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- American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966. Among the five Best Picture nominees at the 33rd Academy Awards in April 1961, two — Sons and Lovers and the winner, The Apartment, were black-and white. Two of the nominees in 1962 — The Hustler and Judgment at Nuremberg, were likewise black-and white. The pattern continued into 1963, with The Longest Day and To Kill a Mockingbird, into 1964, with America America and Lilies of the Field and into 1965, with Dr. Strangelove and Zorba the Greek. At the 38th Academy Awards, held on April 18, 1966, the Best Picture winner (The Sound of Music) and one other nominee (Doctor Zhivago) were in color, but the remaining three nominees (Darling, Ship of Fools and A Thousand Clowns) were in black-and-white. However, at the 39th Academy Awards, held on April 10, 1967, the winner (A Man for All Seasons) and three other nominees (Alfie, The Russians Are Coming, the Russians Are Coming and The Sand Pebbles) were in color and only one nominee (Who's Afraid of Virginia Woolf?) was in black-and-white. By the 40th Academy Awards, held on April 10, 1968, not only was the winner (In the Heat of the Night) and all four of the other nominees (Bonnie and Clyde, Doctor Dolittle, The Graduate and Guess Who's Coming to Dinner) in color but, since studios were no longer producing black-and-white films, the awards for Best Cinematography, Best Art Direction and Best Costume Design were merged into single categories rather than having a distinction between color and monochrome. (en)
- A partire dagli anni 1970, i lungometraggi non documentaristici vengono girati quasi esclusivamente a colori. Precedentemente la maggior parte dei lungometraggi era girata in bianco e nero, mentre i film d'evasione, come i western, i musical e le commedie, erano a colori. Nonostante ciò, i film degli ultimi decenni vengono ancora presentati occasionalmente in bianco e nero. Questa lista comprende lungometraggi non documentaristici di rilievo realizzati dal 1970 che, per tutta o gran parte della loro durata, sono in bianco e nero oppure in tonalità seppia. Tra i registi di spicco che hanno realizzato film in bianco e nero in questo periodo temporale vi sono: Woody Allen (Manhattan, Stardust Memories, Zelig, Broadway Danny Rose, Ombre e nebbia), David Lynch (Eraserhead, The Elephant Man), Jim Jarmusch (Stranger Than Paradise, Daunbailò, Dead Man, Coffee and Cigarettes), Wim Wenders (Estate in città, Alice nelle città, Nel corso del tempo, Lo stato delle cose, Il cielo sopra Berlino), Béla Tarr (Perdizione, Satantango, Le armonie di Werckmeister, L'uomo di Londra, Il cavallo di Torino), Lars von Trier (Epidemic, Europa), Tim Burton (Ed Wood, Frankenweenie), Martin Scorsese (Toro scatenato), Steven Spielberg (Schindler's List), Michael Haneke (Il nastro bianco), i fratelli Coen (L'uomo che non c'era) e Mel Brooks (Frankenstein Junior). (it)
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- American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966. Among the five Best Picture nominees at the 33rd Academy Awards in April 1961, two — Sons and Lovers and the winner, The Apartment, were black-and white. Two of the nominees in 1962 — The Hustler and Judgment at Nuremberg, were likewise black-and white. The pattern continued into 1963, with The Longest Day and To Kill a Mockingbird, into 1964, with America America and Lilies of the Field and into 1965, with Dr. Strangelove and Zorba the Greek. (en)
- A partire dagli anni 1970, i lungometraggi non documentaristici vengono girati quasi esclusivamente a colori. Precedentemente la maggior parte dei lungometraggi era girata in bianco e nero, mentre i film d'evasione, come i western, i musical e le commedie, erano a colori. Nonostante ciò, i film degli ultimi decenni vengono ancora presentati occasionalmente in bianco e nero. Questa lista comprende lungometraggi non documentaristici di rilievo realizzati dal 1970 che, per tutta o gran parte della loro durata, sono in bianco e nero oppure in tonalità seppia. (it)
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