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American singer-songwriter Madonna (b. 1958) has had a social-cultural impact on the world through her recordings, attitude, clothing and lifestyle since her early career in the 1980s. Madonna has built a legacy that goes beyond music and has been studied by sociologists, historians and other social scientists. This contributed to the rise of the Madonna studies, an academic and critical response dedicated to her work and persona for which Madonna's semiotic and image was diversified in a wide-ranging of theoretical stripe from feminism to queer studies among others.

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  • منذ انطلاقة مسيرتها الفنية في أوائل الثمانينيات من القرن الماضي، كان للمغنية ومؤلفة الأغاني الأمريكية مادونا الأثر الاجتماعي والثقافي على العالم من خلال تسجيلاتها، ومواقفها تجاه الأمور وملابسها وأسلوب حياتها. لُقبت مدونا بلقب «ملكة البوب». صنف المؤلفون الدوليون مادونا على نحو استثنائي في الموسيقا، وكذلك باعتبارها الأكثر شهرة، كما أنها تُعد أيقونة نسائية كفنانة تسجيل على مر الزمان. تُعد مادونا رمزًا ثقافيًا شاملًا، فقد قامت ببناء تراث تجاوز حدود الموسيقا، درسه باحثو العلوم الاجتماعية والمؤرخون. غالباً ما يُقارن تأثيرها مع فرقة البيتلز وإلفيس بريسلي، فأعمالهم هي الأكثر مبيعاً في التاريخ. (ar)
  • American singer-songwriter Madonna (b. 1958) has had a social-cultural impact on the world through her recordings, attitude, clothing and lifestyle since her early career in the 1980s. Madonna has built a legacy that goes beyond music and has been studied by sociologists, historians and other social scientists. This contributed to the rise of the Madonna studies, an academic and critical response dedicated to her work and persona for which Madonna's semiotic and image was diversified in a wide-ranging of theoretical stripe from feminism to queer studies among others. Called a "major 'historical figure'" by academic Camille Paglia, Madonna attained the status of a "cultural icon" as was noted by cultural theorists or sociologists like Stuart Sim and Suzanna Danuta Walters. Frenchman scholar Georges-Claude Guilbert attributed her a greater cultural significance and proposed the singer as a postmodern myth. Madonna, which also gained a cult status amongst different audiences according to professor Sheila Jeffreys, has been called a Gesamtkunstwerk herself. Her critical reception, alongside her media coverage made Madonna one of the most "well-documented figures of the modern age". Both Madonna's references and impact are found —but not limited to— in the arts, literature, cinema, music and even science. From a musical perspective and despite Madonna's music played a second place in scholarship analysis, she has been discussed with euphemism by multiple international authors as the "greatest" woman in music or arguably the most "influential" female artist in history. A large group of critics have retrospectively credited her presence, success and contributions with paving the way for female artists (as well she transcended gender) and changing the music scene for women in music —most notorious for dance and pop stages—with Billboard staff saying that "the history of pop music can essentially be divided into two eras: pre-Madonna and post-Madonna". In terms of record sales, Madonna is regarded as the best-selling woman in music history recognized by Guinness World Records since the late 20th-century. She is often called an influence by other artists. She is also a polarizing figure. During her career, Madonna has attracted contradictory social-cultural attention from family organizations, feminists anti-porn, radical terrorists and religious groups worldwide with boycott, censorship and protests. In the early-2010s, the Islamic state banned her name. Her critics and detractors attribute Madonna being a variety of things, such as being an important element in the normalization of prostitutions in the malestream culture. Author Shmuley Boteach blamed her to "destroy the female recording industry by erasing the line that separates music from pornography". In addition and mainly in the late 20th-century, she was negatively nicknamed a "modern Medusa" and some authors advised that she restored the image of the Whore of Babylon, for which she was described by some as "the most sexually perverse female of the twentieth century". Despite being a subject of contradictions, numerous academic studies have considered the way Madonna polarizes views and deemed her as a site of ambiguity and openness. (en)
