Zen Arcade is the third studio album from the American punk rock band Hüsker Dü, released in July 1984 on SST Records. Originally released as a double album on two vinyl LPs, Zen Arcade is a concept album about an adolescent who runs away because his home life is unfulfilling, only to find the world outside is even worse. The album incorporates elements of jazz, psychedelia, acoustic folk, pop, and piano interludes, concepts previously unheard of in the world of hardcore punk.

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  • Zen Arcade is the third studio album from the American punk rock band Hüsker Dü, released in July 1984 on SST Records. Originally released as a double album on two vinyl LPs, Zen Arcade is a concept album about an adolescent who runs away because his home life is unfulfilling, only to find the world outside is even worse. The album incorporates elements of jazz, psychedelia, acoustic folk, pop, and piano interludes, concepts previously unheard of in the world of hardcore punk. Zen Arcade and subsequent Hüsker Dü albums were instrumental in the creation of the alternative rock genre; the band would later abandon the hardcore aesthetic entirely in favor of a post-hardcore style of melodic, guitar-driven alternative rock. While not commercially successful, the influence of Zen Arcade has stretched beyond the underground music sphere, and it is frequently included on lists of the all-time best rock and roll albums and continues to have cult following.
  • Zen Arcade è il quarto disco registrato in studio del gruppo hardcore americano degli Hüsker Dü, pubblicato nel 1984 per la casa discografica alternativa SST. Definito dal critico italiano Piero Scaruffi "La Divina Commedia del punk", è infatti un disco dall'enorme importanza storica. Si tratta molto probabilmente del massimo capolavoro dell'hardcore nonché uno dei più importanti dischi punk, vera e propria Bibbia per tutti i gruppi della scena hardcore-punk melodico degli anni '90 in quanto fu di impulso alla nascita di centinaia di gruppi punk negli Stati Uniti. Inoltre è considerato un album fondamentale per la genesi dell'emo. Si tratta di un concept album che racconta la difficile iniziazione alla vita di un ragazzo di periferia. Non è casuale la similitudine di temi trattati con American Idiot, l'opera rock dei già citati Green Day. Il disco fu registrato nel 1984 in pochissime ore di sala di registrazione; alcuni pezzi furono incisi già alla prima esecuzione per mancanza di tempo. Anche questo ha contribuito alla brutale violenza dei suoni e alla fungosità delle esecuzioni. Notevole la scelta di stemperare temporaneamente la tensione con l'inserimento di due mini sonate per tastiera, One step at time e soprattutto Monday will never be the same. Ma tra le tracce trova anche spazio la psichedelia, l'industrial e atmosfere noise degne dei Sonic Youth.
  • Zen Arcade er det andre studioalbumet av hardcorebandet Hüsker Dü. Albumet ble sluppet ut i juli 1984 på SST Records, og ble opprinnelig sluppet ut som et dobbel-album. Zen Arcade er et konseptalbum om en tenåring som drar hjemmefra for å slippe det utilpasse livet for å så finne verdenen utenfor enda verre. Albumet innholder musikalske elementer fra jazz, psykedelia, folkrock, pop, og piano-sekvenser; konsepter som var uhørt av hardcoreband på 80-tallet. Zen Arcade og de påfølgende platene til Hüsker Dü la større vekt på melodiske og gitar-baserte melodier. Platen har hatt større innflytelse enn hva salgstallene skulle tilsi, og albumet dukker stadig opp på kåringer av tidenes beste rock-album.
  • Zen Arcade – czwarty album zespołu Hüsker Dü wydany w lipcu 1984 roku przez firmę SST Records.
  • Zen Arcade é o segundo álbum de estúdio da banda Hüsker Dü, lançado em Julho de 1984. Este disco inclui diferentes géneros músicais, passando pelo jazz, psicadélica, em "Hare Krsna" e "The Tooth Fairy And The Princess", o folk, em "Never Talking To You Again", o pop e mesmo com o piano de fundo, em "One Step At A Time" e "Monday Will Never Be The Same".
  • Третий полноценный альбом группы Hüsker Dü. Лучший альбом в американской рок-музыке 80-х годов по мнению американских рок-критиков.
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  • ''Metal Circus''
    (1983)
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  • 70:23
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  • Zen Arcade
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  • October 1983 at the Total Access in Redondo Beach, California (except "Standing By The Sea," recorded during the ''Metal Circus'' sessions, Dec 1982)
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  • Zen Arcade is the third studio album from the American punk rock band Hüsker Dü, released in July 1984 on SST Records. Originally released as a double album on two vinyl LPs, Zen Arcade is a concept album about an adolescent who runs away because his home life is unfulfilling, only to find the world outside is even worse. The album incorporates elements of jazz, psychedelia, acoustic folk, pop, and piano interludes, concepts previously unheard of in the world of hardcore punk.
  • Zen Arcade è il quarto disco registrato in studio del gruppo hardcore americano degli Hüsker Dü, pubblicato nel 1984 per la casa discografica alternativa SST. Definito dal critico italiano Piero Scaruffi "La Divina Commedia del punk", è infatti un disco dall'enorme importanza storica.
  • Zen Arcade er det andre studioalbumet av hardcorebandet Hüsker Dü. Albumet ble sluppet ut i juli 1984 på SST Records, og ble opprinnelig sluppet ut som et dobbel-album. Zen Arcade er et konseptalbum om en tenåring som drar hjemmefra for å slippe det utilpasse livet for å så finne verdenen utenfor enda verre. Albumet innholder musikalske elementer fra jazz, psykedelia, folkrock, pop, og piano-sekvenser; konsepter som var uhørt av hardcoreband på 80-tallet.
  • Zen Arcade – czwarty album zespołu Hüsker Dü wydany w lipcu 1984 roku przez firmę SST Records.
  • Zen Arcade é o segundo álbum de estúdio da banda Hüsker Dü, lançado em Julho de 1984. Este disco inclui diferentes géneros músicais, passando pelo jazz, psicadélica, em "Hare Krsna" e "The Tooth Fairy And The Princess", o folk, em "Never Talking To You Again", o pop e mesmo com o piano de fundo, em "One Step At A Time" e "Monday Will Never Be The Same".
  • Третий полноценный альбом группы Hüsker Dü. Лучший альбом в американской рок-музыке 80-х годов по мнению американских рок-критиков.
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