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Tomiyama Taeko (富山妙子, 6 November 1921 – 18 August 2021) was a Japanese visual artist and writer whose work addressed the moral, emotional, and social issues related to nationalist, patriarchal, colonial, and post-colonial power structures in East Asia. Tomiyama used popular media such as oil painting, lithographic prints, collages, multimedia slideshows, books, and installations to explore marginalized figures. From the 1980s on, much of her work drew on indigenous Asian mythology, symbols, and aesthetics as a critique and rejection of the violent, exploitative, Euro-American-centric values embedded in modernist thinking. She was a devoted feminist, leftist, and anti-nationalist whose work told the stories of miners, ethnic minorities, comfort women, Minjung activists, and other marginaliz

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  • Tomiyama Taeko (富山妙子, 6 November 1921 – 18 August 2021) was a Japanese visual artist and writer whose work addressed the moral, emotional, and social issues related to nationalist, patriarchal, colonial, and post-colonial power structures in East Asia. Tomiyama used popular media such as oil painting, lithographic prints, collages, multimedia slideshows, books, and installations to explore marginalized figures. From the 1980s on, much of her work drew on indigenous Asian mythology, symbols, and aesthetics as a critique and rejection of the violent, exploitative, Euro-American-centric values embedded in modernist thinking. She was a devoted feminist, leftist, and anti-nationalist whose work told the stories of miners, ethnic minorities, comfort women, Minjung activists, and other marginalized groups to advocate for a reckoning with the nuances of colonial and imperial histories of Japan in Asia. Tomiyama died in August 2021, at the age of 99. (en)
  • 도미야마 다에코(富山妙子, 1921년 11월 6일 ~ 2021년 8월 18일)는 일본의 화가였다. (ko)
  • 富山 妙子(とみやま たえこ、1921年11月6日 - 2021年8月18日)は、日本の画家および文筆家である。 戦後まもない50年代から60年代は炭鉱をテーマに絵画や執筆活動をし、70年代以降は韓国の民主化運動勢力と連帯し強制連行や従軍慰安婦など日本国家の戦争責任を問う作品を多数制作する。2021年6月には韓国政府から国民勲章を受章している。 (ja)
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  • 2021-01-01 (xsd:gYear)
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  • 1953-01-01 (xsd:gYear)
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  • 1921-11-06 (xsd:date)
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  • 1921-01-01 (xsd:gYear)
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  • 2021-01-01 (xsd:gYear)
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  • 1921-11-06 (xsd:date)
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  • 2021-08-18 (xsd:date)
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  • slideshows, books, and artworks addressing Japanese imperialism and feminist issues (en)
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  • Tomiyama Taeko (en)
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  • Japanese (en)
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  • ja (en)
dbp:notableWorks
  • Prayer in Memory ~ Gwangju, May 1980; Memories of the Sea; Harbin: Requiem for the Twentieth Century (en)
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  • visual artist, writer, journalist, illustrator (en)
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  • 도미야마 다에코(富山妙子, 1921년 11월 6일 ~ 2021년 8월 18일)는 일본의 화가였다. (ko)
  • 富山 妙子(とみやま たえこ、1921年11月6日 - 2021年8月18日)は、日本の画家および文筆家である。 戦後まもない50年代から60年代は炭鉱をテーマに絵画や執筆活動をし、70年代以降は韓国の民主化運動勢力と連帯し強制連行や従軍慰安婦など日本国家の戦争責任を問う作品を多数制作する。2021年6月には韓国政府から国民勲章を受章している。 (ja)
  • Tomiyama Taeko (富山妙子, 6 November 1921 – 18 August 2021) was a Japanese visual artist and writer whose work addressed the moral, emotional, and social issues related to nationalist, patriarchal, colonial, and post-colonial power structures in East Asia. Tomiyama used popular media such as oil painting, lithographic prints, collages, multimedia slideshows, books, and installations to explore marginalized figures. From the 1980s on, much of her work drew on indigenous Asian mythology, symbols, and aesthetics as a critique and rejection of the violent, exploitative, Euro-American-centric values embedded in modernist thinking. She was a devoted feminist, leftist, and anti-nationalist whose work told the stories of miners, ethnic minorities, comfort women, Minjung activists, and other marginaliz (en)
rdfs:label
  • 도미야마 다에코 (ko)
  • 富山妙子 (ja)
  • Tomiyama Taeko (en)
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  • Tomiyama Taeko (en)
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