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- Santi Severino e Sossio ist ein Gebäudekomplex mit Kirche und (ehemaligem) Kloster in der historischen Altstadt von Neapel, Via Bartolommeo Capasso. Der Name bezieht sich auf die Heiligen Severin von Noricum und Sossio, einen Begleiter des San Gennaro (oder Januarius), den Stadtpatron von Neapel. Das einstige Benediktinerkloster war eines der größten und bedeutendsten der Stadt, und befand sich nahe der ehemaligen Stadtmauer im ehemals antiken Kern, im . Heute befindet sich hier das Staatsarchiv von Neapel (Archivio di Stato di Napoli). Santi Severino e Sossio gehört zum Weltkulturerbe der UNESCO. (de)
- The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy. The church is attached to one of the oldest monasteries in the city, and from 1835 it has housed the State Archives of Naples. It was founded in the tenth century by the Benedictine Order, but the Saracen raids of the time forced them to abandon the old monastery, located on the hill of , taking the relics of San Severino with them. In 904 they added to these the relics of San Sossio, martyred companion of San Gennaro. They remained here till 1808, when they were taken to Frattamaggiore. During the Angevin reign a number of important events occurred in this monastery, such as the convening of parliament in 1394 by the Sanseverino family, who were supporters of Louis II of Anjou. In 1490, the architect Giovanni Francesco Mormando from Calabria laid the foundations of the present church, which was completed by the 16th century by . The cupola built in 1561 was one of the first in Naples, designed by the Florentine architect Sigismondo di Giovanni. The frescoes of the cupola (1566), now lost, were originally painted by a Flemish painter by the name of Pablo or . Other painters active in the church comprised a polyglot series of artists, including Marco Pino of Siena, of , of Rome, Cosimo Fanzago of Bergamo, and lastly from Carrara. The last painter was active in the Medici chapel. . There is a long tradition of Tuscan artists residing in Naples, and was stimulated by the arrival of a group of master artisans from Carrara in the late 1500s, after the marriage of Alberico Cybo Malaspina and the Neapolitan Isabella of Capua, from the Duchy of Termoli. But there had already been a large contingent of Tuscan traders and financiers in Naples. For example, Antonio Piccolomini used the Strozzi family to negotiate having Antonio Rossellino and Benedetto da Maiano participate in the decoration of the Piccolomini Chapel in the church of Sant'Anna dei Lombardi. In addition, Tino di Camaino and Giotto apparently visited Naples under Angevin patronage. The decor of the chapels of Santi Severino e Sossio follows a pattern common to late Renaissance Neapolitan chapels: a reclining figure embedded within an architectural arched entablature, and the large altarpiece framed like a tabernacle, with lateral walls also holding paintings, and the lunettes painted in fresco. The wooden choir (1573) was designed by Benvenuto Tortelli da Brescia, and became a model for others in Southern Italy. In fact, monks from the Benedictine convent of San Martino delle Scale in Palermo requested a choir that "conformed" to that of San Severino. It also influenced other choir stalls and woodwork, including San Paolo Maggiore completed in 1583 by (destroyed in last war), work in the sacristy of Santa Caterina a Formiello and S. Maria delle Grazie a Caponapoli (works by ), and finally the