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- Carl Hancock Rux (/ˈrʌks/) is an American poet, playwright, novelist, essayist, recording artist, journalist, curator and conceptual installation artist working in text, dance, ritualized performance, audio, video, and photography. Described in the NY Times as "a breathlessly inventive multimedia artist" focused on "art, race, memory and power",[1] Rux is the author of several books including the Village Voice Literary Prize-winning collection of poetry, Pagan Operetta, the novel, Asphalt, and the OBIE Award-winning play,Talk and five albums. He appears as a frequent collaborating artist, most notably on Gerald Clayton's album Life Forum[2] (Grammy nomination for Best Jazz Instrumental Album[3]) and as co-author of the staged incarnation of Steel Hammer by Julia Wolfe, the 2010 Pulitzer Prize-nominated work, created with Anne Bogart.[4] Rux is the author/performer of the Lincoln Center commissioned experimental short poetic film The Baptism, a tribute to civil rights activists John Lewis and C. T. Vivian, directed by Carrie Mae Weems (an official selection in the 2022 Segal Center Film Festival on Theater and Performance). Rux is Co-Artistic Director and a board member of Mabou Mines, an award-winning New York City-based experimental mixed media art and social service company founded in 1970 by David Warrilow, Lee Breuer, Ruth Maleczech, JoAnne Akalaitis, and Philip Glass; a board member of 122 Community Center "122 CC" (formerly known as Performance Space 122) and Associate Artistic Director/Curator in Residence of Harlem Stage/The Gate House, formerly known only as Aaron Davis Hall (winner of the Association of Performing Arts Presenters William Dawson Award for Programming Excellence and Sustained Achievement in Programming). Rux is also the Multidisciplinary Editor at The Massachusetts Review (recipient of the 2021 Whiting Literary Magazine Prize for Journalism). Mr. Rux is the inaugural curator/director of Lincoln Center, Park Avenue Armory and Harlem Stage's annual Juneteenth Celebration, I Dream a Dream That Dreams Back at Me. Rux is the recipient of numerous awards including the Doris Duke Award for New Works, the Doris Duke Charitable Fund, the New York Foundation for the Arts Prize, the Bessie Award, the Alpert Award in the Arts; a 2019 Global Change Maker award by WeMakeChange.Org. Rux's archives are housed at the Billy Rose Theater Division of the New York Public Library, the Archives of American Art, Smithsonian Institution as well as the Film and Video/Theater and Dance Library of the California Institute of the Arts. (en)
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- There is something called black in America, and there is something called white in America, and I know them when I see them, but I will forever be unable to explain the meaning of them, because they are not real, even though they have a very real place in my daily way of seeing, a fundamental relationship to my ever-evolving understanding of history and a critical place in my relationship to humanity. (en)
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- Carl Hancock Rux (/ˈrʌks/) is an American poet, playwright, novelist, essayist, recording artist, journalist, curator and conceptual installation artist working in text, dance, ritualized performance, audio, video, and photography. Described in the NY Times as "a breathlessly inventive multimedia artist" focused on "art, race, memory and power",[1] Rux is the author of several books including the Village Voice Literary Prize-winning collection of poetry, Pagan Operetta, the novel, Asphalt, and the OBIE Award-winning play,Talk and five albums. He appears as a frequent collaborating artist, most notably on Gerald Clayton's album Life Forum[2] (Grammy nomination for Best Jazz Instrumental Album[3]) and as co-author of the staged incarnation of Steel Hammer by Julia Wolfe, the 2010 Pulitzer Pr (en)
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