In the years centering around 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music. Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the Renaissance, and the changes merely built on extant forms and practices.

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  • In the years centering around 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music. Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the Renaissance, and the changes merely built on extant forms and practices. The transitions emanated from the cultural centers of northern Italy, then spread to Rome, France and Germany, and lastly reached England. In terms of instrumental music, shifts in four discreet areas can be observed: idiomatic writing, texture, instrument use and orchestration.
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  • In the years centering around 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music. Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the Renaissance, and the changes merely built on extant forms and practices.
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  • Transition from Renaissance to Baroque in instrumental music
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