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- جاترا (بالبنغالية: যাত্রা) وتعني الرحلة أو الموكب في سان كاترين ليه أراس وهي عبارة عن مسرح شعبي شائع في المسرح البنغالي وانتشرت في معظم المناطق البنغالية في شبه القارة الهندية.وتتضمن بنغلاديش والولايات الهندية في غرب ولاية البنغال، بيهار، آسام، أوريسا، وتريبورا، اعتبارا من 2005.كان هنالك 55 قبيلة اعتمدت على منطقة جاترا القديمة في كلكتا طريق تشيبتور وكلها معا.تم صناعة جيترا ب21$ تؤدي إلى 400 مسرح تقريبا في غرب بنغلاديش وحدها.في عام 2001 فوق 300 موظف شركة فوق 20ّ،000 من الناس أكثر من صناعة افلام محلية ومسارح الخاصة. (ar)
- Jatra (Bengali: যাত্রা,Odia: ଯାତ୍ରା, transl. procession or journey) is a popular folk-theatre form of Odia theatre, Bengali theatre, spread throughout most of Odia, Bengali speaking areas of the Indian subcontinent, including Bangladesh and Indian states of Odisha, West Bengal, Bihar, Assam and Tripura As of 2005, there were some 55 troupes based in Calcutta's old Jatra district, Chitpur Road, and all together, jatra is a $21m-a-year industry, performed on nearly 4,000 stages in West Bengal alone, where in 2001, over 300 companies employed over 20,000 people, more than the local film industry and urban theatre. The word jatra means journey or going. The origin of jatra intrinsically a musical theatre form, is traditionally credited to the rise of Sri Chaitanya's Bhakti movement, wherein Chaitanya himself played Rukmini in the performance of Rukmini Haran ("The abduction of the Charming Rukmini") from Krishna's life story, a first definite presentation of this theatrical spectacle. The performance, which lasted through the night in 1507 AD., has been described in Chaitanya Bhagavata, Chaitanya's hagiography by a disciple Vrindavana Dasa Thakura. Though there are evidences of existence of a form of singing called the 'Carya', which was popular between the 9th and the 12th centuries in Bengal, which existed in Orissa simultaneously as the popular 'Carya Padas' form. Jatra performances resemble the Nautanki of Uttar Pradesh, the Tamasha of Maharashtra and Bhavai of Gujarat. Though its birthplace lies in the religious landscape, replete with various Bhakti movements of Hinduism, by the end of the 19th century it was replaced by morally didactic content, and eventually became secular, when it gained entry into urban proscenium theatres during Bengal Renaissance. The survival of the form over such a vast period of rapidly changing social milieu, while catering to a heterogeneous audience, has been credited to its innate malleability and ways of adapting to changing social dynamics, and thus staying not just relevant and alive, but also thriving. (en)
- Le jatra (bengali : যাত্রা, (en) signifiant voyage ou procession en sanskrit) est une forme de théâtre populaire et traditionnel bengali. (fr)
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- جاترا (بالبنغالية: যাত্রা) وتعني الرحلة أو الموكب في سان كاترين ليه أراس وهي عبارة عن مسرح شعبي شائع في المسرح البنغالي وانتشرت في معظم المناطق البنغالية في شبه القارة الهندية.وتتضمن بنغلاديش والولايات الهندية في غرب ولاية البنغال، بيهار، آسام، أوريسا، وتريبورا، اعتبارا من 2005.كان هنالك 55 قبيلة اعتمدت على منطقة جاترا القديمة في كلكتا طريق تشيبتور وكلها معا.تم صناعة جيترا ب21$ تؤدي إلى 400 مسرح تقريبا في غرب بنغلاديش وحدها.في عام 2001 فوق 300 موظف شركة فوق 20ّ،000 من الناس أكثر من صناعة افلام محلية ومسارح الخاصة. (ar)
- Le jatra (bengali : যাত্রা, (en) signifiant voyage ou procession en sanskrit) est une forme de théâtre populaire et traditionnel bengali. (fr)
- Jatra (Bengali: যাত্রা,Odia: ଯାତ୍ରା, transl. procession or journey) is a popular folk-theatre form of Odia theatre, Bengali theatre, spread throughout most of Odia, Bengali speaking areas of the Indian subcontinent, including Bangladesh and Indian states of Odisha, West Bengal, Bihar, Assam and Tripura As of 2005, there were some 55 troupes based in Calcutta's old Jatra district, Chitpur Road, and all together, jatra is a $21m-a-year industry, performed on nearly 4,000 stages in West Bengal alone, where in 2001, over 300 companies employed over 20,000 people, more than the local film industry and urban theatre. (en)
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