About: Bimodality

An Entity of Type: WikicatMusicalTechniques, from Named Graph: http://dbpedia.org, within Data Space: dbpedia.org

Bimodality is the simultaneous use of two distinct pitch collections. It is more general than bitonality since the "scales" involved need not be traditional scales; if diatonic collections are involved, their pitch centers need not be the familiar major and minor-scale tonics. One example is the opening (mm. 1–14) of Béla Bartók's "Boating" from Mikrokosmos (no. 125, vol. 5). Here, the right hand uses pitches of the pentatonic scale on E♭ and the left hand uses those of the diatonic hexachord on C, perhaps suggesting G dorian or G mixolydian.

Property Value
dbo:abstract
  • Bimodality is the simultaneous use of two distinct pitch collections. It is more general than bitonality since the "scales" involved need not be traditional scales; if diatonic collections are involved, their pitch centers need not be the familiar major and minor-scale tonics. One example is the opening (mm. 1–14) of Béla Bartók's "Boating" from Mikrokosmos (no. 125, vol. 5). Here, the right hand uses pitches of the pentatonic scale on E♭ and the left hand uses those of the diatonic hexachord on C, perhaps suggesting G dorian or G mixolydian. Bartók also uses the white-key and black-key collections (diatonic scale and its pentatonic complement) in no.6 of the Eight Improvisations, with the pentatonic as foreground, and in mm. 50–51 of the third movement of his Fourth Quartet, with the diatonic as foreground . Paul Wilson argues against analyzing Bartók's "Diminished Fifth" (Mikrokosmos vol. 4, no. 101) and "Harvest Song" (no. 33 of the Forty-Four Duos for two violins) as bitonal since in both "the larger octatonic collection embraces and supports both supposed tonalities" . Here, the octatonic collection is partitioned into two four-note segments (4-10 or 0235) of the natural minor scales a tritone apart. (en)
dbo:thumbnail
dbo:wikiPageID
  • 4181692 (xsd:integer)
dbo:wikiPageLength
  • 2174 (xsd:nonNegativeInteger)
dbo:wikiPageRevisionID
  • 782809080 (xsd:integer)
dbo:wikiPageWikiLink
dbp:reference
  • Stein, Deborah . "Introduction to Musical Ambiguity". In Engaging Music: Essays in Music Analysis, fourth edition, edited by Deborah Stein, pp. 77–88. New York: Oxford University Press. . (en)
  • Wilson, Paul . The Music of Béla Bartók. New Haven and London: Yale University Press. . (en)
dbp:wikiPageUsesTemplate
dcterms:subject
gold:hypernym
rdf:type
rdfs:comment
  • Bimodality is the simultaneous use of two distinct pitch collections. It is more general than bitonality since the "scales" involved need not be traditional scales; if diatonic collections are involved, their pitch centers need not be the familiar major and minor-scale tonics. One example is the opening (mm. 1–14) of Béla Bartók's "Boating" from Mikrokosmos (no. 125, vol. 5). Here, the right hand uses pitches of the pentatonic scale on E♭ and the left hand uses those of the diatonic hexachord on C, perhaps suggesting G dorian or G mixolydian. (en)
rdfs:label
  • Bimodality (en)
owl:sameAs
prov:wasDerivedFrom
foaf:depiction
foaf:isPrimaryTopicOf
is dbo:wikiPageWikiLink of
is foaf:primaryTopic of
Powered by OpenLink Virtuoso    This material is Open Knowledge     W3C Semantic Web Technology     This material is Open Knowledge    Valid XHTML + RDFa
This content was extracted from Wikipedia and is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License