Trinh T. Minh-ha (born 1952) is a filmmaker, writer, academic and composer. She is a world-renowned independent filmmaker and feminist, post-colonial theorist. She teaches courses that focuses on women's work as related to cultural politics, post-coloniality, contemporary critical theory and the arts. The seminars she offers focus on Third cinema, film theory and aesthetics, the voice in cinema, the autobiographical voice, critical theory and research, cultural politics and feminist theory.

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  • Trinh T. Minh-ha (born 1952) is a filmmaker, writer, academic and composer. She is a world-renowned independent filmmaker and feminist, post-colonial theorist. She teaches courses that focuses on women's work as related to cultural politics, post-coloniality, contemporary critical theory and the arts. The seminars she offers focus on Third cinema, film theory and aesthetics, the voice in cinema, the autobiographical voice, critical theory and research, cultural politics and feminist theory. She has been making films for over twenty years and may be best known for her first film Reassemblage, made in 1982. She has received several awards and grants, including the American Film Institute’s National Independent Filmmaker Maya Deren Award, and Fellowships from the John Simon Guggenheim Foundation, the National Endowment for the Arts and the California Arts Council. Her films have been the subject of twenty retrospectives.
  • Trinh T. Minh-ha ist eine postkolonialistische Differenz-Theoretikerin, Komponistin und Filmemacherin. Geboren in Vietnam, wanderte Trinh 1970 in die Vereinigten Staaten ein, nachdem sie in Vietnam und auf den Philippinen studiert hatte. Sie studierte Komposition, Musikethnologie und französische Literatur an der Universität von Illinois, Champaign-Urbana, an der sie den M.F.A. und Ph.D. Grad erhielt. Zurzeit arbeitet sie als Chancellor's Distinguished Professor of Women's Studies an der University of California, Berkeley, und associate professor of cinema an der San Francisco State University. Sie unterrichtete an der Harvard und der Smith Universität, an der Universität von Illinois und am Nationalen Konservatorium für Musik in Senegal. Als Differenz-Theoretikerin wurde sie u.a. mit ihrem Buch Women, Native, Other (1989) bekannt. Dort geht sie der "Frage nach Identität als Paradigma einer westlichen binären Herrschaftslogik" nach. Danach werde "Identität auf der Grundlage einer Essentialisierung von Differenz gebildet".
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  • Trịnh Thị Minh Hà
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  • Trinh T. Minh-ha
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  • Trinh T. Minh-ha Trịnh Thị Minh Hà
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  • 1982-
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  • Trinh T. Minh-ha (born 1952) is a filmmaker, writer, academic and composer. She is a world-renowned independent filmmaker and feminist, post-colonial theorist. She teaches courses that focuses on women's work as related to cultural politics, post-coloniality, contemporary critical theory and the arts. The seminars she offers focus on Third cinema, film theory and aesthetics, the voice in cinema, the autobiographical voice, critical theory and research, cultural politics and feminist theory.
  • Trinh T. Minh-ha ist eine postkolonialistische Differenz-Theoretikerin, Komponistin und Filmemacherin. Geboren in Vietnam, wanderte Trinh 1970 in die Vereinigten Staaten ein, nachdem sie in Vietnam und auf den Philippinen studiert hatte. Sie studierte Komposition, Musikethnologie und französische Literatur an der Universität von Illinois, Champaign-Urbana, an der sie den M.F.A. und Ph.D. Grad erhielt.
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  • Trinh T. Minh-ha
  • Trinh T. Minh-ha
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  • Trinh T. Minh-ha
    Trịnh Thị Minh Hà
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