hieronymus von Colloredo.[cita requerida] (es)
  • Les Vesperæ solennes de confessore (Vêpres solennelles d'un confesseur) en do majeur, KV. 339, ont été composées par Wolfgang Amadeus Mozart en 1780 alors qu'il occupait le poste de compositeur de la cour du prince-archevêque de Salzbourg, Hieronymus von Colloredo. (fr)
  • Vesperae solennes de confessore K 339 è una composizione corale di musica sacra, scritta da Wolfgang Amadeus Mozart nel 1780. È composta per coro e solisti SATB, due violini, due trombe, tre tromboni, due timpani e basso continuo (violoncello, contrabbasso e organo, con fagotto obbligato opzionale). (it)
  • Vesperae solennes de confessore (Solemn Vespers for a Confessor), K. 339, is a sacred choral composition, written by Wolfgang Amadeus Mozart in 1780. It is scored for SATB choir and soloists, violin I, violin II, 2 trumpets, 3 trombones colla parte, 2 timpani, and basso continuo (violoncello, double bass, and organ, with optional bassoon obbligato). The setting was composed for liturgical use in the Salzburg Cathedral. The title "de confessore" was not Mozart's own, and was added by a later hand to his manuscript. It suggests that the work was intended for vespers held on a specific day on the liturgical calendar of saints ("confessors"); however, the saint in question has not been conclusively established if there even was one. This was Mozart's final choral work composed for the cathedral. Structurally, it is very similar to Vesperae solennes de Dominica (K. 321), composed in 1779. The setting is divided into 6 movements; as in Dominica, a setting of the Minor Doxology (Gloria Patri) concludes all movements, each recapitulating the opening themes. The first three psalms are scored in a bold, exuberant manner, contrasting with the strict, stile antico counterpoint of the a cappella fourth psalm, and the tranquility of the fifth movement. The Magnificat sees a return to the style of the opening settings. 1. * Dixit Dominus (Psalm 110) Allegro vivace, C major, 3/4 2. * Confitebor tibi Domine (Psalm 111) Allegro, E-flat major, common time 3. * Beatus vir qui timet Dominum (Psalm 112) Allegro vivace, G major, 3/4 4. * Laudate pueri Dominum (Psalm 113) Allegro, D minor, cut common time 5. * Laudate Dominum omnes gentes (Psalm 117) Andante, F major, 6/8Mozart departs from the structure of K. 321 in this movement. The earlier setting of Laudate Dominum is a highly melismatic soprano solo, with no choral interlude. In K. 339, the soprano solo is much simpler; the choir quietly enters at the conclusion of the psalm with the Gloria Patri, and the soloist rejoins them at the Amen.This movement is well known outside the context of the larger work, and is often performed in isolation. 6. * Magnificat (Canticle for Vespers) Andante, C major, common time—"Et exultavit..." Allegro, C major, common time (en)
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  • Salzburg Cathedral, for which the music was composed (en)
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  • K. 339 (en)
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  • Vesperae solennes de confessore (en)
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dbp:description
  • Performed by St Matthew's Choir, 2004; Clive Cooke, director (en)
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  • Mozart - Vesperæ Solennes de Confessore - 1 Dixit.ogg (en)
  • Mozart - Vesperæ Solennes de Confessore - 5 Laudate Dominum.ogg (en)
  • Mozart - Vesperæ Solennes de Confessore - 3 Beatus Vir.ogg (en)
  • Mozart - Vesperæ Solennes de Confessore - 4 Laudate pueri.ogg (en)
  • Mozart - Vesperæ Solennes de Confessore - 2 Confitebor.ogg (en)
  • Mozart - Vesperæ Solennes de Confessore - 6 Magnificat.ogg (en)
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  • (en)
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  • Latin (en)
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  • 6 (xsd:integer)
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  • Vesperae solennes de confessore (en)
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  • (en)
  • Magnificat (en)
  • Psalms 110–113, 117 (en)
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  • Laudate Dominum (en)
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  • Vesperae solennes de confessore, K.339 (en)
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  • Les Vesperæ solennes de confessore (en català, Vespres solemnes de confessor) en do major, K. 339, van ser compostes per Wolfgang Amadeus Mozart en 1780. L'obra va ser composta durant l'etapa en què Mozart va ocupar el lloc de compositor de la cort del príncep-arquebisbe de Salzburg, . (ca)
  • Las Vesperæ solennes de confessore (en español, Vísperas solemnes de confesor) en do mayor, K. 339, son una composición sacra de 1780 de Wolfgang Amadeus Mozart, de la etapa en que este ocupó el puesto de compositor de la corte del príncipe-arzobispo de Salzburgo, Hieronymus von Colloredo.[cita requerida] (es)
  • Les Vesperæ solennes de confessore (Vêpres solennelles d'un confesseur) en do majeur, KV. 339, ont été composées par Wolfgang Amadeus Mozart en 1780 alors qu'il occupait le poste de compositeur de la cour du prince-archevêque de Salzbourg, Hieronymus von Colloredo. (fr)
  • Vesperae solennes de confessore K 339 è una composizione corale di musica sacra, scritta da Wolfgang Amadeus Mozart nel 1780. È composta per coro e solisti SATB, due violini, due trombe, tre tromboni, due timpani e basso continuo (violoncello, contrabbasso e organo, con fagotto obbligato opzionale). (it)
  • Die Vesperae solennes de Confessore KV 339 wurden 1780 von Wolfgang Amadeus Mozart komponiert. Sie folgen der katholischen Liturgie für eine Vesper und umfassen sechs Sätze, darunter fünf Psalmen aus dem Alten Testament und das Magnificat aus dem Lukasevangelium. Alle Sätze enden mit der Doxologie Gloria Patri. Die Sätze sind: 1. * Dixit (Ps 110 (109) ) 2. * Confitebor (Ps 111 (110) ) 3. * Beatus vir (Ps 112 (111) ) 4. * Laudate pueri (Ps 113 (112) ) 5. * Laudate Dominum (Ps 117 (116) ) 6. * Magnificat (Lk 1,46-55 ) (de)
  • Vesperae solennes de confessore (Solemn Vespers for a Confessor), K. 339, is a sacred choral composition, written by Wolfgang Amadeus Mozart in 1780. It is scored for SATB choir and soloists, violin I, violin II, 2 trumpets, 3 trombones colla parte, 2 timpani, and basso continuo (violoncello, double bass, and organ, with optional bassoon obbligato). (en)
rdfs:label
  • Vesperae solennes de confessore (Mozart) (ca)
  • Vesperae solennes de Confessore (de)
  • Vesperae solennes de confessore (es)
  • Vesperæ solennes de confessore (Mozart) (fr)
  • Vesperae solennes de confessore (it)
  • Vesperae solennes de confessore (en)
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