  • Madonna es una artista estadounidense que ha tenido un impacto sociocultural de escala mundial a través de sus grabaciones, su actitud, vestimenta y estilo de vida desde que salió en la escena de los años 1980. Se hace referencia a ella frecuentemente como «su majestad» la «Reina del Pop» o simplemente «la Reina».​ Su estatus de ícono cultural y social se afirma o se niega alternativamente.​​ Desde musicólogos, filósofos, historiadores y feministas entre otros científicos sociales alrededor del mundo se han visto en la necesidad de examinar su legado, influencia e impacto a través de la interdisciplina académica Madonna Studies.​​ Algunos intelectuales la han descrito como «el rostro humano del cambio social».​ Es ampliamente aceptado por diversos autores que tras la aparición de Madonna en la escena musical, la imagen de la mujer sobre el escenario cambió radicalmente y con ello la forma de consumir música.​​ Por esto hay quienes consideran de ella como el artista más influyente de la historia.​​​​ A medida que ha explorado y contribuido a otra causas ajenas a la música, los especialistas la han nombrado como el ícono gay más grande, el ícono de la moda más influyente de la historia, la mayor marca comercial del pop, así como el ícono feminista más representativo de la posmodernidad y el símbolo sexual más importante de nuestra era.​ Hay autores que le dan mayor importancia al catalogarla como un mito o un personaje histórico porque «supera las leyes de la física, el tiempo, la cultura popular y la metafísica».​ La Universidad de Toulouse junto con otras academias y centros de investigación concluyeron en un método científico que Madonna es la mujer con la mayor capacidad de influencia actual frente a variedad de personajes de la historia universal o contemporánea.​​​ Madonna también se ha enfrentado a duras críticas y censuras de diversos sectores de la sociedad por diferentes motivos. Ha sido vetada o criticada por gobernantes como Ezer Weizman, Vladímir Putin, Sadam Husein, George W. Bush y Donald Trump entre otros; líderes religiosos como los Papas Juan Pablo II y Benedicto XVI, el rabino Isaac Kaduri y por organizaciones feministas, familiares o morales de muchas partes del mundo.​​ Se la ha catalogado como un ícono cultural depravado, subversivo y un instrumento utilizado por Satanás que ha influido entre tantas cosas a que millones de personas hayan contraído enfermedades de transmisión sexual y a practicar la homosexualidad.​ El Estado Islámico incluyó su nombre como una palabra prohibida.​ Algunos investigadores teorizaron a Madonna como restauradora de la imagen de la denominada Ramera de Babilonia.​​​​ Algunos académicos consideraron de ella, de importancia social pero también un personaje controversial.​ No obstante, muchos consideran que sus fallos y controversias añaden más elementos a su legado. (es)
  • Певица оказала влияние не только на музыку, но и на моду, феминизм и постмодернизм. Стала источником вдохновения многих последующих исполнительниц, среди которых Destiny's Child, Бритни Спирс, Пинк, Леди Гага, Кэти Перри, Майли Сайрус,Адель и Эсперанса Сполдинг. По мнению журнала Billboard, история поп-музыки по сути делится на две эры — «до Мадонны» и «после Мадонны». Из всей «несвятой троицы» 1958 года рождения — Майкл Джексон, Принс, Мадонна — лишь у неё получалось успешно экспериментировать, не изменяя при этом себе. Творчество Мадонны 1990-х годов было встречено столь отрицательными отзывами прессы и порицанием общества, что привлекло внимание академической среды. По примеру Гарвардского университета, высшие учебные заведения включали мини-курсы «мадонноведения». Междисциплинарный курс об «интерпретации корпуса её работ» и их влиянии на субкультуры положил начало многолетнему дискурсу. Профессор английского языка Университета Огайо Роберт Миклич рассматривал само его возникновение как «симптом времени» в своей работе «От Гегеля до Мадонны: навстречу экономике товарного фетишизма». (ru)
