The Fabulous Counts were an American soul/funk group from Detroit, Michigan. They won local acclaim as an instrumental group and as a backing ensemble for visiting solo acts after their formation in 1968. Working with producer Richard Wylie, they released the instrumental single "Jan, Jan" on Detroit's Moira Records that year, which narrowly missed hitting the US R&B charts that winter.
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- The Fabulous Counts were an American soul/funk group from Detroit, Michigan. They won local acclaim as an instrumental group and as a backing ensemble for visiting solo acts after their formation in 1968. Working with producer Richard Wylie, they released the instrumental single "Jan, Jan" on Detroit's Moira Records that year, which narrowly missed hitting the US R&B charts that winter. Their second single, "Dirty Red", passed without trace, but the third single, "Get Down People", hit #32 R&B and #88 on the US pop charts. A full-length, Jan, Jan, was released in 1969 on Cotillion Records, but the group left the label in 1971. Signing with Westbound Records that year, the group went through some lineup changes, moved to Atlanta, Georgia, and changed their name simply to The Counts. They released three funk LPs under this name in the 1970s, and all three albums charted before the group called it quits in 1976. in 2009 the fabulous counts reunite back in the line up from 1976: mose davis (hammond,voc), leroy emmanuel (git,voc), demo cates (saxes,voc), jimmy "junebug jackson (dr,voc(and jimmy brown . a record, record in 1976 but never came out cause of the band´s split will be released and the band will hit for a big summer festival tour in europe and the us. www. thefabulouscounts. com www. myspace. com/thefabulouscounts
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- The Fabulous Counts were an American soul/funk group from Detroit, Michigan. They won local acclaim as an instrumental group and as a backing ensemble for visiting solo acts after their formation in 1968. Working with producer Richard Wylie, they released the instrumental single "Jan, Jan" on Detroit's Moira Records that year, which narrowly missed hitting the US R&B charts that winter.
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