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The Master of the Bützow Altarpiece was a German painter, active in the area around Lübeck around 1500 and influenced by the work of Wilm Dedeke. They are named for a major altarpiece painted for the church of Bützow, still held in the ambulatory of the church. The Bützow altar is composed of two pairs of gates, the first fixed and sculpted, the second movable and painted. The second gates are painted with four saints on the outside eight scenes from the life of Saint Anne and the Virgin Mary on the inside.

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  • Als Meister des Bützow-Altars wird ein niederdeutscher Maler des Spätmittelalters bezeichnet, der Ende des 15. und Anfang des 16. Jahrhunderts in seiner Werkstatt in Lübeck tätig war. Der namentlich nicht bekannte Künstler erhielt seinen Notnamen nach einem Marienaltar, den er für die Stiftskirche St. Maria, Johannes und Elisabeth zu Bützow geschaffen hatte. Er bekam diesen Namen im 20. Jahrhundert nach dem auf 1503 datierten Marienaltar, der von dem Schweriner Bischof Konrad Loste der Stiftskirche Bützow gestiftet wurde. In der Zeit der Entstehung des Altars verzichteten die ausführenden Künstler oftmals auf eine Signatur ihrer Werke. Die Kunstgeschichte versucht daher, einem charakteristischen Werk eines Künstlers, wie hier dem namensgebenden Altar, weitere Werke aufgrund der künstlerischen Handschrift zuzuordnen. Im Falle des Meisters des Bützow-Altars sind dies die Altarflügel des Johannis-Altars der Fronleichnamsbruderschaft im St.-Annen-Kloster Lübeck, und zwar die Außenseiten der Standflügel und der äußeren Flügel, sowie große Teile des Altars in der Marienkirche in Parchim. Seine Mitwirkung am Altar der Kirche von in Schweden ist strittig. Auch wird er mit dem Annen-Altar in der Kirche von Trondenes in Nordnorwegen in Verbindung gebracht. Weitere Zuschreibungen: * Ehemaliger Altar der Dorfkirche Witzin (de)
  • The Master of the Bützow Altarpiece was a German painter, active in the area around Lübeck around 1500 and influenced by the work of Wilm Dedeke. They are named for a major altarpiece painted for the church of Bützow, still held in the ambulatory of the church. The Bützow altar is composed of two pairs of gates, the first fixed and sculpted, the second movable and painted. The second gates are painted with four saints on the outside eight scenes from the life of Saint Anne and the Virgin Mary on the inside. The altarpieces and predella of the altar in the church of the Madonna of Singo in Sweden and the battens of the altar to Saint Anne in Trodens (now stored at the Museum of Bergen in Norway) are also attributed to this anonymous artist. The artist probably collaborated on the Altar of the Sacred Sacrement, also known as the Fronleichnamaltar and now stored in Lübeck in the museum of Saint Anne, by painting people with rigid limbs and inexpressive faces on the movable gates and one of the scenes of the fixed gates. The doors of a built-in wardrobe are attributed to one of their assistants. The doors contain liturgical supplications datable to the last years of the 15th century and deriving from the church of Saint Catherine of Lübeck. The wardrobe is now stored in the local museum of Saint Anne. (en)
  • Il Maestro dell'Altare di Bützow (... – ...; fl. XVI secolo) è stato un pittore tedesco, documentato a Lubecca verso il 1500. L'altare di Bützow L'anonimo artista tedesco, influenzato da , detto anche , prende il suo nome dall'altare a portelle posto sull'altar maggiore della chiesa di Bützow, oggi conservato nel deambulatorio della stessa chiesa. L'altare è composto da due paia di portelle, le prime fisse e scolpite, le altre mobili e dipinte, queste ultime con all'esterno, quattro Santi e, all'interno, otto scene dalla Vita di sant'Anna e della Vergine. All'anonimo vengono anche attribuite le portelle e la predella dell'altare della chiesa della Madonna di in Svezia e i battenti dell'Altare di sant'Anna a , ora al Museo di Bergen in Norvegia. Molto probabilmente collaborò all'Altare del Santo Sacramento, detto Fronleichnamaltar, ora conservato a Lubecca nel Museo di Sant'Anna, dipingendo le portelle mobili oltre ad una delle scene delle portelle fisse, con personaggi dalle membra rigide e dai volti inespressivi. Ad un suo assistente vengono riferite le ante di un armadio a muro, contenente suppellettili liturgiche, databili agli ultimi anni del XV secolo e proveniente dalla chiesa di Santa Caterina di Lubecca, e oggi conservate nel locale Museo di Sant'Anna. (it)
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  • Als Meister des Bützow-Altars wird ein niederdeutscher Maler des Spätmittelalters bezeichnet, der Ende des 15. und Anfang des 16. Jahrhunderts in seiner Werkstatt in Lübeck tätig war. Der namentlich nicht bekannte Künstler erhielt seinen Notnamen nach einem Marienaltar, den er für die Stiftskirche St. Maria, Johannes und Elisabeth zu Bützow geschaffen hatte. Weitere Zuschreibungen: * Ehemaliger Altar der Dorfkirche Witzin (de)
  • The Master of the Bützow Altarpiece was a German painter, active in the area around Lübeck around 1500 and influenced by the work of Wilm Dedeke. They are named for a major altarpiece painted for the church of Bützow, still held in the ambulatory of the church. The Bützow altar is composed of two pairs of gates, the first fixed and sculpted, the second movable and painted. The second gates are painted with four saints on the outside eight scenes from the life of Saint Anne and the Virgin Mary on the inside. (en)
  • Il Maestro dell'Altare di Bützow (... – ...; fl. XVI secolo) è stato un pittore tedesco, documentato a Lubecca verso il 1500. L'altare di Bützow L'anonimo artista tedesco, influenzato da , detto anche , prende il suo nome dall'altare a portelle posto sull'altar maggiore della chiesa di Bützow, oggi conservato nel deambulatorio della stessa chiesa. L'altare è composto da due paia di portelle, le prime fisse e scolpite, le altre mobili e dipinte, queste ultime con all'esterno, quattro Santi e, all'interno, otto scene dalla Vita di sant'Anna e della Vergine. (it)
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  • Meister des Bützow-Altars (de)
  • Maestro dell'Altare di Bützow (it)
  • Master of the Bützow Altarpiece (en)
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