choirs in the church of Santi Apostoli, Santa Maria la Nova, and the Cathedral (1616) by . Construction continued in the 18th century by , who finished the facade using a design by Giovan Battista Nauclerio. When the Benedictines were expelled in 1799, the convent was occupied by the order of Sanfedisti and in 1813, became the collegio di Marina. In 1835 it became the archive of the state, which is still its present function. In the apse of the church main altar and the balustrade of presbytery (1640) were made and designed by Cosimo Fanzago. In 1783 the main altar was remodeled by , the floor dates to 1697. The church has a Latin cross plan with seven chapels on each side and a deep rectangular apse. The nave frescoes and canvases were painted by Francesco de Mura, while the lateral chapels include works of the painter Marco Pino and the neapolitan sculptor Giovanni da Nola. Of note, is the funerary monument of Camillo de' Medici, completed by Girolamo D'Auria at the end of the 16th century. Through the sacristy one can access the lower church, built and decorated in Renaissance style, completed by Mormando. (en)
- L'église dei Santi Severino e Sossio est une église monumentale du centre historique de Naples située via Bartolommeo Capasso, près de l'artère de Spaccanapoli. Outre son intérêt artistique, certains des artistes les plus importants de la Renaissance napolitaine y ont travaillé. L'ensemble du complexe monastique, comptant en plus de l'église également une autre dite inférieure, trois cloîtres monumentaux, un réfectoire, une salle capitulaire et deux jardins, est l'un des plus grands de la ville. Le cycle de fresques d'Antonio Solario du XVIe siècle représentant les Histoires de la vie de saint Benoît, dans le cloître du Platane, est également l'un des témoignages artistiques les plus importants sur la vie du saint. (fr)
- La chiesa dei Santi Severino e Sossio è una chiesa monumentale di Napoli sita in via Bartolommeo Capasso, presso il decumano inferiore. Oltre alla sua rilevanza artistica, all'interno vi lavorarono infatti alcuni dei più importanti autori del Rinascimento a Napoli, l'intero complesso monastico, contando oltre alla chiesa anche di un'altra "inferiore", di tre chiostri monumentali, un refettorio, una sala capitolare e due giardini, è di fatto uno dei più grandi della città. Il ciclo di affreschi di Antonio Solario del Cinquecento riprendente le Storie della vita di san Benedetto, nel chiostro del Platano, risulta essere inoltre una delle più importanti testimonianze artistiche sulla vita del santo. (it)
- 圣塞味利圣索西奥堂（Santi Severino e Sossio）是一座罗马天主教教堂，位于意大利那不勒斯的巴托洛梅奥·卡帕索街（via Bartolommeo Capasso）。 该堂附属于该城最古老的修道院之一，从1835年开始，那不勒斯国家档案馆设于此处。它由本笃会创建于十世纪，但当时撒拉逊人的袭击，迫使他们放弃了位于皮佐法尔科内山上的老修道院，带着圣塞味利的圣髑离开。904年，他们又得到了与圣雅纳略同时殉道的圣索西奥的圣髑。这些圣髑一直保存在此直到1808年，然后送往弗拉塔马焦雷的圣索西奥圣殿。 1490年，这座教堂由来自卡拉布里亚的建筑师乔瓦尼·弗朗切斯科·莫尔曼多奠基，16世纪由乔瓦尼·弗朗切斯科·迪帕尔马建成。建于1561年的穹顶是那不勒斯最早的穹顶之一，由佛罗伦萨建筑师西格斯蒙多·迪·乔瓦尼设计。 穹顶的湿壁画（1566年）现已丢失，最初是由佛兰芒画家巴勃罗或保罗·舍珀斯绘制。活跃在该堂的画家来自各地，包括锡耶纳的马可·皮诺、布雷西亚的本维努托·托泰利、罗马的巴托洛梅奥·基亚里尼、贝加莫的科西莫·范扎戈，以及卡拉拉的法布里齐奥·迪·吉多， 最后一位画家活跃在美第奇小堂。 托斯卡纳艺术家居住在那不勒斯，有着悠久的传统，16世纪一批卡拉拉的工匠大师的到来激发了他们。当时那不勒斯已经有一大批托斯卡纳商人和金融家。例如，安东尼奥·皮科洛米尼利用斯特罗齐家族谈判，让安东尼奥·罗塞利诺和贝内代托·达马亚诺参与装饰伦巴第的圣亚纳堂（Sant'Anna dei Lombardi）的皮科洛米尼小堂。此外，蒂诺·迪·卡马伊诺和乔托显然在安格文的赞助下访问了那不勒斯。 圣塞味利圣索西奥堂的小堂的装饰遵循文艺复兴晚期那不勒斯小堂所常见的图案：倾斜的人物嵌入拱形的城堡内，大幅祭坛画，两侧也是绘画。 木制唱经席（1573 年）由本维努托·托泰利·达·布雷西亚设计， 成为意大利南部的榜样。事实上，来自巴勒莫的本笃会圣玛尔定修道院的修士要求一个唱经席。