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- Sunqua (active 1830–1870) was a Chinese painter during the Qing dynasty. He was one of the best known of the Chinese artists in 19th century producing pictures for the European market. Residing in China Street in the city of Canton (Guangzhou), Sunqua worked and established studios in Canton and Macao, and was known for his large oil pictures of the shipping and trade into these ports. His studio also concentrated on flower and trade albums, most of which are in full bodycolour painted on pith paper. In 1838, he was credited as the "Chinese Hogarth" for his series of six pictures to illustrate the effects of opium-smoking in the style of English painter William Hogarth's series A Rake's Progress. Painted on pith paper, the series portrays the progress of an opium smoker from health and prosperity to misery and degradation. The Chinese Repository described the work as "the most spirited and striking thing we have ever yet seen from the pencil of a Chinese" in 1837. He also drew a series illustrating a gambler's career. (en)
- 顺呱（英語：Sunqua，活跃于1830年至1870年）是清朝的画家。顺呱居住在广州，曾在广州和澳门工作并建立了工作室。他的繪畫主要出口到欧洲市场。他是19世纪最著名的清朝艺术家之一，以創作有關港口中运输和贸易場景的大型油画而闻名。他的工作室还专注于花卉繪畫，其中大部分都是在米紙上創作。 1838年，他仿照英国画家威廉·贺加斯的作品《》创作了六幅画作，该系列作品在米紙上創作，描绘了鸦片摧殘吸食者身體的過程 ，被誉为“中国贺加斯”。1837年，中國叢報将這些作品描述为“我们从未见过的最振奋人心的东西”。此外顺呱还創作了一系列有關赌徒的繪畫。 (zh)
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- 顺呱（英語：Sunqua，活跃于1830年至1870年）是清朝的画家。顺呱居住在广州，曾在广州和澳门工作并建立了工作室。他的繪畫主要出口到欧洲市场。他是19世纪最著名的清朝艺术家之一，以創作有關港口中运输和贸易場景的大型油画而闻名。他的工作室还专注于花卉繪畫，其中大部分都是在米紙上創作。 1838年，他仿照英国画家威廉·贺加斯的作品《》创作了六幅画作，该系列作品在米紙上創作，描绘了鸦片摧殘吸食者身體的過程 ，被誉为“中国贺加斯”。1837年，中國叢報将這些作品描述为“我们从未见过的最振奋人心的东西”。此外顺呱还創作了一系列有關赌徒的繪畫。 (zh)
- Sunqua (active 1830–1870) was a Chinese painter during the Qing dynasty. He was one of the best known of the Chinese artists in 19th century producing pictures for the European market. Residing in China Street in the city of Canton (Guangzhou), Sunqua worked and established studios in Canton and Macao, and was known for his large oil pictures of the shipping and trade into these ports. His studio also concentrated on flower and trade albums, most of which are in full bodycolour painted on pith paper. (en)
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