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Taiwan nativist literature (Chinese: 鄉土文學; pinyin: Xiangtu Wenxue; Pe̍h-ōe-jī: Hiong-thó͘ Bûn-ha̍k). Xiangtu (鄉土), literally meaning the hometown soil, symbolizes nativism; and Wenxue (文學) is literature. It is a genre of Taiwanese literature derived from the New Literature Movement (台灣新文學運動) under the Japanese rule in the 1920s. The movement died down after 1937 when the Japanese government strengthened its colonial policy, but regained public attention in the 1970s. Taiwan nativist literature uses literary realism as its main narrative to depict people, events and subjects that happen in Taiwan, aiming at reflecting the particularity of the local society. The nativist novels usually depict the struggles for existence and predicaments of identity of the Taiwanese people with a humanistic t

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  • Taiwan nativist literature (Chinese: 鄉土文學; pinyin: Xiangtu Wenxue; Pe̍h-ōe-jī: Hiong-thó͘ Bûn-ha̍k). Xiangtu (鄉土), literally meaning the hometown soil, symbolizes nativism; and Wenxue (文學) is literature. It is a genre of Taiwanese literature derived from the New Literature Movement (台灣新文學運動) under the Japanese rule in the 1920s. The movement died down after 1937 when the Japanese government strengthened its colonial policy, but regained public attention in the 1970s. Taiwan nativist literature uses literary realism as its main narrative to depict people, events and subjects that happen in Taiwan, aiming at reflecting the particularity of the local society. The nativist novels usually depict the struggles for existence and predicaments of identity of the Taiwanese people with a humanistic tone. They tend to base on the life experiences of their authors, and reflect their worldviews. (en)
  • 台灣鄉土文學論戰(1977年-1978年)是一場從1970年代初期開始,關於台灣文學之寫作方向和路線的探討,特別是在1977年4月至1978年1月之間,關於這個議題的討論,更是達到了前所未有的高潮,一般稱之為「鄉土文學論戰」。表面上,這是一場關於文學之本質應否反映台灣現實社會的文壇論爭,但是在實質上,這場論戰卻是「台灣戰後歷史中一次政治、經濟、社會、文學的總檢驗」(陳明成 2002,40)。 事實上,類似的論戰在1930年代日治時期的台灣也發生過,所以有人將1930年代的論戰稱之為「第一次鄉土文學論戰」,而將1970年代的論戰稱之為「第二次鄉土文學論戰」。不過,本文將用「台灣話文論戰」來指涉1930年代的那次論戰,而以「台灣鄉土文學論戰」來指涉1970年代的這次論戰。 (zh)
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  • Xiangtu Wenxue (en)
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  • Hiong-thó͘ Bûn-ha̍k (en)
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  • 鄉土文學 (en)
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  • 台灣鄉土文學論戰(1977年-1978年)是一場從1970年代初期開始,關於台灣文學之寫作方向和路線的探討,特別是在1977年4月至1978年1月之間,關於這個議題的討論,更是達到了前所未有的高潮,一般稱之為「鄉土文學論戰」。表面上,這是一場關於文學之本質應否反映台灣現實社會的文壇論爭,但是在實質上,這場論戰卻是「台灣戰後歷史中一次政治、經濟、社會、文學的總檢驗」(陳明成 2002,40)。 事實上,類似的論戰在1930年代日治時期的台灣也發生過,所以有人將1930年代的論戰稱之為「第一次鄉土文學論戰」,而將1970年代的論戰稱之為「第二次鄉土文學論戰」。不過,本文將用「台灣話文論戰」來指涉1930年代的那次論戰,而以「台灣鄉土文學論戰」來指涉1970年代的這次論戰。 (zh)
  • Taiwan nativist literature (Chinese: 鄉土文學; pinyin: Xiangtu Wenxue; Pe̍h-ōe-jī: Hiong-thó͘ Bûn-ha̍k). Xiangtu (鄉土), literally meaning the hometown soil, symbolizes nativism; and Wenxue (文學) is literature. It is a genre of Taiwanese literature derived from the New Literature Movement (台灣新文學運動) under the Japanese rule in the 1920s. The movement died down after 1937 when the Japanese government strengthened its colonial policy, but regained public attention in the 1970s. Taiwan nativist literature uses literary realism as its main narrative to depict people, events and subjects that happen in Taiwan, aiming at reflecting the particularity of the local society. The nativist novels usually depict the struggles for existence and predicaments of identity of the Taiwanese people with a humanistic t (en)
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  • Taiwan nativist literature (en)
  • 台灣鄉土文學論戰 (zh)
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