它还影响了其他唱经席，包括于1583年由乔万·洛伦佐·阿尔巴诺完成的大圣保禄圣殿（San Paolo Maggiore，在上次战争中被毁），马蒂诺·米利奥雷（Martino Migliore）在福米耶洛圣加大肋纳堂（Santa Caterina a Formiello）和卡波纳波利恩宠圣母堂（Santa Maria delle Grazie Maggiore a Caponapoli）的祭衣间的作品, 最后是马坎托尼奥·费拉罗（Marcantonio Ferraro）设计的圣宗徒堂（Santi Apostoli）、新圣母堂（Santa Maria la Nova）和那不勒斯主教座堂（1616年）的唱经席。 18世纪，乔瓦尼·德尔·盖佐（Giovanni del Gaizo）继续建造，他使用乔万·巴蒂斯塔·瑙克莱里奥（Giovan Battista Nauclerio）的设计完成了立面。当本笃会于1799年被驱逐时，修道院被圣教军（Sanfedisti）修会占据，并在1813年成为玛丽娜学院（collegio di Marina）。1835年，它成为国家档案馆，直至今日。 教堂正祭台的后殿和司祭席的栏杆（1640年）是由科西莫·范扎戈制作和设计的。1783年，正祭台由贾科莫·马佐蒂（Giacomo Mazzotti）改造，地板可追溯到1697年。 教堂为拉丁十字平面，两侧各有7个小堂，后殿为长方形。中殿湿壁画和油画 由弗朗切斯科·德·穆拉（Francesco de Mura）绘制, 而横向小堂则包括画家马可·皮诺（Marco Pino）和那不勒斯雕塑家乔瓦尼·达诺拉（Giovanni da Nola）的作品。值得注意的是，是卡米洛·德·美第奇（Camillo de' Medici）墓, 由吉罗拉莫·德奥里亚（Girolamo D'Auria）在16世纪末完成。通过祭衣间可以到达下层教堂，以文艺复兴风格建造和装饰，由莫曼多完成（Giovanni Francesco Mormando）。 (zh)
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- Santi Severino e Sossio ist ein Gebäudekomplex mit Kirche und (ehemaligem) Kloster in der historischen Altstadt von Neapel, Via Bartolommeo Capasso. Der Name bezieht sich auf die Heiligen Severin von Noricum und Sossio, einen Begleiter des San Gennaro (oder Januarius), den Stadtpatron von Neapel. Das einstige Benediktinerkloster war eines der größten und bedeutendsten der Stadt, und befand sich nahe der ehemaligen Stadtmauer im ehemals antiken Kern, im . Heute befindet sich hier das Staatsarchiv von Neapel (Archivio di Stato di Napoli). (de)
- L'église dei Santi Severino e Sossio est une église monumentale du centre historique de Naples située via Bartolommeo Capasso, près de l'artère de Spaccanapoli. Outre son intérêt artistique, certains des artistes les plus importants de la Renaissance napolitaine y ont travaillé. L'ensemble du complexe monastique, comptant en plus de l'église également une autre dite inférieure, trois cloîtres monumentaux, un réfectoire, une salle capitulaire et deux jardins, est l'un des plus grands de la ville. (fr)
- The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy. The church is attached to one of the oldest monasteries in the city, and from 1835 it has housed the State Archives of Naples. It was founded in the tenth century by the Benedictine Order, but the Saracen raids of the time forced them to abandon the old monastery, located on the hill of , taking the relics of San Severino with them. In 904 they added to these the relics of San Sossio, martyred companion of San Gennaro. They remained here till 1808, when they were taken to Frattamaggiore. (en)
- La chiesa dei Santi Severino e Sossio è una chiesa monumentale di Napoli sita in via Bartolommeo Capasso, presso il decumano inferiore. Oltre alla sua rilevanza artistica, all'interno vi lavorarono infatti alcuni dei più importanti autori del Rinascimento a Napoli, l'intero complesso monastico, contando oltre alla chiesa anche di un'altra "inferiore", di tre chiostri monumentali, un refettorio, una sala capitolare e due giardini, è di fatto uno dei più grandi della città. (it)
- 圣塞味利圣索西奥堂（Santi Severino e Sossio）是一座罗马天主教教堂，位于意大利那不勒斯的巴托洛梅奥·卡帕索街（via Bartolommeo Capasso）。 该堂附属于该城最古老的修道院之一，从1835年开始，那不勒斯国家档案馆设于此处。它由本笃会创建于十世纪，但当时撒拉逊人的袭击，迫使他们放弃了位于皮佐法尔科内山上的老修道院，带着圣塞味利的圣髑离开。904年，他们又得到了与圣雅纳略同时殉道的圣索西奥的圣髑。这些圣髑一直保存在此直到1808年，然后送往弗拉塔马焦雷的圣索西奥圣殿。 1490年，这座教堂由来自卡拉布里亚的建筑师乔瓦尼·弗朗切斯科·莫尔曼多奠基，16世纪由乔瓦尼·弗朗切斯科·迪帕尔马建成。建于1561年的穹顶是那不勒斯最早的穹顶之一，由佛罗伦萨建筑师西格斯蒙多·迪·乔瓦尼设计。 穹顶的湿壁画（1566年）现已丢失，最初是由佛兰芒画家巴勃罗或保罗·舍珀斯绘制。活跃在该堂的画家来自各地，包括锡耶纳的马可·皮诺、布雷西亚的本维努托·托泰利、罗马的巴托洛梅奥·基亚里尼、贝加莫的科西莫·范扎戈，以及卡拉拉的法布里齐奥·迪·吉多， 最后一位画家活跃在美第奇小堂。 圣塞味利圣索西奥堂的小堂的装饰遵循文艺复兴晚期那不勒斯小堂所常见的图案：倾斜的人物嵌入拱形的城堡内，大幅祭坛画，两侧也是绘画。 (zh)
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