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Musical historicism signifies the use in classical music of historical materials, structures, styles, techniques, media, conceptual content, etc., whether by a single composer or those associated with a particular school, movement, or period. Musical historicism also denotes a theory, doctrine, or aesthetic that emphasizes the importance of music history or in which history is seen as a standard of value or determining factor (as in performance practice).

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  • Musical historicism signifies the use in classical music of historical materials, structures, styles, techniques, media, conceptual content, etc., whether by a single composer or those associated with a particular school, movement, or period. Musical historicism also denotes a theory, doctrine, or aesthetic that emphasizes the importance of music history or in which history is seen as a standard of value or determining factor (as in performance practice). (en)
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  • Lenz, Eric David. 2002. "Neoclassicism in Claude Debussy's Sonate pour violoncelle et piano." DMA diss., University of Alabama. (en)
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  • Musical historicism signifies the use in classical music of historical materials, structures, styles, techniques, media, conceptual content, etc., whether by a single composer or those associated with a particular school, movement, or period. Musical historicism also denotes a theory, doctrine, or aesthetic that emphasizes the importance of music history or in which history is seen as a standard of value or determining factor (as in performance practice). (en)
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  • Musical historicism (en)
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