About: Douga

An Entity of Type: Thing, from Named Graph: http://dbpedia.org, within Data Space: dbpedia.org

The douga or the "dance of the vultures" is a ceremonial dance (and song) among the Mandinka people of West Africa. According to religious scholar Ada Uzoamaka Azodo, its relevance operates on three levels: it is "performed only occasionally at great events, [and] marks the religious revival of this Guinean community; "it shows the dominion of human knowledge, creative skills, and wisdom over matter and bestial instinct", and it "demonstrates ... the promise of resurrection of the dead to life". According to Christopher Miller, it reflects "the hierarchical, casted order of traditional Mande society" (of which the Mandinka are a part) and in essence forms a chain going back to the emperor Sundiata Keita.

Property Value
dbo:abstract
  • The douga or the "dance of the vultures" is a ceremonial dance (and song) among the Mandinka people of West Africa. According to religious scholar Ada Uzoamaka Azodo, its relevance operates on three levels: it is "performed only occasionally at great events, [and] marks the religious revival of this Guinean community; "it shows the dominion of human knowledge, creative skills, and wisdom over matter and bestial instinct", and it "demonstrates ... the promise of resurrection of the dead to life". According to Christopher Miller, it reflects "the hierarchical, casted order of traditional Mande society" (of which the Mandinka are a part) and in essence forms a chain going back to the emperor Sundiata Keita. There is, however, some doubt about to which extent the douga "belongs" to the Mandinka or the Mandé people more generally. Uzo Esonwanne casts doubt on Frantz Fanon's claim that Fodéba Keïta's African Dawn assigns a kind of ownership to the Mandé, or Christopher Miller's assumption that it belonged to a Mandé elite. (en)
dbo:wikiPageID
  • 64541528 (xsd:integer)
dbo:wikiPageLength
  • 5381 (xsd:nonNegativeInteger)
dbo:wikiPageRevisionID
  • 1079814482 (xsd:integer)
dbo:wikiPageWikiLink
dbp:align
  • right (en)
dbp:author
  • Camara Laye, The African Child (en)
dbp:quote
  • And when my father, after having soldered the large grain of gold that crowned the summit, held out his work to be admired, the griot would no longer be able to contain himself. He would begin to intone the douga, the great chant which is sung only for celebrated men and which is danced by them alone. (en)
dbp:width
  • 30.0
dbp:wikiPageUsesTemplate
dcterms:subject
rdfs:comment
  • The douga or the "dance of the vultures" is a ceremonial dance (and song) among the Mandinka people of West Africa. According to religious scholar Ada Uzoamaka Azodo, its relevance operates on three levels: it is "performed only occasionally at great events, [and] marks the religious revival of this Guinean community; "it shows the dominion of human knowledge, creative skills, and wisdom over matter and bestial instinct", and it "demonstrates ... the promise of resurrection of the dead to life". According to Christopher Miller, it reflects "the hierarchical, casted order of traditional Mande society" (of which the Mandinka are a part) and in essence forms a chain going back to the emperor Sundiata Keita. (en)
rdfs:label
  • Douga (en)
owl:sameAs
prov:wasDerivedFrom
foaf:isPrimaryTopicOf
is dbo:wikiPageWikiLink of
is foaf:primaryTopic of
Powered by OpenLink Virtuoso    This material is Open Knowledge     W3C Semantic Web Technology     This material is Open Knowledge    Valid XHTML + RDFa
This content was extracted from Wikipedia and is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License