  • Desde o início de sua carreira, no início dos anos 1980, a cantora e compositora estadunidense Madonna tem um impacto sociocultural no mundo através de suas gravações, atitudes, roupas e estilo de vida. Chamada de "Rainha do Pop", Madonna é rotulada por autores internacionais como a maior mulher da música, bem como a artista feminina mais influente e icônica de todos os tempos. Um ícone cultural global, Madonna construiu um legado que vai além da música e foi estudada por sociólogos, historiadores e outros cientistas sociais. Seu impacto é frequentemente comparado com o dos Beatles e Elvis Presley; eles são os atos mais vendidos de todos os tempos na categoria geral, solo masculino e feminino, respectivamente. Madonna é uma figura-chave na música popular; Os críticos creditaram retrospectivamente sua presença, sucesso e contribuições, abrindo o caminho para toda artista feminina e mudando para sempre o cenário musical das mulheres na história da música, bem como das estrelas pop de hoje. Até mesmo revisões de seu trabalho serviram como um roteiro para examinar as mulheres em cada estágio de sua carreira musical. Madonna é o primeiro ícone pop multimídia da história e os profissionais concordam que ela se tornou o maior e mais socialmente importante ícone pop do mundo, além de ser o mais controverso. No entanto, alguns intelectuais, como o francês Georges Claude Guilbert, consideram que ela tem maior importância cultural, como um mito, que tem aparente universalidade e atemporalidade. Referências a Madonna na cultura popular são encontradas nas artes, na comida, na ciência e em cada ramo do entretenimento. Em um sentido geral, o jornalista Peter Robinson observou que "Madonna inventou a fama pop contemporânea, para que haja um pouco dela no DNA de todas as coisas pop modernas". No entanto, ela não é apenas uma figura onipresente, mas também uma figura polarizadora. Durante sua carreira, Madonna atraiu atenção social cultural contraditória de organizações familiares, "anti-pornografia" feminista e grupos religiosos em todo o mundo, com boicotes e protestos. (pt)
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  • Madonna with a traditional Spanish clothing, traje de luces (en)
  • Jesus Luz, former Madonna's boyfriend (en)
  • Madonna at the Halftime Show, 2012 (en)
  • Madonna performing "Candy Shop" at the Sticky & Sweet Tour (en)
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  • Madonna has been frequently described as a "queen" of many things... (en)
  • ...she has also been called many things from both negative and favorable (en)
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  • Madonna at ages 50 and 32 . Her physical fitness in daily basis and tours has been positively remarked by multiple authors and specialists. This image has also had an impact beyond her own figure. (en)
  • Madonna drew censure and criticism from politicians to world's religious leaders such as Vladimir Putin, Pope John Paul II and Yitzhak Kaduri . The singer as well has criticized many of these leaders. (en)
  • The fascination of Madonna for the Latino culture ranges from wearing outfits like traje de luces to dating men like Brazilian model Jesus Luz . (en)
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  • Madonna at thrones (en)
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  • CandyShopAmsterdam cropped.jpg (en)
  • Jesus Luz .jpg (en)
  • Madonna - Rebel Heart Tour 2015 - Mannheim .jpg (en)
  • Madonna Halftime show .jpg (en)
  • San Giovanni Paolo II.jpg (en)
  • Vladimir Putin - 2012.jpg (en)
  • VogueNewYork.jpg (en)
  • Jonathan Moffett Live with Madonna - Keep it Together HD .png (en)
  • Flickr - Government Press Office - P.M. Netanyahu and Rabbi Kaduri .jpg (en)
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  • Judging by the citations she receives from almost every female pop star, she remains the single biggest female influence on the nature and style of pop music over the course of the late twentieth century. (en)
  • Of all the superstars who inhabit popular culture, Madonna has attracted a volume of critical interest almost equal to the volume of recordings, videos and other materials she has sold. Madonna has remained an icon for postmodern theorist and popular audiences alike. (en)
  • She's a major historical figure and when she passes, the retrospectives will loom larger and larger in history. (en)
  • One of the great conundrums of the internet era is pop culture's short memory[...] But Madonna made real cultural change, and caused a few cultural crises, over and over again. (en)
