Arthur Foote (5 March 1853 – 4 April 1937) was an American classical composer, and a member of the "Boston Six." The other five were George Whitefield Chadwick, Amy Beach, Edward MacDowell, John Knowles Paine, and Horatio Parker.

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  • Arthur Foote (5 March 1853 – 4 April 1937) was an American classical composer, and a member of the "Boston Six." The other five were George Whitefield Chadwick, Amy Beach, Edward MacDowell, John Knowles Paine, and Horatio Parker. The modern tendency is to view Foote’s music as “Romantic” and “European” in light of the later generation of American composers such as Aaron Copland, Roy Harris and William Schuman, all of whom helped to develop a recognizably American sound in classical music. In some sense, then, he is to music what American poets were to literature before Walt Whitman. Foote was an early advocate of Brahms and Wagner and promoted performances of their music. Foote was an active music teacher and wrote a number of pedagogical works, including Modern Harmony in Its Theory and Practice, written with Walter R. Spalding. It was republished as Harmony . He also wrote Some Practical Things in Piano-Playing and Modulation and Related Harmonic Questions . He contributed many articles to music journals, including "Then and Now, Thirty Years of Musical Advance in America" in Etude and "A Bostonian Remembers" in Musical Quarterly . The Grove Music Encyclopedia says: :“In his finest works Foote was a memorable composer. His style, firmly placed in the Romantic tradition, is characterized by lyrical melodies, expressive phrasing, and clear formal structure. He excelled in writing for strings and achieved particular popularity in his lifetime with the Suite in E major op.63 and A Night Piece for flute and strings. Of his works for full orchestra, the Four Character Pieces after the Rubáiyát of Omar Khayyám op.48 is noteworthy for its colourful instrumental writing…”. There exists a full-length biography by Nicholas E. Tawa: Arthur Foote: A Musician in the Frame of Time and Place (1997). A good part of Foote's compositions consists of chamber music and these works are generally among his best. The Chamber Music Journal, discussing Foote's chamber music, has written, "If his name is not entirely unknown, it is fair to say that his music is. This is a shame. Foote’s chamber music is first rate, deserving of regular public performance." His Piano Quintet, Op.38 and Piano Quartet, Op. 23, are singled out for special praise. With regard to the Piano Quintet, the author writes, "Each of the movements is a gem. The Scherzo is particularly fine and the rousing finale beyond reproach. I believe that the only reason this work never received the audience it deserved and deserves is because it was written by an American who was 'out of the loop.'” As for the Piano Quartet, the opinion is that "it is as good as any late 19th century piano quartet." (en)
  • アーサー・フット(Arthur (William) Foote, 1853年3月5日マサチューセッツ州セイラム - 1937年4月8日ボストン)はアメリカ合衆国の作曲家。ペインやチャドウィック、パーカー、エイミー・ビーチと並ぶ「第二次ニューイングランド楽派」の作曲家の一人。とりわけ室内楽創作の面から、アメリカ合衆国におけるクラシック音楽の発展を基礎付けた一人と看做されている。ハーヴァード大学で最初に音楽学の学位を取得した人物としてアメリカ音楽史上にその名を残しており、19世紀末のアメリカ人作曲家には珍しく、若いうちにヨーロッパで作曲の研鑽を積んだことがなかった。 (ja)
  • Arthur Foote (* 5. März 1853 in Salem, Massachusetts; † 8. April 1937 in Boston, Massachusetts) war ein US-amerikanischer Komponist. Gemeinsam mit John Knowles Paine, Horatio Parker, George Chadwick, Edward MacDowell und Amy Beach wird er zur Second New England School gezählt, die als Begründer der eigenständigen klassischen Musik in den USA gilt. Foote studierte am Konservatorium von Boston bei Stephen Albert Emery und an der Harvard University bei John Knowles Paine. Danach nahm er Unterricht bei dem Organisten Benjamin Johnson Lang und wurde Musiklehrer und Organist in Boston. Er komponierte zwei Orchestersuiten, zwei Ouvertüren, vier Charakterstücke für Orchester (Four Character Pieces after the Rubaiyat of Omar Khayyam), eine Streicherserenade, kammermusikalische Werke, Chorballaden, Klavierstücke und Lieder. (de)
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  • Foote, Arthur (en)
  • 1853 (xsd:integer)
  • 1937 (xsd:integer)
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  • Arthur Foote (en)
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  • Foote, Arthur (en)
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  • Arthur Foote (5 March 1853 – 4 April 1937) was an American classical composer, and a member of the "Boston Six." The other five were George Whitefield Chadwick, Amy Beach, Edward MacDowell, John Knowles Paine, and Horatio Parker. (en)
  • アーサー・フット(Arthur (William) Foote, 1853年3月5日マサチューセッツ州セイラ� - 1937年4月8日ボストン)はアメリカ合衆国の作曲家。ペインやチャドウィック、パーカー、エイミー・ビーチと並ぶ「第二次ニューイングランド楽派」の作曲家の一人。とりわけ室内楽創作の面から、アメリカ合衆国におけるクラシック音楽の発展を基礎付けた一人と看做されている。ハーヴァード大学で最初に音楽学の学位を取得した人物としてアメリカ音楽史上にその名を残しており、19世紀末のアメリカ人作曲家には珍しく、若いうちにヨーロッパで作曲の� �鑽を積ん� ことがなかった。 (ja)
  • Arthur Foote (* 5. März 1853 in Salem, Massachusetts; † 8. April 1937 in Boston, Massachusetts) war ein US-amerikanischer Komponist. (de)
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  • Arthur Foote (en)
  • アーサー・フット (ja)
  • Arthur Foote (de)
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