The Sun in a Net (Slnko v sieti) became a key film in the development of Slovak and Czechoslovak cinema from the mandated Socialist-Realist filmmaking of the repressive 1950s towards the Czechoslovak/Czech New Wave and socially critical or experimental films of the 1960s marked by a gradual relaxation of communist control. Štefan Uher’s cinematic idiom is as exquisite and deliberate as any of his European contemporaries, including Michelangelo Antonioni, Ingmar Bergman and Chris Marker.

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  • 1963-02-15 (xsd:date)
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  • 5400 (xsd:double)
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  • 1963-02-15 (xsd:date)
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  • 5400 (xsd:double)
dbpprop:abstract
  • The Sun in a Net (Slnko v sieti) became a key film in the development of Slovak and Czechoslovak cinema from the mandated Socialist-Realist filmmaking of the repressive 1950s towards the Czechoslovak/Czech New Wave and socially critical or experimental films of the 1960s marked by a gradual relaxation of communist control. Štefan Uher’s cinematic idiom is as exquisite and deliberate as any of his European contemporaries, including Michelangelo Antonioni, Ingmar Bergman and Chris Marker. The Sun in a Net received multiple votes in a wide survey of Czech and Slovak film academics and critics in the late 1990s asking them for their lists of the 10 best films in the history of filmmaking in the former Czechoslovakia.
dbpprop:cinematography
  • Stanislav Szomolányi
dbpprop:country
dbpprop:director
dbpprop:editing
  • Bedřich Voděrka
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  • The Sun in a Net
  • 176155 (xsd:integer)
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dbpprop:music
  • Ilja Zeljenka
dbpprop:name
  • The Sun in a Net
dbpprop:released
  • 15 February 1963
dbpprop:runtime
  • 90 min
dbpprop:starring
  • Marián Bielik Jana Beláková Eliška Nosáľová Ľubo Roman
dbpprop:wikiPageUsesTemplate
dbpprop:wordnet_type
dbpprop:writer
  • Short stories: Alfonz Bednár Screenplay: Alfonz Bednár
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rdfs:comment
  • The Sun in a Net (Slnko v sieti) became a key film in the development of Slovak and Czechoslovak cinema from the mandated Socialist-Realist filmmaking of the repressive 1950s towards the Czechoslovak/Czech New Wave and socially critical or experimental films of the 1960s marked by a gradual relaxation of communist control. Štefan Uher’s cinematic idiom is as exquisite and deliberate as any of his European contemporaries, including Michelangelo Antonioni, Ingmar Bergman and Chris Marker.
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  • The Sun in a Net
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  • The Sun in a Net
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