| p:abstract
| - Guadalcanal Diary is an alternative jangle pop group from Marietta, Georgia. The band formed in 1981 (originally as "Emergency Broadcast System") and disbanded in 1989. They reformed in 1997 and toured without a new album. The band originated in Marietta, a suburb of Atlanta, but they were often billed as being "from Athens, Georgia" in the early 1980s. The group's music was characterized by clear, bright guitar sounds, upbeat rhythms, and Murray Attaway's clear, high tenor. Lyrically, the band mixed absurd, punk humor with melancholy and spiritual themes . In liner notes for a Rhino Handmade re-release of Walking in the Shadow of the Big Man, Attaway described the group's sound: It was great fun to be able to take a line from a revered blues song, a drum pattern from Africa, and a guitar or bass riff from The Stooges, and squeeze it all into some loud, tongue-in-cheek mush. This underappreciated Georgia quartet distinguished itself from any number of smart, tuneful American guitar combos by combining accessible songcraft with provocatively twisted lyrics. Singer/guitarist Murray Attaway's songs reflect a bizarre variety of far-flung interests, from a preoccupation with the supernatural to a fascination with American cultural imperialism; the band delivers them all with rootsy irony. Conveying a sense of wonder as well as a sense of humor, Watusi Rodeo — which doesn't include the song of the same name — is an appealing debut, with four fine, offbeat numbers and sturdy playing. "Watusi Rodeo," a rollicking tale of American cowboys pillaging African wildlife, does appear on Guadalcanal's first longplayer, Walking in the Shadow of the Big Man. Produced on the cheap by Don Dixon, the album presents rocking explorations of several of Attaway's pet themes: religious fanaticism, Civil War mythology and spontaneous human combustion . There's also a pair of enjoyable instrumentals, plus an unlikely rendition of "Kumbayah." Jamboree, produced by mainstream Southern-rock specialist Rodney Mills, features upgraded sound quality and contains some fine tunes, but overall the album is more competent than inspired. Standout tracks include "Pray for Rain," "Fear of God" and the title tune, all of which take dark views of religious faith; "Country Club Gun" and "Cattle Prod"; and "I See Moe," which uses the head Stooge as a metaphor for unchecked personal aggression. Dixon — and inspiration — returned for the smashing 2 X 4, on which the group's members dip into their shadowy art-rock pasts to finally create music as distinctive as the lyrics. "Litany," "Newborn" and "Winds of Change" sport big, ambitious arrangements that suit their subject matter just fine; "Lips of Steel" is an effective stab at space-rock, while "Say Please" and "Let the Big Wheel Roll" make rude cowpunk noise. Perhaps most impressive, however, is "3 AM," Attaway's quietly harrowing account of alcoholism. The CD adds a good cover of the Beatles' "And Your Bird Can Sing." Flip-Flop, which proved to be Guadalcanal's final album, finds drummer John Poe emerging as a worthy songwriter, supplanting guitarist Jeff Walls as Guadalcanal's auxiliary composer. Poe's moralistic rockers "Pretty Is as Pretty Does" and "The Likes of You" are among Flip-Flop's highlights, alongside Attaway's sardonically wistful "Always Saturday," the psychedelic "Fade Out" and the wacky singalong "... Vista." Guitarist Jeff Walls later performed with the bands Hillbilly Frankenstein, Dash Rip Rock, Southern Culture on the Skids and Man or Astro-Man?; as of 2007 he is a member of the Atlanta-based band The Woggles. (en)
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| rdfs:comment
| - Guadalcanal Diary is an alternative jangle pop group from Marietta, Georgia. The band formed in 1981 (originally as "Emergency Broadcast System") and disbanded in 1989. They reformed in 1997 and toured without a new album. The band originated in Marietta, a suburb of Atlanta, but they were often billed as being "from Athens, Georgia" in the early 1980s. The group's music was characterized by clear, bright guitar sounds, upbeat rhythms, and Murray Attaway's clear, high tenor. (en)
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