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The Bemposta Monstrance (Portuguese: Custódia da Bemposta) is a monstrance dated 1777, designed by architect Mateus Vicente de Oliveira and made by Prussian-born jewelsmith . It was commissioned by Peter III of Portugal for the Chapel of Bemposta Palace, an estate in the Infante's dominions as Lord of the House of the Infantado. It is one of the finest examples of Portuguese Baroque goldsmithing. It is currently part of the collection of the National Museum of Ancient Art, in Lisbon.

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  • The Bemposta Monstrance (Portuguese: Custódia da Bemposta) is a monstrance dated 1777, designed by architect Mateus Vicente de Oliveira and made by Prussian-born jewelsmith . It was commissioned by Peter III of Portugal for the Chapel of Bemposta Palace, an estate in the Infante's dominions as Lord of the House of the Infantado. It is one of the finest examples of Portuguese Baroque goldsmithing. It is currently part of the collection of the National Museum of Ancient Art, in Lisbon. (en)
  • A chamada Custódia da Bemposta é uma alfaia litúrgica, peça de ourivesaria e pedraria, de manufactura portuguesa da segunda metade do século XVIII, desenhada pelo arquiteto Mateus Vicente de Oliveira. Proveniente da Capela do Paço da Bemposta, conserva-se desde 1876 no Museu Nacional de Arte Antiga, em Lisboa. A execução da mesma foi da autoria do ourives Adam Pollet. [1] Conforme QUEIROZ (ob. cit.), Mateus Vicente de Oliveira teria concebido outros trabalhos de ourivesaria, dentre eles, o ostensório do Mosteiro do Lorvão. (pt)
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  • The Bemposta Monstrance (Portuguese: Custódia da Bemposta) is a monstrance dated 1777, designed by architect Mateus Vicente de Oliveira and made by Prussian-born jewelsmith . It was commissioned by Peter III of Portugal for the Chapel of Bemposta Palace, an estate in the Infante's dominions as Lord of the House of the Infantado. It is one of the finest examples of Portuguese Baroque goldsmithing. It is currently part of the collection of the National Museum of Ancient Art, in Lisbon. (en)
  • A chamada Custódia da Bemposta é uma alfaia litúrgica, peça de ourivesaria e pedraria, de manufactura portuguesa da segunda metade do século XVIII, desenhada pelo arquiteto Mateus Vicente de Oliveira. Proveniente da Capela do Paço da Bemposta, conserva-se desde 1876 no Museu Nacional de Arte Antiga, em Lisboa. A execução da mesma foi da autoria do ourives Adam Pollet. [1] Conforme QUEIROZ (ob. cit.), Mateus Vicente de Oliveira teria concebido outros trabalhos de ourivesaria, dentre eles, o ostensório do Mosteiro do Lorvão. (pt)
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  • Bemposta Monstrance (en)
  • Custódia da Bemposta (pt)
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