  • It is not uncommon to read in the most prestigious media that she is the most influential woman in contemporary music. (en)
  • Many different kinds of people[,] appreciate Madonna for many different reasons. Madonna has zealous fans who are young and old, straight and gay, educated and unschooled, First and Third World, black, white, brown, and yellow, and of every sexual preference, demografic category, and lifestyle imaginable. People who differ from one another in every way can all still find something relevant in Madonna's multidimensional, multimediated public imagery. (en)
  • In an industry where some artists don't last longer than a packet of chewing gum, Madonna has built a career of success and longevity that is unparalleled. (en)
  • Madonna's influence reigns supreme on today's artists, her impact on pop culture through film and fashion may never be topped, and Madonna changed the role of women in pop music. She gave women power, the ability to do more than just record dance hits, and brought about change in the industry that gave birth to every single pop star today. (en)
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  • —Authors of Ageing, Popular Culture and Contemporary Feminism: Harleys and Hormones . (en)
  • Glenn Ward. Discover Postmodernism: Flash (en)
  • Social scientist James Lull (en)
  • —David Thomas from MTV Australia on Madonna in 2013. (en)
  • —Academic Camille Paglia on Madonna in a feminist perspective. (en)
  • —Announcer Juanma Ortega on Madonna . (en)
  • —Caryn Ganz of The New York Times on Madonna . (en)
  • —Culture columnist Art Tavana writing for company Spin Media . (en)
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  • منذ انطلاقة مسيرتها الفنية في أوائل الثمانينيات من القرن الماضي، كان للمغنية ومؤلفة الأغاني الأمريكية مادونا الأثر الاجتماعي والثقافي على العالم من خلال تسجيلاتها، ومواقفها تجاه الأمور وملابسها وأسلوب حياتها. لُقبت مدونا بلقب «ملكة البوب». صنف المؤلفون الدوليون مادونا على نحو استثنائي في الموسيقا، وكذلك باعتبارها الأكثر شهرة، كما أنها تُعد أيقونة نسائية كفنانة تسجيل على مر الزمان. تُعد مادونا رمزًا ثقافيًا شاملًا، فقد قامت ببناء تراث تجاوز حدود الموسيقا، درسه باحثو العلوم الاجتماعية والمؤرخون. غالباً ما يُقارن تأثيرها مع فرقة البيتلز وإلفيس بريسلي، فأعمالهم هي الأكثر مبيعاً في التاريخ. (ar)
  • American singer-songwriter Madonna (b. 1958) has had a social-cultural impact on the world through her recordings, attitude, clothing and lifestyle since her early career in the 1980s. Madonna has built a legacy that goes beyond music and has been studied by sociologists, historians and other social scientists. This contributed to the rise of the Madonna studies, an academic and critical response dedicated to her work and persona for which Madonna's semiotic and image was diversified in a wide-ranging of theoretical stripe from feminism to queer studies among others. (en)
  • Madonna es una artista estadounidense que ha tenido un impacto sociocultural de escala mundial a través de sus grabaciones, su actitud, vestimenta y estilo de vida desde que salió en la escena de los años 1980. Se hace referencia a ella frecuentemente como «su majestad» la «Reina del Pop» o simplemente «la Reina».​ (es)
  • Desde o início de sua carreira, no início dos anos 1980, a cantora e compositora estadunidense Madonna tem um impacto sociocultural no mundo através de suas gravações, atitudes, roupas e estilo de vida. Chamada de "Rainha do Pop", Madonna é rotulada por autores internacionais como a maior mulher da música, bem como a artista feminina mais influente e icônica de todos os tempos. (pt)
  • Певица оказала влияние не только на музыку, но и на моду, феминизм и постмодернизм. Стала источником вдохновения многих последующих исполнительниц, среди которых Destiny's Child, Бритни Спирс, Пинк, Леди Гага, Кэти Перри, Майли Сайрус,Адель и Эсперанса Сполдинг. По мнению журнала Billboard, история поп-музыки по сути делится на две эры — «до Мадонны» и «после Мадонны». Из всей «несвятой троицы» 1958 года рождения — Майкл Джексон, Принс, Мадонна — лишь у неё получалось успешно экспериментировать, не изменяя при этом себе. (ru)
rdfs:label
  • التأثير الثقافي لمادونا (ar)
  • Impacto cultural de Madonna (es)
  • Cultural impact of Madonna (en)
  • Impacto cultural de Madonna (pt)
  • Культурное влияние певицы Мадонны (ru)
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